I Love You Honeybear Album Cifras
por Father John Misty58.226 views, adicionada aos favoritos 1.156 times
| Dificuldade: | avançado |
|---|---|
| Afinação: | D G C F A D |
| Capotraste: | sem capotraste |
Cifras
Palhetada
Ainda não temos padrão de palhetada para esta música. Criar e receba +5 IQ
____________________________
/ /
/ Father John Misty /
/ I Love You, Honeybear /
/____________________________/
Since I now happen to have transcribed all the songs separately, I might as well collect
them in this 'album tab'...
Jon Sebastian Frederiksen - 15th /February /15
Just mail me at Maitinin@gmail.com with questions, comments and corrections!
*****************************************************************************************
LAYOUT
If you wish to print all this, it is designed to be copy-pasted into Microsoft Word,
font Courier New, size 9.
And, for your own sake, please turn off that ridiculous "highlight chords" function.
THE ACOUSTIC GUITAR
Be default, Josh has his acoustic guitar tuned down one whole step or 2 semi-tones,
that is, from standard tuning (E A D G B e), down to (D G C F A d).
To get a richer sound in this low tuning, you can put thicker strings on your guitar.
Thicker strings simply voice the lower register clearer.
THE CHORDS
Josh sticks to the repertoire of basic guitar chords. So anything more complicated
than that occurs when he uses capo or alternative tunings. As always, this creates
the problem of translation between the key relative to the capo and the absolute key.
In other words, if the tuned-down guitar plays an Em chord-shape (its relative key),
the actual key is effectively D minor (the absolute key). For this tab, I could
notate things either way. The relative way would satisfy the guitarist; the absolute
way would satisfy everyone else.
I have chosen to notate things mainly in absolute key, since I believe it is the
player of any instrument's responsibility to know his actual chord names regardless
of capo or alternative tunings; hence it is the guitarist's responsibility to call
his Em chord-shape a 'Dm' when he has tuned his guitar a whole step down.
Another thing worth a notice is Josh's chord voicings, which are not always chosen
by the book. I dare say that some of them are even chosen ill-advised, for example
his Bb (332010) where the lowest note, being the fifth, disturbs the root-note
orientation of the chord. If it were up to my more schooled judgement, I would advise
you to play it as (x32010) and always trust your ears for picking a better voicing.
THE NOTATION
Josh Tillman's main musical instrument is his acoustic guitar play, strumming basic
chords, and the band arrangements are centered around this. So, to get to the bottom
of the songs, it is obvious to begin where Josh does - with bars of guitar chords.
And indeed, the music always does fit neatly into bars. I hope this notation works
pretty intuitively for you.
One "bar" is simply the time passing during every 4 beats (when the time is 4/4).
Usually every bar matches up with one chord, and that is the neat logic behind it.
I use two different notations for bars - a simple and a more detailed one:
| Dm | Dm
+=---=---=---=---+
When there are distinct and clear strumming patterns, I will include those.
Otherwise, just listen to the record and strum along, carefree, as he does.
For good measure, I will include this basic information:
key: Indicates the general tonal key of the song.
time: Indicates the time signature of the song, always 4/4 (including half bars).
tempo: Indicates the speed/tempo of the song.
For example, "Q=70 bpm" means "Quarter notes equal to 70 beats per minute"
TRACK LIST
All songs composed by Josh Tillman.
1. I Love You, Honeybear
2. Chateau Lobby #4 (in C for Two Virgins)
3. True Affections
4. The Night Josh Tillman Came to Our Apartment
5. When You're Smiling and Astride Me
6. Nothing Good Ever Happens at the Goddamn Thirsty Crow
7. Strange Encounter
8. The Ideal Husband
9. Bored in the USA
10. Holy Shit
11. I Went to the Store One Day
*****************************************************************************************
1. _________________________
/ /
/ I Love You, Honeybear /
/_________________________/
key: Bb major
time: 4/4, shuffled
tempo: Q=70 bpm
Josh tunes his acoustic guitar down one whole step (D G C F A D).
Bb Dm* Gm A+ Adim7 A
___o_o o__ooo xo___o x__oox x____x xo___o
||||●| |||||| ||||●| ||●||| |||●|| ||||||
||●||| |●●||| ||●●|| |●|||| |●|||| ||●●●|
●●|||| |||||| |||||| |||||| ||●|●| ||||||
|||||| |||||| |||||| |||||| |||||| ||||||
Ebmaj7 F7 D7 F Ebdim7
x____o ___oox o_o_oo _xooo_ x___ox
||||●| |||||| |||●|| |||||| |||●||
|||●|| |●|||| |●|||| |||||| ||||||
|●●||| ●|●||| |||||| ●||||● |●●|||
|||||| |||||| |||||| |||||| ||||||
*Every time there is a Dm chord, Josh adds this small fill:
Dm (Dsus4)
1 + 2 + 3 + 4 +
|0-----0-----------0---0-|
|0-----0-----------0---0-|
|0-----0---0-2-----0---0-|
|2-----2---2-2-----2---2-|
|2-----2---2-2-----2---2-|
|0-----0---0-0-----0---0-|
------------------------------------------------------------------------------
INTRO
Bb Dm Gm A+ 2x
+:=---=---=---=---+=---=---=---=---+=---=---=---=---+=---=---=---=---:+
VERSE
Bb Dm Gm A+
+=---=---=---=---+=---=---=---=---+=---=---=---=---+=---=---=---=---+
1.Oh, Honeybear, Honeybear, Honeybear, ooh;
Mascara, blood, ash, and cum on the Rorschach sheets where we make love
2.Honeybear, Honeybear, Honeybear, ooh ...
