Some Devil Intro Tab

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                            Some Devil Live Intro - Dave Matthews
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Tabbed by: Alex Flaherty
E-mail: AlexFlaherty82@yapoo.com
 
Tuning: BA#DGBE
Tempo: About 120 Bpm, but I guess it depends on how you tap your foot along to it.
 
 
This is the intro the Dave does to open some devil. He uses a baritone acoustic, but luckily someone
on a Dave Matthews tab fan site tabbed it out for us, and I haven't seen it anywhere else, so here.
The E string is dropped to an ungodly B and the A string gets raised a half step to A#.
The song is fingerpicked, and i prefer to let everything ring out as much as possible.
 
Section A
e  |-----------------------------------------------------| x2
B  |-----------------------------------------------------|
G  |-----------------------------------------------------|
D  |------5---4-----------------4--------------2---------|
A# |---------------------1-------------1-------1---------|
B  |----0---0--------0------0------0-------0-------------|
 
 
Section B part 1 is played twice, leaning into the slides of Section C, into Section B part 2.
The only difference between part 1 & 2 is the slides in the last 2 bars.
 
 
Here, i keep my middle finger on the B string, and use my pointer for everything else, until the ring finger
is used to play 3 on the D string. Everything else is middle and pointer, otherwise you get your fingers
twisted up.
 
 
 
Section B Part 1
e  |-----------------------------------------------|              _
B  |-----------------------------------------------|               |
G  |-----------------------------------------------|               |
D  |-------------------------------------------0---|               |
A# |----------0---7--------0----6--------0---------|               |
B  |--3/////8---8-------8----8--------8-----8------|               |
                                                                   |   x2
e  |---------------------------------------------|                 |
B  |---------------------------------------------|                 |
G  |---------------------------------------------|                 |
D  |----------0---3-------0---2--------0----0----|                 |
A# |---------------------------------------------|                _|
B  |--8\\\\\3---3-------3---3-------3----3-------|      
 
 
   Section C
 
e  |------------------------------|
B  |------------------------------|
G  |------------------------------|
D  |------------------------------|
A# |------------------------------|
B  |----3///6///10\\\8\\\5--------|
 
 
   Section B Part 2
 
e  |----------------------------------------------|
B  |----------------------------------------------|
G  |----------------------------------------------|
D  |-------------------------------------------0--|
A# |----------0---7--------0----6--------0--------|
B  |--3/////8---8-------8----8--------8-----8-----|
 
 
e  |---------------------------------------------|
B  |---------------------------------------------|
G  |---------------------------------------------|
D  |----------0---3-------0---2--------0----0----|
A# |---------------------------------------------|
B  |--8\\\\\3---3-------3---3-------3----3-------| 
 
 
e  |------------------------------------------------|
B  |------------------------------------------------|
G  |------------------------------------------------|
D  |-------------------------------------------0----|
A# |----------0---6/7------0----5/6------0----------|
B  |--3/////8---8-------8----8--------8-----8-------|
 
 
e  |---------------------------------------------|
B  |---------------------------------------------|
G  |---------------------------------------------|
D  |----------0---3-------0---2p0------0----0----|
A# |---------------------------------------------|
B  |--8\\\\\3---3-------3---3-------3----3-------| 
 
 
   Section C
 
e  |------------------------------|
B  |------------------------------|
G  |------------------------------|
D  |------------------------------|
A# |------------------------------|
B  |----3///6///10\\\8\\\5--------|
 
 
This is the more complicated part, we let the slide ring out to begin.
The notes with * above them are picked at the same time. I keep my middle finger the B string,
and use my ring finger for everything except for the 5s on the D string, here I use my pointer,
and just hammer on or pull off when it sounds good. I get the best sound when I play everything
as one long slide, and let it all ring out as I move up and down the neck.
 
 
    Section D                   *                   *            *
e  |---------------------------------------------------------------------------|
B  |---------------------------------------------------------------------------|
G  |---------------------------------------------------------------------------|
D  |----5///7///9---9----9///10-10-----10----10\\\7-7----7---7p5-5----5--5///7-|
A# |---------------------------------------------------------------------------|
B  |-5------------8----8--------10--10----10--------6--6---6-----6--6--6-------|
   ^this 5 is from the slide
 
    Section E                *                   *            *                  Let ring on last note
e  |---------------------------------------------------------------------------|
B  |---------------------------------------------------------------------------|
G  |---------------------------------------------------------------------------|
D  |-----7///9---9----9///10-10-----10----10\\\7-7----7---7p5-5----5--5~~~~~---|
A# |---------------------------------------------------------------------------|
B  |-----------8----8--------10--10----10--------6--6---6-----6--6--6----------|
 
 
 
                       "I just think thats pretty..."
 
 
 
 
How I play it
 
A B1 C B2 C B1 C B2 C D E B1 C B2 C B1 C B2 C D E D E
 
My version just takes more time.
 
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| /   slide up
| \   slide down
| h   hammer-on
| p   pull-off
| ~   vibrato
| +   harmonic
| x   Mute note
| b   Bend
| pb  Pre-bend
| br  Bend release
| pbr Pre-bend release
| brb Bend release bend
 
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