Its Only Make Believe Tab

IT'S ONLY MAKE BELIEVE
 
As recorded by Conway Twitty
(From the 1958 Album CONWAY TWITTY SINGS)
 
Words and Music by Conway Twitty & Jack Nance
 
Transcribed by Slowhand
 
 
Gtr I (E A D G B E) - 'Electric Guitar'
 
 Intro
  freely Q=74
  B                    G#m
 5/4                  4/4
  Gtr I
  S S S S +W           S S S S +H.
|--------------------|-------4-(4)----|
|-------4-(4)--------|-----4---(4)----|
|-----4---(4)--------|---4-----(4)----|
|---4-----(4)--------|-6-------(6)----|
|-2-------(2)--------|----------------|
|--------------------|----------------|
 
 
  E                  F     F#
 6/4                      5/4
  S S S S +W          Q     S S S S +W
|--------------------^1--|-----------------|
|-------0-(0)--------^1--|--------2-(2)----|
|-----1---(1)--------^2--|------3---(3)----|
|---2-----(2)--------^3--|----4-----(4)----|
|-2-------(2)--------^3--|--4-------(4)----|
|--------------------^1--|-----------------|
 
 
  in time Q=124
  B                       C#m        F#
 12/8
  Q  E E E E Q  E E E E   Q  E E E E Q  E E E E
|-----------------------|-4--4-4-4-4-2--2-2-2-2-||
|-4--4-4-4-4-4--4-4-4-4-|-5--5-5-5-5-2--2-2-2-2-||
|-4--4-4-4-4-4--4-4-4-4-|-6--6-6-6-6-3--3-3-3-3-||
|-4--4-4-4-4-4--4-4-4-4-|-6--6-6-6-6-4--4-4-4-4-||
|-2--2-2-2-2-2--2-2-2-2-|-4--4-4-4-4-4--4-4-4-4-||
|-----------------------|------------2--2-2-2-2-||
 
 
   1st - 3rd Verses
    B                       G#m
    Q  E E E E Q  E E E E   Q  E E E E Q  E E E E
||------------------------|-4--4-4-4-4-4--4-4-4-4-|
||o-4--4-4-4-4-4--4-4-4-4-|-4--4-4-4-4-4--4-4-4-4-|
||--4--4-4-4-4-4--4-4-4-4-|-4--4-4-4-4-4--4-4-4-4-|
||--4--4-4-4-4-4--4-4-4-4-|-6--6-6-6-6-6--6-6-6-6-|
||o-2--2-2-2-2-2--2-2-2-2-|-6--6-6-6-6-6--6-6-6-6-|
||------------------------|-4--4-4-4-4-4--4-4-4-4-|
 
 
  E                       F#
  Q  E E E E Q  E E E E   Q  E E E E Q  E E E E
|-0--0-0-0-0-0--0-0-0-0-|-2--2-2-2-2-2--2-2-2-2-|
|-0--0-0-0-0-0--0-0-0-0-|-2--2-2-2-2-2--2-2-2-2-|
|-1--1-1-1-1-1--1-1-1-1-|-3--3-3-3-3-3--3-3-3-3-|
|-2--2-2-2-2-2--2-2-2-2-|-4--4-4-4-4-4--4-4-4-4-|
|-2--2-2-2-2-2--2-2-2-2-|-4--4-4-4-4-4--4-4-4-4-|
|-0--0-0-0-0-0--0-0-0-0-|-2--2-2-2-2-2--2-2-2-2-|
 
 
  E                       F#
  Q  E E E E Q  E E E E   Q  E E E E Q  E E E E
|-0--0-0-0-0-0--0-0-0-0-|-2--2-2-2-2-2--2-2-2-2-|
|-0--0-0-0-0-0--0-0-0-0-|-2--2-2-2-2-2--2-2-2-2-|
|-1--1-1-1-1-1--1-1-1-1-|-3--3-3-3-3-3--3-3-3-3-|
|-2--2-2-2-2-2--2-2-2-2-|-4--4-4-4-4-4--4-4-4-4-|
|-2--2-2-2-2-2--2-2-2-2-|-4--4-4-4-4-4--4-4-4-4-|
|-0--0-0-0-0-0--0-0-0-0-|-2--2-2-2-2-2--2-2-2-2-|
 
 
  B                       E
  Q  E E E E Q  E E E E   Q  E E E E Q  E E E E
|-----------------------|-0--0-0-0-0-0--0-0-0-0-|
|-4--4-4-4-4-4--4-4-4-4-|-0--0-0-0-0-0--0-0-0-0-|
|-4--4-4-4-4-4--4-4-4-4-|-1--1-1-1-1-1--1-1-1-1-|
|-4--4-4-4-4-4--4-4-4-4-|-2--2-2-2-2-2--2-2-2-2-|
|-2--2-2-2-2-2--2-2-2-2-|-2--2-2-2-2-2--2-2-2-2-|
|-----------------------|-0--0-0-0-0-0--0-0-0-0-|
 
 
  F#                        E
  E E E E E E E E E E E E   E E E E E E E E E E E E
|-2-2-2-2-2-2-2-2-2-2-2-2-|-0-0-0-0-0-0-0-0-0-0-0-0-|
|-2-2-2-2-2-2-2-2-2-2-2-2-|-0-0-0-0-0-0-0-0-0-0-0-0-|
|-3-3-3-3-3-3-3-3-3-3-3-3-|-1-1-1-1-1-1-1-1-1-1-1-1-|
|-4-4-4-4-4-4-4-4-4-4-4-4-|-2-2-2-2-2-2-2-2-2-2-2-2-|
|-4-4-4-4-4-4-4-4-4-4-4-4-|-2-2-2-2-2-2-2-2-2-2-2-2-|
|-2-2-2-2-2-2-2-2-2-2-2-2-|-0-0-0-0-0-0-0-0-0-0-0-0-|
 
 
  1.,2.
  B          E            B          F#
  Q  E E E E Q  E E E E   Q  E E E E Q  E E E E  3x
|------------0--0-0-0-0-|------------2--2-2-2-2--||
|-4--4-4-4-4-0--0-0-0-0-|-4--4-4-4-4-2--2-2-2-2-o||
|-4--4-4-4-4-1--1-1-1-1-|-4--4-4-4-4-3--3-3-3-3--||
|-4--4-4-4-4-2--2-2-2-2-|-4--4-4-4-4-4--4-4-4-4--||
|-2--2-2-2-2-2--2-2-2-2-|-2--2-2-2-2-4--4-4-4-4-o||
|------------0--0-0-0-0-|------------2--2-2-2-2--||
 
 
  3.                                  H.=H
  B          E             B          E
  Q  E E E E E E E E E E   Q  E E E E H.
|------------0-0-0-0-0-0-|------------0-----|
|-4--4-4-4-4-0-0-0-0-0-0-|-4--4-4-4-4-0-----|
|-4--4-4-4-4-1-1-1-1-1-1-|-4--4-4-4-4-1-----|
|-4--4-4-4-4-2-2-2-2-2-2-|-4--4-4-4-4-2-----|
|-2--2-2-2-2-2-2-2-2-2-2-|-2--2-2-2-2-2-----|
|------------0-0-0-0-0-0-|------------0-----|
 
 
  B
   W.              +W.
|----------------|--------*|
|-^4-------------|-(4)----*|
|-^4-------------|-(4)----*|
|-^4-------------|-(4)----*|
|-^2-------------|-(2)----*|
|----------------|--------*|
 
 
Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff
 
Tablature Legend
----------------
 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
  - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
 <>  - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash
 
Misc Legend
-----------
 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers -  = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
X