Bb Dm Gm A+
+=---=---=---=---+=---=---=---=---+=---=---=---=---+=---=---=---=---+
Honeybear, Honeybear, Honeybear, ooh;
Fuck the world, damn straight, malaise, it may be just us who feel this way
Adim7 Bb Gm
+=---=---=---=---+=---=---=---=---+
But don't ever doubt this, my steadfast conviction
You're bent over the altar, and the neighbors are complaining
Adim7 Bb Gm
+=---=---=---=---+=---=---=---=---+
My love, you're the one I wanna watch the ship go down with
That the misanthropes next door are probably conceiving a Daemon
Adim7 Bb Gm
+=---=---=---=---+=---=---=---=---+
The future can't be real, I barely know how long a moment is
Don't they see the darkness rising; Good luck fingering oblivion
G
+=---=---=---=---+
Unless we're naked getting high
We're getting out now while we can
Ebmaj7 Adim7 Bb
+=---=---=---=---+=---=---=---=---+
on the mattress; While the global market crashes
You're welcome boys, have the last of the smokes and chicken
Ebmaj7 Adim7 Bb
+=---=---=---=---+=---=---=---=---+
As debt fills the streets with garden variety oblivious
Just one Cadillac will do to get us out to where we're going
F7 F7 D7 Ebmaj7 (repeat this bar in the 2. verse)
+=---=---=---=---+=---=---=---=---+=---=---=---=---+
You grab my hand and say in a told-you-so voice: "It's just how we expected"
I brought my mother's depression, you've got your father's scorn and a wayward and schizophrenia
(2/4) (2/4)
Dm Gm F Ebmaj7 Ebdim7
+=---=---+=---=---=---=---+=---=---+=---=---=---=---+=---=---=---=---+
Everything is doomed and nothing will be spared. But I love you, Honeybear
But everything is fine. Don't give into despair, 'cause I love you, Honeybear
Bb Dm Gm A+
+=---=---=---=---+=---=---=---=---+=---=---=---=---+=---=---=---=---+
2.VERSE
(omit the repetition of the first line)
OUTRO
(repeat this line fading out, or end on Bb as the band does live)
Bb Dm Gm A+
+=---=---=---=---+=---=---=---=---+=---=---=---=---+=---=---=---=---+
Honeybear, Honeybear, Honeybear, oh ...
*****************************************************************************************
2. ___________________________________________
/ /
/ Chateau Lobby #4 (in C for Two Virgins) /
/___________________________________________/
key: C major
time: 4/4
tempo: Q=93 bpm
Josh tunes his acoustic guitar to an open C6-tuning (C G C E A C).
C Dm F G7 Em
ooo__o ____oo ______ ______ ____oo
|||||| |||●|| :::::: :::::: ||||||
|||||| ●●●||| 5●●●●●● 7●●●●●● ||||||
|||●●| |||||| |||||| |||||| |||●||
|||||| |||||| |||||| |||||| ●●●|||
Another option of his is tuning down one whole step (D G C F A D).
xxo___ o__ooo _xooo_ xo_o_o ______
|||||| |||||| |||||| |||||| ||||||
|||●|● |●●||| |||||| ||●|●| ●╪╪●●●
||||●| |||||| ●||||● |||||| ||||||
|||||| |||||| |||||| |||||| |●●|||
------------------------------------------------------------------------------
The strumming in practice is roughly something like this:
F C Dm F G
:5------||0---0-0-0-0-0-0-|0---0-0-0-0-0-0-|5---5-5-5-5-5-5-|7---7-7-7-7-7-0-|
:-5-----||3---3-3-3-2-2-0-|0---0-0-0-0-0-0-|5---5-5-5-5-5-5-|7---7-7-7-7-7-0-|
:--5----||3---3-3-3-3-3-0-|1---1-1-1-0-0-0-|5---5-5-5-5-5-5-|7---7-7-7-7-7-0-|
:---5---||0---0-0-0-0-0-0-|2---2-2-2-0-0-0-|5---5-5-5-5-5-5-|7---7-7-7-7-7-0-|
:----5--||0---0-0-0-0-0-0-|2---2-2-2-0-0-0-|5---5-5-5-5-5-5-|7---7-7-7-7-7-0-|
:-----5-||0---0-0-0-0-0-0-|2---2-2-2-0-0-0-|5---5-5-5-5-5-5-|7---7-7-7-7-7-0-|
| F |
Verse: | C | Dm | F | G7 |
| C | Dm | F | G7 |
Chorus: | F | F | G7 | G7 Em |
| F | F | G7 | G7 |
| G7 | G7 |
Verse
Chorus
Bridge: | Dm | Dm | Em | Em |
| F | F | G7 | G7 |
Verse: trumpet-solo
Chorus (then end on F)
trumpet-solo for guitar in standard tuning:
C Dm
|------------------------|---------------------------|
|--13-13-13-13-15~--12-13|---------------------------|
|------------------------|14-------------------------|
|------------------------|---------------------------|
|------------------------|---------------------------|
|------------------------|---------------------------|
F G7
|------------------------|---------------------------|
|---15-15-15-15--13------|17~----------------13~-----|
|--------------------14--|---------12-14-------------|
|------------------------|---------------------------|
|------------------------|---------------------------|
|------------------------|---------------------------|
C Dm
|---12-12-12-12-13-10-12-|---------------------------|
|---13-13-13-13-15-12-13-|13~------------------------|
|------------------------|14~------------------------|
|------------------------|---------------------------|
|------------------------|---------------------------|
|------------------------|---------------------------|
F G7
|---13-13-13-13--12------|15~------15-13-----12~-----|
|---15-15-15-15--13--15--|17~----------------13~-----|
|--------------------14--|---------12-14-------------|
|------------------------|---------------------------|
|------------------------|---------------------------|
|------------------------|---------------------------|
LYRICS
**********
Emma eats bread and butter
Like a queen would have ostrich and cobra wine
We'll have satanic Christmas Eve [originally: "We'll casually take ecstasy"]
And play piano in the chateau lobby
I've never done this
Baby, be gentle, it's my first time
I've got you inside
People are boring
But you're something else completely
Damn, let's take our chances
I wanna take you in the kitchen
Lift up your wedding dress someone was probably murdered in
So bourgeoisie to keep waiting
Dating for twenty years just feels pretty civilian
I've never thought that
Ever thought that once in my whole life
You are my first time
People are boring
But you're something else I can't explain
You take my last name
First time, you let me stay the night despite your own rules
You took off early to go cheat your way through film school
You left a note in your perfect script:
'Stay as long as you want', I haven't left your bed since
I haven't hated
all the same things as somebody else
since I remember
What's going on for?
What are you doing with your whole life?
How about forever?
*****************************************************************************************
3. __________________
/ /
/ True Affection /
/__________________/
key: C major
time: 4/4
tempo: Q=110 bpm
This song really escapes the notation format of generalizing the instruments
into bars of chords. This is because the harmonies or chords aren't spelled out
by any single instrument (but rather occur when the various synthesizers happen
to play in harmony), and because of the scarce use of distinct bass notes, which
leaves the harmonies ambiguous.
