Think It Over Tab

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Dificuldade:	intermediário
Capotraste:	5th traste
Autor: Neckwringer [a] 413.091. Última edição em 22 de jan. de 2015
Temos uma Tablatura Oficial de Think It Over criada pelos guitarristas profissionais do UG.
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THINK IT OVER
 
As recorded by Buddy Holly & The Crickets
(From the 1957 Album THE "CHIRPING" CRICKETS )
 
Words and Music by Buddy Holly, Jerry Allison & Norman Petty
 
Transcribed by Slowhand
 
 
Gtr I (E A D G B E) - 'Buddy Holly - Electric Guitar w/ capo 5th fret'
Gtr II (E A D G B E) - 'Vi Petty - Piano'
 
 
 Intro
  Q=132(8=s8)
                E
 4/4
  Gtr I (El. Gtr. w/ capo 5th fret)
  H    Q  E E   E E E E E E E E   E E E E E E E E
|-----------0-|---0---0---0---0-|---0---0---0---0-|
|-----------0-|---0-2-0---0-2-0-|---0-2-0---0-2-0-|
|-----------0h|=1---2---1---2-0h|=1---2---1---2-0h|
|-----------0h|=2---2---2---2-0h|=2---2---2---2-0h|
|-----------0h|=2-------2-----0h|=2-------2-----0h|
|-----------0-|---------0---0-0-|---------0---0-0-|
 
 
                    B7
  E E E E E E E E   E E E E E E E E
|---0---0---0---0-|---2-2-2-2-2-2-0--||
|---0-2-0---0-2-0-|---0-0-0-0-0-0-0--||
|-1---2---1---2---|-2-2-2-2-2-2-2-0h=||
|-2---2---2---2---|---------------0h=||
|-2-------2-------|-2-2-2-2-2-2-2-0h=||
|---------0---0---|---------------0--||
 
 
   1st - 3rd Verses
    $
    E
    E E E E E E E E   E E E E E E E E   E E E E E E E E   E E E E E E E E
||----0---0---0---0-|---0---0---0---0-|---0---0---0---0-|---0---0---0-----|
||o---0-2-0---0-2-0-|---0-2-0---0-2-0-|---0-2-0---0-2-0-|---0-2-0---0-----|
||--1---2---1---2---|-1---2---1---2-0h|=1---2---1---2---|-1---2---1-------|
||--2---2---2---2---|-2---2---2---2-0h|=2---2---2---2---|-2---2---2---2-2-|
||o-2-------2-------|-2-------2-----0h|=2-------2-------|-2-------2---2-0-|
||----------0-------|-0-------0-----0-|---------0-------|-0-------0-------|
 
 
  A                                       E
  +Q   E E +E  E E E   Q  E E +E  E E E   E E E E E E E E   E E E E +E  E E E
|--------------0-----|------0-(0)-0-----|---0---0---0---0-|---0---0-(0)-0---0--|
|------2-2-(2)-2-2-2-|----2-2-(2)-2-2-2-|---0-2-0---0-2-0-|---0-2-0-(0)-0-2----|
|------2-2-(2)---2-2-|----2-2-(2)---2-2-|-----2---1---2---|-1---2---------2----|
|-(2)--2-2-(2)---2-2-|-2--2---------2-2-|-----2---2---2---|-2------------------|
|-(0)--0---------0---|-0--0---------0---|-2-------2-------|-2------------------|
|--------------------|------------------|-0-------0-------|-0------------------|
 
 
                                          1.
                                 To Coda
  B7                  A                    E
  E E E E +E  E E E   E E E E +E  E E E    E E Q  H
|---2---2-(2)-2---0-|---0---0-(0)-0---0--|-------------|
|---0---0-(0)-0---2-|---2-2-2-(2)-2------|-------------|
|-----------------2-|---2-2---------2----|-------------|
|-------------------|-----2---------2----|-------------|
|-2-----------------|-0------------------|-2-----------|
|-------------------|--------------------|-0-----------|
 
 
                     2.
    B7                E               B7
  E E E E E E E E     E E Q  H      E E E E E E E E
|---2-2-2-2-2-2-0--||-------------|---2-2-2-2-2-2-0--||
|---0-0-0-0-0-0-0-o||-------------|---0-0-0-0-0-0-0--||
|---2-2-2-2-2-2-0--||-------------|---2-2-2-2-2-2-0h=||
|---------------0--||-------------|---------------0h=||
|---2-2-2-2-2-2-0-o||-2-----------|---2-2-2-2-2-2-0h=||
|---------------0--||-0-----------|---------------0--||
|
| Gtr II (Piano arr. for Gtr.)
| W                   W             H       E E E E
|------------------||-------------|------------------||
|-----------------o||-------------|------------------||
|------------------||-------------|------------------||
|------------------||-------------|------------------||
|-----------------o||-------------|---------------0--||
|------------------||-------------|-----------0-2----||
 
