The Night Josh Tillman Came To Our Apartment Tab

por Father John Misty
10.042 views, adicionada aos favoritos 170 times
Dificuldade: iniciante
Afinação: D G C F A D
Capotraste: sem capotraste
Autor: Maitinin [a] 19.712.
1 contributor no total, última edição em 14 de dez. de 2023
_______________________________________________
   / The Night Josh Tillman Came to Our Apartment  /
  / Father John Misty                             /
 / I Love You, Honeybear                         /
/_______________________________________________/
 
 
 key:   F major
 time:  4/4
 tempo: Q=99 bpm
 
 
Josh tunes his acoustic guitar one full step down (D G C F A D).
 
                   F          Bb/F         Bb         F/A
                 _xooo_      _x_o__      x__o_o      x_oo_o
                 ||||||      ||||●|      ||||●|      ||||●|
                 ||||||      ||●|||      ||●|||      |●||||
                 ●||||●      ●||||●      |●||||      ||||||
                 ||||||      ||||||      ||||||      ||||||
 
             Gm        Adim7         C7          Dm          A7
           xo___o      x____x      xoo___      o__ooo      x___o_
           ||||●|      |||●||      ||||●|      ||||||      ||●|||
           ||●●||      |●||||      |||●|●      |●●|||      |●|●|●
           ||||||      ||●|●|      ||||||      ||||||      ||||||
           ||||||      ||||||      ||||||      ||||||      ||||||
 
 
------------------------------------------------------------------------------
 
 
 
                    4/4
1.INTERLUDE:       | F       | Bb/F    | F       | Bb/F    |
 
 
   An electric guitar + glockenspiel play this melody in all the interludes.
  (For guitar in standard tuning, just play this 2 frets lower.)
 
         F                Bb/F             F                Bb/F
  :-----|----------------|----------------|3-------------3-|5---------------|
  :-----|3-------------3-|5-----------3-5-|------------5---|----------------|
  :-4-5-|------------4---|----------------|----------------|----------------|
  :-----|----------------|----------------|----------------|----------------|
  :-----|----------------|----------------|----------------|----------------|
  :-----|----------------|----------------|----------------|----------------|
 
 
 
 
1.VERSE:         | F       | F       | Bb  F/A | Gm      | Gm      |
 
                 | Bb  F/A | Gm      | Gm      |
 
                 | Adim7   | Bb  F/A | Gm      | Gm      |
 
                 | C7      | Dm      | Dm      |
 
                 | C7      | Dm  A7  | Dm      | Dm      |
 
  " Oh, I just love the kind of woman who can walk over a man
    I mean like a god damn marching band
    She says, like, literally, music is the air she breathes
    And the malaprops make me want to fucking scream
    I wonder if she even knows what that word means
    Well, it's literally not that
 
 
 
2.INTERLUDE
 
 
 
2.VERSE            (Add one extra bar of Dm before the A7.)
 
  " Of the few main things I hate about her, one's her petty, vogue ideas
    Someone's been told too many times they're beyond their years
    By every half-wit of distinction she keeps around
    And now every insufferable convo
    Features her patiently explaining the cosmos
    Of which she's in the middle
 
 
 
BRIDGE:            | Bb      | C7      | Gm      | Gm      |
 
                   | Bb      | C7      | Gm      | Gm  Bb  |
 
                   | Gm      | Gm  Bb  | Gm      | C7      |
 
  " Oh my God, I swear this never happens
    Lately, I can't stop the wheels from spinning
    I feel so unconvincing
    And I fumbled with your buttons
 
 
 
3.INTERLUDE
 
 
 
3.VERSE
 
  " She blames her excess on my influence but gladly Hoovers all my drugs
    I found her naked with the best friend in the tub
    We sang "Silent Night" in three parts which was fun
    Till she said that she sounds just like Sarah Vaughan
    I hate that soulful affectation white girls put on
    Why don't you move to the Delta?
 
 
 
ENDING:            | Bb      | Bb      | A7      | Bb      ...
 
  " I obliged later on when you begged me to choke ya
 
 
 
 
------------------------------------------------------------------------------
 
 The background electric guitar does a significantly cool job in this song.
 This guitar is in standard tuning.
 
 The dotted notes . are the melody, which is incorporated into the arpeggios.
 Emphasize those notes over the others.
 