There is a clear structure of 4 bars repeating, though, and some recurring
chords:
| F | G6 | Cmaj7 | Dm7 |
This is the most information I can give on this odd-one-out song, I am afraid.
LYRICS
**********
When can we talk
With the face
Instead of using all these strange devices?
Seems like
You and I
Need to have a crazy conversation
Wouldn't be that hard
Get along so well
Sentence by sentence
It's a trial run
Let me show you how
Figure I can give you true affection
True affection
True affection
True affection
True affection
When can we talk
With the face
Instead of using all these strange devices?
Seems like
You and I
Need to have a crazy conversation
When can we talk
With the face
Figure I can give you true affection
Seems like
You and I
Need to have a crazy conversation
When can we talk
With the face
Figure I can give you true affection
*****************************************************************************************
4. ________________________________________________
/ /
/ The Night Josh Tillman Came to Our Apartment /
/________________________________________________/
key: F major
time: 4/4
tempo: Q=99 bpm
Josh tunes his acoustic guitar one whole step down (D G C F A D).
F Bb/F Bb F/A
_xooo_ _x_o__ x__o_o x_oo_o
|||||| ||||●| ||||●| ||||●|
|||||| ||●||| ||●||| |●||||
●||||● ●||||● |●|||| ||||||
|||||| |||||| |||||| ||||||
Gm Adim7 C7 Dm A7
xo___o x____x xoo___ o__ooo x___o_
||||●| |||●|| ||||●| |||||| ||●|||
||●●|| |●|||| |||●|● |●●||| |●|●|●
|||||| ||●|●| |||||| |||||| ||||||
|||||| |||||| |||||| |||||| ||||||
------------------------------------------------------------------------------
4/4
1.INTERLUDE: | F | Bb/F | F | Bb/F |
An electric guitar + glockenspiel play this melody in all the interludes.
(For guitar in standard tuning, just play this 2 frets lower.)
F Bb/F F Bb/F
:-----|----------------|----------------|3-------------3-|5---------------|
:-----|3-------------3-|5-----------3-5-|------------5---|----------------|
:-4-5-|------------4---|----------------|----------------|----------------|
:-----|----------------|----------------|----------------|----------------|
:-----|----------------|----------------|----------------|----------------|
:-----|----------------|----------------|----------------|----------------|
1.VERSE: | F | F | Bb F/A | Gm | Gm |
| Bb F/A | Gm | Gm |
| Adim7 | Bb F/A | Gm | Gm |
| C7 | Dm | Dm |
| C7 | Dm A7 | Dm | Dm |
" Oh, I just love the kind of woman who can walk over a man
I mean like a god damn marching band
She says, like, literally, music is the air she breathes
And the malaprops make me want to fucking scream
I wonder if she even knows what that word means
Well, it's literally not that
2.INTERLUDE
2.VERSE (Add one extra bar of Dm before the A7.)
" Of the few main things I hate about her, one's her petty, vogue ideas
Someone's been told too many times they're beyond their years
By every half-wit of distinction she keeps around
And now every insufferable convo
Features her patiently explaining the cosmos
Of which she's in the middle
BRIDGE: | Bb | C7 | Gm | Gm |
| Bb | C7 | Gm | Gm Bb |
| Gm | Gm Bb | Gm | C7 |
" Oh my God, I swear this never happens
Lately, I can't stop the wheels from spinning
I feel so unconvincing
And I fumbled with your buttons
3.INTERLUDE
3.VERSE
" She blames her excess on my influence but gladly Hoovers all my drugs
I found her naked with the best friend in the tub
We sang "Silent Night" in three parts which was fun
Till she said that she sounds just like Sarah Vaughan
I hate that soulful affectation white girls put on
Why don't you move to the Delta?
ENDING: | Bb | Bb | A7 | Bb ...
" I obliged later on when you begged me to choke ya
------------------------------------------------------------------------------
The background electric guitar does a significantly cool job in this song.
This guitar is in standard tuning.
The dotted notes . are the melody, which is incorporated into the arpeggios.
Emphasize those notes over the others.
INTERLUDES
F Bb/F F Bb/F
:-----|--5-----5-------|--6-----6-------|.-5-----5-----.-|.---------------|
:-----|.---6-----6---.-|.---6-----7-.-.-|6---6-----6-.-6-|8---------------|
:-.-.-|5-----5-----.-5-|7-----7-----5-7-|------5-----7---|----------------|
:-7-8-|------------7---|----------------|----------------|----------------|
:-----|----------------|----------------|----------------|----------------|
:-----|----------------|----------------|----------------|----------------|
VERSES
F ( Fmaj7 F6 F ) Bb F/A Gm Gm
|--5-----.---5---|--5---5-----5---|--6-------5-----|---------5------|--------5-------|
|----6---5-------|.---6---.-----6-|----6-------6---|---8----------8-|--8-------------|
|5-----5-------5-|7-------5-------|7-----7-5-----5-|-------7----7---|------7---------|
|----------------|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|----------------|
Bb F/A Gm Gm
|--6-------5-----|---------5------|--------5-------|
|----6-------6---|---8----------8-|--8-------------|
|7-----7-5-----5-|-------7----7---|------7---------|
|----------------|----------------|----------------|
|----------------|----------------|----------------|
|----------------|----------------|----------------|
Adim7 Bb F/A Gm Gm
|5-----5-----5-8-|--6-------5-----|---------5------|--------5-------|
|----7-----7-----|----6-------6---|---8----------8-|--8-------8-----|
|--8-------------|7-----7-5-----5-|-------7----7---|------7-----7-7/|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
C7 Dm Dm
|--8-------12----|--------10------|------10--------|
|----8-----------|--10----------10|----10----------|
|9-----9/12------|----10------10--|--10----------7/|
|----------------|12----12--------|----------------|
|----------------|----------------|----------------|
|----------------|----------------|----------------|
C7 Dm A7 Dm Dm
|--8-------12----|-----------------|--------10------|------10----:
|----8-----------|--10-------10----|--10----------10|----10------:
|9-----9/12------|----10-------12--|----10------10--|--10--------:
|----------------|12----12-11----11|12----12--------|------------:
|----------------|-----------------|----------------|------------:
|----------------|-----------------|----------------|------------:
(2.VERSE-variation: the last line, with that extra bar of Dm before the A7)
C7 Dm Dm A7 Dm Dm
|--8-------12----|--------10----10|-----------------|--10----12----10|--10----------:
|----8-----------|--10--10--10----|--10-------14----|----10----10----|----10--------:
|9-----9/12------|----10------10--|----10-------12--|------------10--|------10------:
|----------------|12--------------|------12/14----14|------12--------|--------------:
|----------------|----------------|-----------------|----------------|--------------:
|----------------|----------------|-----------------|----------------|--------------:
