Thatll Be The Day Tab

por Buddy Holly
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Dificuldade: intermediário
Capotraste: 5th traste
Autor: Neckwringer [a] 407.956. Última edição em 22 de jan. de 2015
Temos uma Tablatura Oficial de Thatll Be The Day criada pelos guitarristas profissionais do UG.
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THAT'LL BE THE DAY
 
As recorded by Buddy Holly & The Crickets
(From the 1957 Album THE "CHIRPING" CRICKETS)
 
Words and Music by Buddy Holly, Jerry Allison & Norman Petty
 
Transcribed by Slowhand
 
 
Gtr I (E A D G B E) - 'Buddy Holly - Electric Guitar (w/ capo 5th fret)'
 
 
 Intro
  Q=128(8=s8)
                                         $
  N.C.                    A (EE7(B7)
 4/4
  Gtr I (El. Gtr. w/ capo 5th fret)
      |-3-| |-3-| |-3-|
  E E E E E E E E E E E   E E E E +H
|-------0-----0-----0---|-----2-2-(2)----|
|---------0-----0-----0-|-----0-0-(0)----|
|---3S4-----3-----2-----|-1-0-2-2-(2)----|
|-----------------------|-2-0-1-1-(1)----|
|-----------------------|-----2-2-(2)----|
|-----------------------|----------------|
 
 
   Chorus
    D (A)
    PM------------------------------|
    E E E E E E E E   E E E E E E E E
||------------------|------------------|
||o-----------------|------------------|
||------------------|------------------|
||--2-2-4-4-2-2-4-4-|-2-2-4-4-2-2-4-4--|
||o-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0--|
||------------------|------------------|
 
 
  A (E)                               D (A)
  PM------------------------------------------------------------------|
  E E E E E E E E   E E E E E E E E   E E E E E E E E   E E E E E E E E
|-----------------|-----------------|-----------------|------------------|
|-----------------|-----------------|-----------------|------------------|
|-----------------|-----------------|-----------------|------------------|
|-----------------|-----------------|-2-2-4-4-2-2-4-4-|-2-2-4-4-2-2-4-4--|
|-2-2-4-4-2-2-4-4-|-2-2-4-4-2-2-4-4-|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0--|
|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|-----------------|------------------|
 
 
                                 1st & 2nd Verses
            1.
To Coda
  A (E)        E7(BA)(E)          D (A)             A (E)
                         PM---------------------------------------|
  W          E E E E +E  E E E    E E E E E E E E   E E E E E E E E
|----------|-------------------||-----------------|------------------|
|----------|-------------------||-----------------|------------------|
|----------|---2-2-1-(1)-------||-----------------|------------------|
|-2--------|---1-1-2-(2)-2-----||-2-2-4-4-2-2-4-4-|------------------|
|-2--------|---2-2-2-(2)---2-2-||-0-0-0-0-0-0-0-0-|-2-2-4-4-2-2-4-4--|
|-0--------|-------0-(0)-------||-----------------|-0-0-0-0-0-0-0-0--|
 
 
  D (A)             A (E)             D (A)             A (E)
  PM------------------------------------------------|
  E E E E E E E E   E E E E E E E E   E E E E E E E E   E E E E E E Q
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-2-2-4-4-2-2-4-4-|-----------------|-2-2-4-4-2-2-4-4-|-----------------|
|-0-0-0-0-0-0-0-0-|-2-2-4-4-2-2-4-4-|-0-0-0-0-0-0-0-0-|-2-2-4-4-2-2-4---|
|-----------------|-0-0-0-0-0-0-0-0-|-----------------|-0-0-0-0-0-0-0---|
 
 
  Bm(F#m)                E7(B7)
     |-3-| |-3-| |-3-|   |-3-| |-3-| |-3-| |-3-|
  Q  E E E E E E E E E   E E E E E E E E E E E E
|----------------------|--------------------------||
|----------------------|-0-0-0-0-0-0-0-0-0-0-0-0-o||
|----2-2-2-2-2-2-2-2-2-|-2-2-2-2-2-2-2-2-2-2-2-2--||
|----4-4-4-4-4-4-4-4-4-|-1-1-1-1-1-1-1-1-1-1-1-1--||
|----4-4-4-4-4-4-4-4-4-|-2-2-2-2-2-2-2-2-2-2-2-2-o||
|-2--2-2-2-2-2-2-2-2-2-|--------------------------||
 
