Peg Cifras
por Steely Dan174.584 views, adicionada aos favoritos 3.568 times
Dificuldade: | avançado |
---|---|
Afinação: | E A D G B E |
Capotraste: | sem capotraste |
Temos uma Tablatura Oficial de Peg criada pelos guitarristas profissionais do UG.
Confira a tablaturaCifras
Palhetada
Ainda não temos padrão de palhetada para esta música. Criar e receba +5 IQ
The chords for the verse are a bit awkward - It's the usual
type of Steely Dan chord - a triad with a different bass note.
It's pretty hard to play the verse chords at the right speed - so
you might have to forget about the bass note and just play the top
strings. I think this is what the guitar on the record does anyway,
but if you want to get the proper sound of the chord you really
need the bass as well.
Chords for the solo are the same as for the verses.
The rest are just repeats.
Chord Shapes:
-------------
For convenience: a=10, b=11, c=12; etc
(So an E shape bar chord at the 9th fret (i.e. C#) would be 9bba99)
G6/9 F#7#9 F6/9 E7#9 Eb6/9 D7#9
xa99ax x989ax x8778x x7678x x6556x x5456x
Cmaj7 Gsus2/B Gsus2 Fmaj7 Csus2 Gmaj7
x3x453 x2x233 3xx233 x8x9a8 9xx899 xaxbca
Dsus2 Am11 E7sus4 Asus2/C# C6/9 G
axx9aa x0xcda 0xxefc 9x99ax 8x778x 355433
F#7 Bm7 Am7 C/D F#m7 Em7
242322 7x7777 5x5555 xx0553 2x2222 079787
[Intro]
G6/9 F#7#9 F6/9 E7#9 Eb6/9 D7#9
[Verse 1]
Cmaj7 Gsus2/B Cmaj7 Gsus2
I've seen your
Cmaj7 Gsus2 Cmaj7 Gsus2
picture your name in lights
Cmaj7 Gsus2 Cmaj7 Gsus2
above it this is your
Fmaj7 Csus2 Fmaj7 Csus2
big de-but it's like a
Cmaj7 Gsus2 Cmaj7 Gsus2
dream come true so won't you
Gmaj7 Dsus2 Fmaj7 Csus2
smile for the camera I know you're gonna
Cmaj7 Gsus2 Cmaj7 Gsus2
love it
[Verse 2]
Cmaj7 Gsus2/B Cmaj7 Gsus2
I've got your
Cmaj7 Gsus2 Cmaj7 Gsus2
pin shot I keep it with your
Cmaj7 Gsus2 Cmaj7 Gsus2
letter Done up in
Fmaj7 Csus2 Fmaj7 Csus2
blue-print blue It sure looks
Cmaj7 Gsus2 Cmaj7 Gsus2
good on you So won't you
Gmaj7 Dsus2 Fmaj7 Csus2
smile for the camera I know they're gonna
Cmaj7 Gsus2 Cmaj7 Gsus2
love it, Peg
[Chorus]
Cmaj7 Gsus2/B Am11 E7sus4
Peg it will come back to you
Cmaj7 Gsus2/B Am11 E7sus4
Peg it will come back to you
Asus2/C# C6/9 G F#7
Then the shutter falls
Bm7 E7#9 Am7 C/D Cmaj7 Gsus2
You see it all in 3D it's your favourite foreign movie
Cmaj7 Gsus2 F#m7 Bm7 Em7 Bm7 C6/9
[Solo]
G6/9 F#7#9 F6/9 E7#9 Eb6/9 D7#9
X
×
Peg – Steely Dan
How to play
"Peg"
Fonte
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18 comments

Thanks for the great tab!
I think that Csus2 is supposed to be 8xx788 though.
+7

Good job! However, what you call Gsus2/B is actually the (in)famous Walter Becker chord he called the Mu chord.
Also, in on elf the chord charts, the bass note is on the 5th string, when it should be on the 6th. Very common error. What we are hearing is a chord built in Perfect 4ths, then they add the Major6. It's hard to parse it put 'cause it's so subtle.
Voicings are essential with the Dan of Steel. Everything through composed, even the solos. The guitar part: CMaj7 - Gmaj9/B.
For the Gmaj9/B: Play a BMinor7 in 7th position, but put your little finger on the 8th fret of the second string.
This gives you B, A, D, G. I would analyze this as the 3rd of the chord, the Major 9, the 5th, then MU weirdness with the top note (g) as the root or 1 of the chord. It works because the g is a common tone (on top) to both chords, and you have chromatic downward motion with the B in the bass. I would use this because I hear a passing chord (this repeats downward with chords voiced the same).
In one of your charts you show the Mu chord with the root on the 5th string. Ouch! Sounds cool, but it's an EMinor7 (9 no 3rd) that substitutes for the Mu. As such, no chromatic motion, plus you think you're in the key of C and playing 1Maj7 to the 3minor chord: C to e-7. But we're really in the key of (of the moment) G working our way down from the IV chord. That the song is in G is confirmed by the intro, Gmaj 6/9 to F#7(b13) and so forth.
Now dig this. Play the Mu; for convenience call it G/B, then play a E7(#9). Can you hear how similar the chord are? Both with the G note on top. So one chord progression goes I to V7 of III. That's the GMaj(6/9) to the F#7 (b13). You still have that top note on the 2nd string as a common tone and you still have a downward 1/2-step bass motion. Just like the CMaj7 to Mu.
Brilliant.
+2

I wish you would have put the entire song lyrics in. I was performing this and got the the second lyrics, and no dice. Otherwise, it's very good.
+1
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