BRIDGE
Bb C7 Gm Gm
:--|--6-----6-----6-|--8-----8-------|---------5------|--------5-------|
:--|----6-----6-----|----8-----8-----|---8----------8-|--8-------------|
:5/|7-----7-----7---|9-----9-----9---|-------7----7---|------7-------5/|
:--|----------------|----------------|----------------|----------------|
:--|----------------|----------------|----------------|----------------|
:--|----------------|----------------|----------------|----------------|
Bb C7 Gm Gm Bb
|--6-----6-----6-|--8-----8-------|---------5------|----------6-----|
|----6-----6-----|----8-----8-----|---8----------8-|--8---------6---|
|7-----7-----7---|9-----9-----9---|-------7----7---|------5/7-----7-|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
Gm Gm Bb Gm C7
|---------5------|----------6-----|--------5-------|--8-------12:
|---8----------8-|--8---------6---|--8-------8-----|----8-------:
|-------7----7---|------5/7-----7-|------7-----7-7/|9-----9/12--:
|----------------|----------------|----------------|------------:
|----------------|----------------|----------------|------------:
|----------------|----------------|----------------|------------:
ENDING
Bb Bb A7 Bb
|--6-----6-------|--10----10------|--9-------12----|----------------:
|----6-----6-----|----11----11----|----8-------10--|----------------:
|7-----7-----7---|10----10----10--|9-----9/12------|----------------:
|----------------|----------------|----------------|----------------:
|----------------|----------------|----------------|----------------:
|----------------|----------------|----------------|----------------:
*****************************************************************************************
5. _______________________________________
/ /
/ When You're Smiling and Astride Me /
/_______________________________________/
key: C major
time: 4/4
tempo: 110 bpm
The chords are carried by the piano in this song, so there are no right or
wrong guitar chords. I suggest you simply stay in standard tuning and play
the chords any way you want.
- = same chord again
------------------------------------------------------------------------------
4/4
A: | Em7 | - | Dm7 | - |
| G7 | - | Am7 | - |
| Em7 | - | Dm7 | - |
| G7 | - | Am7 | - |
The electric guitar (panned left) plays these things during the A-parts:
Em7 Dm7
|3^--------------|----------------|1^------------12|----------------|
|3^--------------|----------------|1^--------------|----------------|
|0^--------------|----------------|2^-------10/12--|----------------|
|2^--------------|----------------|0^--------------|----------------|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|-(0---1---2---2-|
(piano bass line)
G7 Am7
|----------------|--------------7-|--------------5-|----5-----------|
|----------------|----------------|----------------|----------------|
|----------------|----------5/7---|-----------/5---|--5-------------|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|3)--------------|----------------|----------------|----------------|
Em7 Dm7
|----------------|----------------|--------------12|----------------|
|----------------|----------------|----------------|----------------|
|----------------|----------------|---------10/12--|----------------|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|-(0---1---2---2-|
G7 Am7 (Em7)
|----------------|--------------7-|--------------5-|----5--------------|10b12~-:
|----------------|----------------|----------------|--------10pb12r10p8|-------:
|----------------|----------5/7---|-----------/5---|--5----------------|-------:
|----------------|----------------|----------------|-------------------|-------:
|----------------|----------------|----------------|-------------------|-------:
|3)--------------|----------------|----------------|-------------------|-------:
B (3x): | Em7 | - | Dm7 | - |
| G | - | Em | Dm |
| G | - |
"There's no need to fear me
Darling, I love you as you are when you're alone
I'll never try to change you
As if I could, and if I were to, what's the part that I'd miss most?
When you're smiling and astride me
I can hardly believe I've found you, and I'm terrified by that
C (2x): | Am | G | G |
Electric guitar lick:
Am G G
|-10b12~-------|--------------|--------------|
|------------8-|-10b12~-------|--------------|
|--------------|--------------|--------------|
|--------------|--------------|--------------|
|--------------|--------------|--------------|
|--------------|--------------|--------------|
A
B (2x) "I've got nothing to hide from you
Kissing my brother in my dreams or finding, God knows, in my jeans
You see me as I am, it's true
Aimless, fake drifter, and the horny man child, mamma's boy to boot
C (3x) "That's how you live free
Truly see and be seen
[Electric guitar lick 1st + 3rd time]
A
(2/4)
D: | G | - | G | Am | - |
(2/4)
| G | - | G | C ...
*****************************************************************************************
6. _________________________________________________________
/ /
/ Nothing Good Ever Happens at the Goddamn Thirsty Crow /
/_________________________________________________________/
key: C major
time: 4/4, shuffled
tempo: Q=72 bpm
Josh tunes his acoustic guitar one whole step down (D G C F A D).
The two guitar tracks in the ending-interlude are also tuned down.
The guitar chords are listed as simple 6 digit-numbers, meaning that
C C
x00232 = xoo___
||||||
|||●|●
||||●|
||||||
- = same chord again
------------------------------------------------------------------------------
INTERLUDE:
4/4
| C | - | G13 | - |
x00232 x05670
| C9 | - | F | - |
x54550 3x0003
VERSE:
| C | - | G13 | - |
x00232 x05670
1. Living it up. Have it all
2. On the road again; For months at a time
| C9 | - | F | - |
x54550 3x0003
Pull more women than any two men or a train can haul
Doesn't take half that long for men about town to forget what's mine
| Am | E7 | C7 | Dm |
x24432 242352 x00212 022000
But my baby, she does something way more impressive than the Georgia crawl
Now my genius can't drink in silence; She's gotta listen to your tired-ass lies
| F7 | C7 | E7 | D7 |
323003 x00212 242352 022130
She blackens pages like a Russian romantic; Gets down more often than a blow-up doll
I know it's hard to believe a good-hearted woman; Could have a body that make your daddy cry
| Bm7(b5) | - C9 | F | E7 |
x42000 x54550 3x0003 242352
Why the long face? Blondie, I'm already taken. Sorry
Why the long face? Jerk off, your chance has been taken; Good one
| Bm7(b5) | - C9 | F | E7 |
x42000 x54550 3x0003 242352
I may act like a lunatic. If you think I'm fucking crazy, you're mistaken. Keep moving
You may think like an animal; If you try that cat-and-mouse shit you'll get bitten; Keep moving
INTERLUDE
2.VERSE
(Bar no. 11, the C7 before Dm, is a bar of A7 [x21202] instead.)