 
                      Guitar Solo
  2.
    E7(BA)(E)          N.C.
                           |-3-|  |-3-| |-3-|
  E E E E +E  E E E    E E E E E  E E E E E E
|-------------0-0-0-||-0-3-0------------------|
|-------------0-0-0-||-0-----3-0--0-0-0-0-----|
|---2-2-1-(1)-------||-----------/4-4-4-4s2-0-|
|---1-1-2-(2)-------||------------------------|
|---2-2-2-(2)-------||------------------------|
|-------0-(0)-------||------------------------|
 
 
      |-3-|  |-3-| |-3-|       |-3-|  |-3-| |-3-|
  E E E E E  E E E E E E   E E E E E  E E E E E E
|---3-0------------------|---3-0------------------|
|-----0-3-0--0-0-0-0-----|-----0-3-0--0-0-0-3-3-3-|
|-----------/4-4-4-4s2-0-|-----------/4-4-4-4-4-4-|
|-2----------------------|-2----------------------|
|-2----------------------|-2----------------------|
|-0----------------------|-0----------------------|
 
 
   |-3-|  |-3-|  |-3-|  |-3-|
   E E E  E E E  E E E  E E E
|-/4-4-4-/4-4-4-/4-4-4-/4-4---|
|-/3-3-3-/3-3-3-/3-3-3-/3-3---|
|-/4-4-4-/4-4-4-/4-4-4-/4-4---|
|---------------------------0-|
|-----------------------------|
|-----------------------------|
 
 
  D (A)                               A (E)
  PM------------------------------------------------------------------|
  E E E E E E E E   E E E E E E E E   E E E E E E E E   E E E E E E E E
|-----------------|-----------------|-----------------|------------------|
|-----------------|-----------------|-----------------|------------------|
|-----------------|-----------------|-----------------|------------------|
|-2-2-4-4-2-2-4-4-|-2-2-4-4-2-2-4-4-|-----------------|------------------|
|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|-2-2-4-4-2-2-4-4-|-2-2-4-4-2-2-4-4--|
|-----------------|-----------------|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0--|
 
 
  E7(B7)            D7(A7)
  E E E E E E E E   E Q      E +E  E E E
|---2---2---0-----|---3b3.5--0-(0)-----0-|
|---0---0---0-----|---2------0-(0)-0-2-0-|
|---------------0-|------------------2---|
|-1---1---1---1---|-2--------------------|
|-2---2---2---2---|----------------------|
|-----------------|----------------------|
 
 
                          D.S. al Coda
  A (E)                       E7(B7)
      |-3-| |-3-| |-3-|
  E E E E E E E E E E E   E E E E +H
|-0-----0-----0-----0---|-0-0-2-2-(2)----||
|-0-------0-----0-----0-|-0-0-0-0-(0)----||
|-1-3s4-----3-----2-----|-1---2-2-(2)----||
|-----------------------|-2---1-1-(1)----||
|-----------------------|-----2-2-(2)----||
|-----------------------|----------------||
 
 
                      Outro
  &
    E7(B7)             D (A)                              A  (E)
  E E E E +E  E E E    Q  E E E E E E    E E E E Q.   E   Q  E E Q  E E
|-------------0-0-0-||----------------|----0-0-0-0----0-|-0--0-0-0--0-----|
|-------------0-0-0-||-2--2-2-2-2-2-1s|=/2-2-2-2-2----0-|-0--0-0-0--0-0---|
|---2-2-1-(1)-------||-2--2-2-2-2-2-1s|=/2--------------|-1--1-1-1--1-0h==|
|---1-1-2-(2)-------||-2--2-2-2-2-2-1s|=/2--------------|-2--2-2-2--2-2---|
|---2-2-2-(2)-------||-0--0-0-0-0-0---|-----------------|-----------------|
|-------0-(0)-------||----------------|-----------------|-----------------|
 
 
                     D (A)                                A (E)
  E E E E +E  Q  E   Q  E E E E E E    E E E E +E  Q  E   Q  E E Q  E E
|-------0-(0)------|----------------|----0-0-3-(3)-0--0-|-------------0--|
|---0-0-------3----|-2--2-2-2-2-2-1s|=/2-2-2----------0-|-0--0-0-0--0-0--|
|-1-1-1----------2-|-2--2-2-2-2-2-1s|=/2----------------|-1--1-1-1--1----|
|---2-2------------|-2--2-2-2-2-2-1s|=/2----------------|-2--2-2-2--2----|
|------------------|-0--0-0-0-0-0---|-------------------|----------------|
|------------------|----------------|-------------------|----------------|
 
 
               A7(E7)
  E E E E +Q   Q    +W
|-----0-0-(0)--0--|-(0)----*|
|-3-2-1-0-(0)--0--|-(0)----*|
|-4-3-2-1-(1)--1--|-(1)----*|
|--------------0--|-(0)----*|
|--------------2--|-(2)----*|
|--------------0--|-(0)----*|
 
 
Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff
 
Tablature Legend
----------------
 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
  - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
 <>  - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash
 
Misc Legend
-----------
 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers -  = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
X
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Thatll Be The Day – Buddy Holly
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