 
INTERLUDES
        F                Bb/F             F                Bb/F
 :-----|--5-----5-------|--6-----6-------|.-5-----5-----.-|.---------------|
 :-----|.---6-----6---.-|.---6-----7-.-.-|6---6-----6-.-6-|8---------------|
 :-.-.-|5-----5-----.-5-|7-----7-----5-7-|------5-----7---|----------------|
 :-7-8-|------------7---|----------------|----------------|----------------|
 :-----|----------------|----------------|----------------|----------------|
 :-----|----------------|----------------|----------------|----------------|
 
 
VERSES
  F     ( Fmaj7    F6      F )      Bb      F/A      Gm               Gm
 |--5-----.---5---|--5---5-----5---|--6-------5-----|---------5------|--------5-------|
 |----6---5-------|.---6---.-----6-|----6-------6---|---8----------8-|--8-------------|
 |5-----5-------5-|7-------5-------|7-----7-5-----5-|-------7----7---|------7---------|
 |----------------|----------------|----------------|----------------|----------------|
 |----------------|----------------|----------------|----------------|----------------|
 |----------------|----------------|----------------|----------------|----------------|
 
  Bb      F/A      Gm               Gm
 |--6-------5-----|---------5------|--------5-------|
 |----6-------6---|---8----------8-|--8-------------|
 |7-----7-5-----5-|-------7----7---|------7---------|
 |----------------|----------------|----------------|
 |----------------|----------------|----------------|
 |----------------|----------------|----------------|
 
  Adim7            Bb      F/A      Gm               Gm
 |5-----5-----5-8-|--6-------5-----|---------5------|--------5-------|
 |----7-----7-----|----6-------6---|---8----------8-|--8-------8-----|
 |--8-------------|7-----7-5-----5-|-------7----7---|------7-----7-7/|
 |----------------|----------------|----------------|----------------|
 |----------------|----------------|----------------|----------------|
 |----------------|----------------|----------------|----------------|
 
  C7               Dm               Dm
 |--8-------12----|--------10------|------10--------|
 |----8-----------|--10----------10|----10----------|
 |9-----9/12------|----10------10--|--10----------7/|
 |----------------|12----12--------|----------------|
 |----------------|----------------|----------------|
 |----------------|----------------|----------------|
 
  C7               Dm       A7       Dm               Dm
 |--8-------12----|-----------------|--------10------|------10----:
 |----8-----------|--10-------10----|--10----------10|----10------:
 |9-----9/12------|----10-------12--|----10------10--|--10--------:
 |----------------|12----12-11----11|12----12--------|------------:
 |----------------|-----------------|----------------|------------:
 |----------------|-----------------|----------------|------------:
 
 
(2.VERSE-variation: the last line, with that extra bar of Dm before the A7)
  C7               Dm               Dm       A7       Dm               Dm
 |--8-------12----|--------10----10|-----------------|--10----12----10|--10----------:
 |----8-----------|--10--10--10----|--10-------14----|----10----10----|----10--------:
 |9-----9/12------|----10------10--|----10-------12--|------------10--|------10------:
 |----------------|12--------------|------12/14----14|------12--------|--------------:
 |----------------|----------------|-----------------|----------------|--------------:
 |----------------|----------------|-----------------|----------------|--------------:
 
 
BRIDGE
     Bb               C7               Gm               Gm
 :--|--6-----6-----6-|--8-----8-------|---------5------|--------5-------|
 :--|----6-----6-----|----8-----8-----|---8----------8-|--8-------------|
 :5/|7-----7-----7---|9-----9-----9---|-------7----7---|------7-------5/|
 :--|----------------|----------------|----------------|----------------|
 :--|----------------|----------------|----------------|----------------|
 :--|----------------|----------------|----------------|----------------|
 
  Bb               C7               Gm               Gm      Bb
 |--6-----6-----6-|--8-----8-------|---------5------|----------6-----|
 |----6-----6-----|----8-----8-----|---8----------8-|--8---------6---|
 |7-----7-----7---|9-----9-----9---|-------7----7---|------5/7-----7-|
 |----------------|----------------|----------------|----------------|
 |----------------|----------------|----------------|----------------|
 |----------------|----------------|----------------|----------------|
 
  Gm               Gm     Bb        Gm               C7
 |---------5------|----------6-----|--------5-------|--8-------12:
 |---8----------8-|--8---------6---|--8-------8-----|----8-------:
 |-------7----7---|------5/7-----7-|------7-----7-7/|9-----9/12--:
 |----------------|----------------|----------------|------------:
 |----------------|----------------|----------------|------------:
 |----------------|----------------|----------------|------------:
 
 
ENDING
  Bb               Bb               A7               Bb
 |--6-----6-------|--10----10------|--9-------12----|----------------:
 |----6-----6-----|----11----11----|----8-------10--|----------------:
 |7-----7-----7---|10----10----10--|9-----9/12------|----------------:
 |----------------|----------------|----------------|----------------:
 |----------------|----------------|----------------|----------------:
 |----------------|----------------|----------------|----------------:
 
 
    Musical regards,
    Maitinin
    April, 2016 "
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The Night Josh Tillman Came To Our Apartment – Father John Misty
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