INTERLUDE
ENDING-INTERLUDE:
-The upper guitar is another acoustic guitar.
-The lower guitar is an electric guitar with overdrive.
(F) C C
:------------|------------------------|------------------------|
:------------|------------------------|------------------------|
:------------|------------5-------5---|------------5---7-5-----|
:------------|----------5-----------7-|----------5-----------7-|
:------------|5-------8---------------|5-------8---------------|
:------------|------------------------|------------------------|
:
:3-----3-----|2-----------------------|------------2-----2-----|
:3-----3-----|3-----------------------|------------3-----3-----|
:0-----0-----|2-----------------------|------------2-----2-----|
:0-----0-----|0-----------------------|------------0-----0-----|
:x-----x-----|0-----------------------|------------0-----0-----|
:3-----3-----|------------------------|------------------------|
G13 G13
|------------------------|------------------------|
|------------------------|------------------------|
|------------------------|------------------------|
|------------5-------5---|------------5---7-5-----|
|----------5-----------7-|----------5-----------7-|
|5-------8---------------|5-------8---------------|
|
|0-----------------------|------------0-----0-----|
|2-----------------------|------------2-----2-----|
|0-----------------------|------------0-----0-----|
|2-----------------------|------------2-----2-----|
|0-----------------------|------------0-----0-----|
|------------------------|------------------------|
C9 C9 F7
|------------------------|------------------------|------------:
|------------------------|------------------------|------------:
|------------5-------5---|------------5---7-5-----|------------:
|----------5-----------7-|----------5-----------7-|------------:
|5-------8---------------|5-------8---------------|------------:
|------------------------|------------------------|3-----------:
|
|2-----------------------|------------2-----2-----|1-----------:
|1-----------------------|------------1-----1-----|0-----------:
|2-----------------------|------------2-----2-----|0-----------: ring
|0-----------------------|------------0-----0-----|0-----------: out
|0-----------------------|------------0-----0-----|x-----------:
|------------------------|------------------------|3-----------:
*****************************************************************************************
7. _____________________
/ /
/ Strange Encounter /
/_____________________/
key: B minor
time: 4/4
tempo: Q=94 bpm
-Josh tunes his acoustic guitar one whole step down (D G C F A D),
and puts capo on the 4th fret.
Playing live, though, they often transpose the song down to A minor,
and he puts capo on the 2nd fret instead.
-In standard tuning, have the capo two frets lower.
-The chord scheme is notated in the actual key of B minor.
-These are the guitar chords (actual names above, relative names below):
Bm Bmmaj7 D E9 Gmaj7 A Gmmaj7
xo___o xo___o x__o_o x____o x____o _xooo_ x____o
||||●| |||●●| ||||●| |||||| ||||●| |||||| |||●●|
||●●|| ||●||| ||●||| |||||| |||●|| |||||| ||||||
|||||| |||||| |●|||| ||||●| |●●||| ●||||● |●●|||
|||||| |||||| |||||| ||●||| |||||| |||||| ||||||
|●|●||
(Am Ammaj7 C D9 Fmaj7 G Fmmaj7)
- = same chord again
------------------------------------------------------------------------------
4/4
INTERLUDE: | Bm | Bmmaj7 | D | E9 |
| Bm | Bmmaj7 | D | E9 |
VERSE 1: | Bm | Bmmaj7 | D | E9 |
| Bm | Bmmaj7 | D | E9 |
" Only ever be the girl who just almost died in my house
Half naked, looking through your telephone
Run you a bath and try hard not to freak out
PRE-CHORUS:
| Gmaj7 | D | A | - |
| Gmaj7 | D | A | - |
| A | - | Gmaj7 |
" It's all free and too easy giving it away, giving it away
It's not cheap but here I am giving it away, giving it away
Giving it away, ooh
CHORUS: | D | - | - | - |
(2/4)
| Gmaj7 | - | Gmmaj7 | D |
| Gmaj7 | - | Gmmaj7 | - |
" Don't be my, don't be my, don't be my last strange encounter
The moment you came too, I swore I would change
Though neither one of us would leave unscathed
At least we'll both go on living
INTERLUDE (guitar solo)
VERSE 2
" Wanna find somebody
Not like this
Yeah, I'm a decent person
Little aimless
PRE-CHORUS
CHORUS
INTERLUDE (Play it 2x; ring out on the last E9.)
*****************************************************************************************
8. ______________________
/ /
/ The Ideal Husband /
/______________________/
key: Dm minor
time: 4/4, shuffled
tempo: Q=134 bpm
Josh has his acoustic guitar tuned one whole step down (D G C F A D).
(The chords names are notated in absolute terms.)
The song consists of two main parts, each of 4 bars.
[A]:
D D F G Gm
|0---0---0-0-0-0-|0---0---3-3-3-3-|0---0---0-0-0-0-|0---0-0-0-0-0-0-|
|0---0---0-0-0-0-|0---0---0-0-0-0-|2---2---2-2-2-2-|1---1-1-1-1-1-1-|
|1---1---1-1-1-1-|1---1---0-0-0-0-|2---2---2-2-2-2-|2---2-2-2-2-2-2-|
|2---2---2-2-2-2-|2---2---0-0-0-0-|2---2---2-2-2-2-|2---2-2-2-2-2-2-|
|2---2---2-2-2-2-|2---2---x-x-x-x-|0---0---0-0-0-0-|0---0-0-0-0-0-0-|
|0---0---0-0-0-0-|0---0---3-3-3-3-|----------------|----------------|
[B]:
Bb Bb G Gm
|0---0---0-0-0-0-|0---0-0-0-0-0-0-|0---0---0-0-0-0-|0---0-0-0-0-0-0-|
|1---1---1-1-1-1-|1---1-1-1-1-1-1-|2---2---2-2-2-2-|1---1-1-1-1-1-1-|
|0---0---0-0-0-0-|0---0-0-0-0-0-0-|2---2---2-2-2-2-|2---2-2-2-2-2-2-|
|2---2---2-2-2-2-|2---2-2-2-2-2-2-|2---2---2-2-2-2-|2---2-2-2-2-2-2-|
|3---3---3-3-3-3-|3---3-3-3-3-3-3-|0---0---0-0-0-0-|0---0-0-0-0-0-0-|
|3---3---3-3-3-3-|3---3-3-3-3-3-3-|----------------|----------------|
FORM
************
Intro: 1 bar of drums
A x 2
Verse: A x 2
B x 4
B x 2
Drum-Interlude:
D D D
|0---0---0-0-0-0-|0---0-0-0-0-0-0-|0---------------|----------------|
|0---0---0-0-0-0-|0---0-0-0-0-0-0-|0---------------|----------------|
|1---1---1-1-1-1-|1---1-1-1-1-1-1-|1---DRUMS-------|----------------|
|2---2---2-2-2-2-|2---2-2-2-2-2-2-|2---------------|----------------|
|2---2---2-2-2-2-|2---2-2-2-2-2-2-|2---------------|----------------|
|0---0---0-0-0-0-|0---0-0-0-0-0-0-|0---------------|----------------|
Intro: A x 2
Verse: A x 2
B x 4
B x 2
Bridge: B x 4
Intro: A x 4 (The electric guitar goes nuts.)
Ending:
(Live, the band make this ending twice as long.)
D D
|0---0---0---0---|0---0---0---0---:
|0---0---0---0---|0---0---0---0---:
|1---1---1---1---|1---1---1---1---:
|2---2---2---2---|2---2---2---2---:
|2---2---2---2---|2---2---2---2---:
|0---0---0---0---|0---0---0---0---:
LYRICS
**********
Julian
He's gonna take my files
Every woman that I've slept with
Every friendship I've neglected
Didn't call when grandma died
I spend my money getting drunk and high
I've done things unprotected
Proceeded to drive home wasted
Bought things to win over siblings
I've said awful things, such awful things
And now
Now it's out
And now
Now it's out
Julian
He's gonna take my files
Telling people jokes to shut them up
Resenting people that I love
Sleep in 'til two then doin' shit
Just stay in bed and later lie 'bout it
Obsessing over greying hair
Knowing just what people wanna hear
Binging on unearned attention
I've said awful things, such awful things
And now
Now it's out
And now
Now it's out
I came by at seven in the morning
Seven in the morning, seven in the morning
I came by at seven in the morning
I said, "Baby, I'm finally succumbing"
Said something dumb like "I'm tired of running
Tired of running, tired of running"
Let's put a baby in the oven
Wouldn't I make the ideal husband?
*****************************************************************************************
9. _____________________
/ /
/ Bored in the USA /
/_____________________/
key: D minor
time: 4/4
tempo: Q=105 bpm
For a complete transcription of the piano part, check out my pro tab:
http://tabs.ultimate-guitar.com/f/father_john_misty/bored_in_the_usa_guitar_pro.htm
When performing this solo, Josh plays this on acoustic guitar
tuned down one whole step (D G C F A D).
Dm A7 Bb C7
o__ooo x___o_ ___o_o xoo___
|||||| ||●||| ||||●| ||||●|
|●●||| |●|●|● ||●||| |||●|●
|||||| |||||| ●●|||| ||||||
|||||| |||||| |||||| ||||||
F F(#5) F7 Gm7 Bø
_xooo_ _x_oo_ _x_oo_ xo_o_o x__ooo
|||||| ||●||| |||||| ||||●| ||||||
|||||| |||||| |||||| ||●||| ||●|||
●||||● ●||||● ●|●||● |||||| ||||||
|||||| |||||| |||||| |||||| |●||||
+----------------------------------------------------------------------------+
4/4
[A1] | Dm | - | A7 | - |
| Bb | - | C7 | Dm | - |
| Dm | - | A7 | - |
| Bb | - | C7 | Dm | - |
| A7 | Bb | - |
| C7 | Bb | - |
How many people rise and say:
"My brain's so awfully glad to be here for yet another mindless day"?
Now, I've got all morning to obsessively accrue
A small nation of meaningful objects, and they've gotta represent me too
By this afternoon I'll live in debt
And by tomorrow be replaced by children
[A2]
How many people rise and think:
"Oh, good the stranger's body's still here; our arrangement hasn't changed"
Now, I've got a lifetime to consider all the ways
I grown more disappointing to you as my beauty warps and fades
I suspect you feel the same
When I was young I dreamt of a passionate obligation to a roommate
[B] | F | F(#5) | F | F7 |
| Bb | - | C7 | Gm7 | - |
| Bø | - | Bb | - |
Is this the part where I get all I ever wanted?
Who said that?
Can I get my money back?
(2/4)
[C1] || F | C7 | Dm | Bb ||(3x)
Just a little bored in the USA
Oh, just a little bored in the USA
Save me, white Jesus!
Bored in the USA, oh
[D] | A7 | - | Bb | - |
| F | - | C7 | - |
| Bø | - | Bb | - | Bø | - |
They gave me useless education
A sub-prime loan on a craftsman home
Keep my prescriptions filled
Now I can't get off
But I can kind of deal, oh, with being
(2/4)
[C2] || F | C7 | Dm | Bb ||(4x)
| Bø | - | Bb ...
Bored in the USA
Oh, just a little bored in the USA
Save me, President Jesus
I'm bored in the USA
How did it happen?
Bored in the USA
oh...
*****************************************************************************************
10._____________
/ /
/ Holy Shit /
/_____________/
key: A major, B major
time: 4/4, shuffled
tempo: Q=130 bpm
-Josh tunes his acoustic guitar one whole step down (D G C F A D),
and starts out with capo on the 4th fret.
-You could also just remain in standard tuning and put capo on the 2nd fret.
-The guitar chord names are therefore just notated relative to the capo (in G major).
The actual/absolute chord names are notated in the bottom.
+------------------------------------------------------------------------------------+
INTRO
-This intro indicates both the strumming pattern and all the chord shapes used.
4/4
G Bm E7(b9)/G# C
|3-----3-3-3-3-3-|2-----2-2---2-2-|0-----0-0-0-0-0-|0-----0-0---0-0-|
|0-----0-0-0-0-0-|3-----3-3---3-3-|3-----3-3-3-3-3-|1-----1-1---1-1-|
|0-----0-0-0-0-0-|4-----4-4---4-4-|4-----4-4-4-4-4-|0-----0-0---0-0-|
|0-----0-0-0-0-0-|4-----4-4---4-4-|3-----3-3-3-3-3-|2-----2-2---2-2-|
|x---------------|2-----2-2---2-2-|x---------------|3-----3-3---3-3-|
|3-----3-3-3-3-3-|----------------|4-----4-4-4-4-4-|3-----3-3---3-3-|
Em C#m7(b5) C D9/F# %
|0-----0-0---0-0-|0-----0-0---0-0-|0-----0-0---0-0-|0---0-0-0-0-0-0-|0-0-0-0-0-0-0-0-|
|0-----0-0---0-0-|0-----0-0---0-0-|1-----1-1---1-1-|1---1-1-1-1-1-1-|1-1-1-1-1-1-1-1-|
|0-----0-0---0-0-|0-----0-0---0-0-|0-----0-0---0-0-|2---2-2-2-2-2-2-|2-2-2-2-2-2-2-2-|
|2-----2-2---2-2-|2-----2-2---2-2-|2-----2-0h2-2-2-|0---0-0-0-0-0-0-|0-0-0-0-0-0-0-0-|
|2-----2-0h2-2-2-|4-----4-4---4-4-|3-----3-3---3-3-|0---0-0-0-0-0-0-|0-0-0-0-0-0-0-0-|
|0-----0-0---0-0-|----------------|3-----3-3---3-3-|2---2-2-2-2-2-2-|2-2-2-2-2-2-2-2-|
VERSE 1
||: G | Bm | E7(b9)/G# | C |
| Em | C#m7(b5) | C | D9/F# :|[2x]
Ancient holy wars
Dead religions, holocausts
New regimes, old ideals
That's now myth, that's now real
Original sin, genetic fate
Revolutions, spinning plates
It's important to stay informed
The commentary to comment on
CHORUS 1
| G | Bm | C | Em |
| Em | C#m7(b5) | C | G |
Oh, and no one ever really knows you, and life is brief
So I've heard, but what's that gotta do with this black hole and me?
| Em | C#m7(b5) | C | Em |
| Em | C#m7(b5) | C | D9/F# | % |
Oh...
VERSE 2
||: G | Bm | E7(b9)/G# | C |
| Em | C#m7(b5) | C | D9/F# :|[2x]
Age-old gender roles
Infotainment, capital
Golden bowls and mercury
Bohemian nightmares, dust bowl chic
This documentary's lost on me
Satirical news, free energy
Mobile lifestyle, loveless sex
Independence, happiness
CHORUS 2
| G | Bm | C | Em |
| Em | C#m7(b5) | C | G |
Oh, and no one ever knows the real you, and life is brief
So I've heard, but what's that gotta do with this atom bomb and me?
| Em | C#m7(b5) | C | Em |
| Em | C#m7(b5) | C | D9/F# | % |
Oh...
STRINGS INTERLUDE of 6 bars
-After this chaotically intensifying interlude, the song resumes 2 semi-tones higher,
so utilize this interlude to raise the capo 2 fret.
VERSE 3
||: G | Bm | C | Em |
| Em | C#m7(b5) | C | D9/F# :|[2x]
Coliseum families
The golden era of TV
Eunuch sluts, consumer slaves
A rose by any other name
Carbon footprint, incest streams
Fuck the mother in the green
Planet cancer, sweet revenge
Isolation, online friends
CHORUS 3
||: G | Bm | C | Em |
| Em | C#m7(b5) | C | G :|[2x]
Oh, and love is just an institution based on human frailty
What's your paradise gotta do with Adam and Eve?
Maybe love is just an economy based on resource scarcity
But what I fail to see is what that's gotta do with you and me
||: Em | C#m7(b5) | C | Em :|[repeat fading out]
Oh...
+--------------------------------------------------------------------------------+
-These are the actual/absolute chords, for other instruments:
INTRO | A | C#m | F#7(b9)/A# | D |
| F#m | D#m7(b5) | D | E9/G# | % |
VERSE 1 ||: A | C#m | F#7(b9)/A# | D |
| F#m | D#m7(b5) | D | E9/G# :|[2x]
CHORUS 1 | A | C#m | D | F#m |
| F#m | D#m7(b5) | D | A |
| F#m | D#m7(b5) | D | F#m |
| F#m | D#m7(b5) | D | E9/G# | % |
VERSE 2 ||: A | C#m | F#7(b9)/A# | D |
| F#m | D#m7(b5) | D | E9/G# :|[2x]
CHORUS 2 | A | C#m | D | F#m |
| F#m | D#m7(b5) | D | A |
| F#m | D#m7(b5) | D | F#m |
| F#m | D#m7(b5) | D | E9/G# | % |
STRINGS INTERLUDE of 6 bars, modulating from A major to B major
VERSE 3 ||: B | D#m | E | G#m |
| G#m | Fm7(b5) | E | F#9/A# :|[2x]
CHORUS 3 | B | D#m | E | G#m |
| G#m | Fm7(b5) | E | F#9/A# |
| B | D#m | E | G#m |
| G#m | Fm7(b5) | E | B |
||: G#m | Fm7(b5) | E | G#m :|[repeat fading out]
*****************************************************************************************
11._______________________________
/ /
/ I Went to the Store One Day /
/_______________________________/
key: Eb major
time: 4/4
tempo: Q=75 bpm
-Josh tunes his acoustic guitar one whole step down (D G C F A D).
-You could also remain in standard tuning, put capo on the 3rd fret,
and then voice the chords on the lower strings instead, like this:
Ab6 Adim7 Eb/Bb Bb Bb7 Eb G7 Abm
|--------------------------------------------------------|
|--------------------------------------------------------|
|---2------2------0------0------0------0------1------1---|
|---0------1------2------0------3------2------0------3---|
|---3------3------3------2------2------3------2------3---|
|---1------2------3------3------3------3------0------1---|
+----------------------------------------------------------------------------+
FOREPLAY
-Play these 8 bars for the verses as well.
-In terms of finger picking, the most efficient picking is to use one finger
for each string, whatever fingers you prefer using. Josh uses T I M R.
Ab6 Adim7
|--------------------------------|--------------------------------|
|--3-------3-------3-------3-----|--3-------3-------3-------3-----|
|----0-------0-------0-------0---|----1-------1-------1------(0)--|
|------3-------3-------3-------3-|------3-------3-------3------(0)|
|1-------1-------1-------1-------|2-------2-------2-------2-------|
|--------------------------------|--------------------------------|
(The (0) simply mean the open strings being
picked when Josh switches between chords.)
Eb/Bb Bb Bb7
|--------------------------------|--------------------------------|
|--1-------1-------1-------1-----|--1-------1-------1-------1-----|
|----2-------2-------2------(0)--|----0-------0-------3------(0)--|
|------3-------3-------3------(0)|------2-------2-------2------(0)|
|3-------3-------3-------3-------|3-------3-------3-------3-------|
|--------------------------------|--------------------------------|
Eb G7
|--------------------------------|--------------------------------|
|--1-------1-------1-------1-----|--2-------2-------2-------2-----|
|----2-------2-------2-------2---|----0-------0-------0-------0---|
|------3-------3-------3------(0)|------2-------2-------2------(0)|
|3-------3-------3-------3-------|0-------0-------0-------0-------|
|--------------------------------|--------------------------------|
Adim7 Ab6
|--------------------------------|--------------------------------|
|--3-------3-------3-------3-----|--3-------3-------3-------3-----|
|----1-------1-------1------(0)--|----0-------0-------0-------0---|
|------3-------3-------3-------3-|------3-------3-------3-------3-|
|2-------2-------2-------2-------|1-------1-------1-------1-------|
|--------------------------------|--------------------------------|
VERSE 1
" We met in a parking lot
just buying coffee and cigarettes, firewood and bad wine long since gone
but I'm still drunk and hot, wide awake and breathing hard
VERSE 2
" And now, in just one year's time
I've become jealous, rail-thin, prone to paranoia when I'm stoned
If this isn't true love, someone oughta put me in a home
VERSE 3
" Say, do you wanna get married,
and put an end to our endless progressive tendency to scorn
provincial concepts like your dowry and your daddy's farm?
-Play the first 7 bars as usual; then this 8th bar instead, before the bridge:
Ab6
|--------------------------------:
|--3-------3---------------------:
|----0-------0-------------------: (The : are used to indicate
|------3-------3-----------------: a freer time between bars.)
|1-------1-------1---------------:
|--------------------------------:
" For love to
BRIDGE
Bb7 Bb7
:--------------------------------:--------------------------------|
:--------------------------------:--------------------------------|
:3-------------------------------:3-------------------------------|
:2-------------------------------:2-------------------------------|
:3-------------------------------:3-------------------------------|
:--------------------------------:--------------------------------|
find us of all people I never
Eb Adim7
|--------------------------------|--------------------------------|
|--1-------1-------1-------1-----|--3-------3-------3-------3-----|
|----2-------2-------2-------2---|----1-------1-------1-------1---|
|------3-------3-------3------(0)|------3-------3-------3------(0)|
|3-------3-------3-------3-------|2-------2-------2-------2-------|
|--------------------------------|--------------------------------|
thought it be so simple
G7 G7
|--------------------------------||--------------------------------|
|--2-------2-------2-------2-----||--2-------2-------2-------2-----|
|----0-------0-------0-------0---||----0-------0-------0-------0---|
|------2-------2-------2-------2-||------2-------2-------2-------2-|
|0-------0-------0-------0-------||0-------0-------0-------0-------|
|--------------------------------||--------------------------------|
ooh...
Adim7 Ab6
|--------------------------------|--------------------------------|
|--3-------3-------3-------3-----|--3-------3-------3-------3-----|
|----1-------1-------1------(0)--|----0-------0-------0-------0---|
|------3-------3-------3-------3-|------3-------3-------3-------3-|
|2-------2-------2-------2-------|1-------1-------1-------1-------|
|--------------------------------|--------------------------------|
VERSE 4 (INSTRUMENTAL)
" ooh...
VERSE 5
" Let's buy a plantation house
and let the yard grow wild till we don't need the signs that say 'Keep out'
I've got some money left, and it's cheaper in the South
VERSE 6
" I need someone I can trust
to protect me from our seven daughters when my body says 'Enough!'
Don't let me die in a hospital, I'll save the big one for the last time we make love
ENDING
Abm Eb
|--------------------------------|--------------------------------|
|--2-------2-------2-------2-----|--1-------1-------1-------1-----|
|----3-------3-------3-------3---|----2-------2-------2-------2---|
|------3-------3-------3------(0)|------3-------3-------3------(0)|
|1-------1-------1-------1-------|3-------3-------3-------3-------|
|--------------------------------|--------------------------------|
" Insert here
G7 Adim7
|--------------------------------|--------------------------------|
|--2-------2-------2-------2-----|--3-------3-------3-------3-----|
|----0-------0-------0-------0---|----1-------1-------1-------1---|
|------2-------2-------2-------2-|------3-------3-------3------(0)|
|0-------0-------0-------0-------|2-------2-------2-------2-------|
|--------------------------------|--------------------------------|
a sentiment re' our golden years
Ab6 Abm
|--------------------------------:--------------------------------|
|--3-------3---------------------:2-------------------------------|
|----0-------0-------------------:3-------------------------------|
|------3-------3-----------------:3-------------------------------|
|1-------1-------1---------------:1-------------------------------|
|--------------------------------:--------------------------------|
All cause I went to the
Eb/Bb Bb
|--------------------------------|--------------------------------|
|--1-------1-------1-------1-----|--1-------1-------1-------1-----|
|----2-------2-------2-------2---|----0-------0-------0-------0---|
|------3-------3-------3------(0)|------2-------2-------2------(0)|
|3-------3-------3-------3-------|3-------3-------3-------3-------|
|--------------------------------|--------------------------------|
store one day
Eb/Bb Bb Eb
|--------------------------------|--------------------------------------:------:
|--1-------1-------1-------1-----|--------------------------------------:-1^---:
|----2-------2-------2------(0)--|0^------------------------------------:-2^---:
|------3-------3-------3---------|2^------------------------------------:-3^---:
|3-------3-------3-------3-------|3^------------------------------------:-3^---:
|--------------------------------|--------------------------------------:------:
"I've seen you around, what's your name?"
" Maitinin writing here - the author of this tab.
The past 11 years, I have generated 10,318,000 views and 815 top-rated tabs for this site.
If you want to support an eager contributor like me, check out my own site:
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Best regards,
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I Love You Honeybear – Father John Misty
How to play
"I Love You Honeybear"
Fonte
Transpor
8 comments
Not entirely certain you're not actually J. Tillman himself...
+13
Did you really just tab out the whole album? You're my next favorite person after Josh Tillman.
+9
Well I just stumbled upon this now, but wow, good stuff man, maybe the most comprehensive tab I've ever seen
+7