 
 Piano Solo
  E
   E  E E E E E E E   E E E E E E E E    E  E E E E E E E   E E E E E E E E
|-----0---0---0---0-|---0---0---0---0-|-----0---0---0---0-|---0---0---0------|
|-----0-2-0---0-2-0-|---0-2-0---0-2-0-|-----0-2-0---0-2-0-|---0-2-0---0------|
|--1----2---1---2---|-1---2---1---2-0h|==1----2---1---2---|-1---2---1--------|
|--2----2---2---2---|-2---2---2---2-0h|==2----2---2---2---|-2---2---2---2-2--|
|--2--------2-------|-2-------2-----0h|==2--------2-------|-2-------2---2-0--|
|-----------0-------|-0-------0-----0-|-----------0-------|-0-------0--------|
|
| +E  E E E E E E E   E E E E E E E E   +E  E E E E E E E   E E E E E E E E
|-------------------|-----------------|-------------------|------------------|
|-------------------|-----------------|-------------------|------------------|
|-------------------|-----------------|-------------------|------------------|
|-----------2-2-----|-----------------|-----------2-2-----|------------------|
|-(0)---4-5-----4-2-|-0---0-2-4-----0-|-(0)---4-5-----4-2-|-0---0-2-4-0-2-0--|
|-------------------|---0-------0-2---|-------------------|---0--------------|
 
 
  A
  +E  E E E +E  E E E   E E E E Q   E E
|-----0---------0-----|---0-----------0-|
|-----2-3-------2-3-1s|=2---3-2-------0-|
|-------2-2-(2)-2-2-1s|=2---2-2-------0h|
|-(2)---0-2-(2)---0---|-----0-2-------0h|
|-(0)-----0-(0)-------|-------0-------0h|
|---------------------|---------------0-|
|
|  Q    E E  Q    E E   Q   E E E E E E
|---------------------|-----------------|
|---------------------|-----------------|
|---------------------|-----------------|
|---------------------|-----------------|
|--3----2-0--3----2-0-|-3---2-0---0-2-0-|
|---------------------|-----------------|
 
 
    E
    E E E E   +E  E E E     +E  E E E +E  E E E
|-----0---0---(0)-0---0-|---(0)-0---0-(0)-0-0-0-|
|-----0-2-0---(0)-0-2-0-|---(0)-0-2-0-(0)-0-0-0-|
|---1---2-1---(1)-1-2-1-|---(1)-1-2-1-(1)---1---|
|---2---2-2---(2)---2-2-|---(2)---2-2-(2)---2---|
|---2-------------------|-----------------------|
|-----------------------|-----------------------|
|
| a Q   E E a  Q    E E   a  Q    E E  E  E E E
|-----------------------|-----------------------|
|-----------------------|-----------------------|
|-----------------------|-----------------------|
|-----------------------|-----------------------|
|-3h4---2-0-3h=4----2-0-|-3h=4----2-0---------0-|
|-----------------------|-----------------0-2---|
 
 
  B7                    A
  E E E E E E E   E     E E E E E E E E
|-----------------0---|---------------0-|
|---0-0-0-0-0-0---0---|---2-2-2-2-2-2-0-|
|---2-2-2-2-2-2-------|---2-2-2-2-2-2---|
|---1-1-1-1-1-1-------|-2-2-2-2-2-2-2---|
|-2-2-2-2-2-2-2-------|-0-0-0-0-0-0-0---|
|---------------------|-----------------|
|
|             |--3--|
| E E E E Q   E E   E   E E E E E E E E
|---------------------|-----------------|
|---------------------|-----------------|
|---------------------|-----------------|
|---------------------|-----------------|
|-2-------2---2-3---2-|-0---0-----0-0-0-|
|---0-2-0-------------|---2---2---------|
 
 
                          D.S. al Coda
  E         A     E     B7
  +E  E E E E E E E   E E E E E E E E
|-(0)-0-0-0-------0-|---2-2-2-2-2-2-0--||
|-(0)-0-0-0-2-2-2-0-|---0-0-0-0-0-0-0--||
|-------1---2-2-2-1-|---2-2-2-2-2-2----||
|-------2---2-2-2-2-|------------------||
|-----------0-0-0---|---2-2-2-2-2-2----||
|-------------------|------------------||
|
|  E  E E E Q   E E   Q   E E H
|-------------------|------------------||
|-------------------|------------------||
|-------------------|------------------||
|-------------------|-----2------------||
|--4----4-------0---|------------------||
|-----0---0-------0-|-------0----------||
 
 
                                  Outro
  &
  E               B7               E
  E E Q  H      E E E E E E E E    E E E E E E E E
|-------------|---2-2-2-2-2-2-0-||---0---0---0---0-|
|-------------|---0-0-0-0-0-0-0-||---0-2-0---0-2-0-|
|-------------|---2-2-2-2-2-2-0h||=1---2---1---2---|
|-------------|---------------0h||=2---2---2---2---|
|-2-----------|---2-2-2-2-2-2-0h||=2-------2-------|
|-0-----------|---------------0-||---------0---0---|
 
 
  E E E E E E E E   E E E E E E E E   E E E E E E E E   E E E E E E E E
|---0---0---0---0-|---0---0---0---0-|---0---0---0---0-|---0---0---0---0--*|
|---0-2-0---0-2-0-|---0-2-0---0-2-0-|---0-2-0---0-2-0-|---0-2-0---0-2-0--*|
|-1---2---1---2-0h|=1---2---1---2---|-1---2---1---2-0h|=1---2---1---2----*|
|-2---2---2---2-0h|=2---2---2---2---|-2---2---2---2-0h|=2---2---2---2----*|
|-2-------2-----0h|=2-------2-------|-2-------2-----0h|=2-------2--------*|
|-0-------0-----0-|---------0-------|-0-------0-----0-|---------0--------*|
 
 
Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff
 
Tablature Legend
----------------
 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
  - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
 <>  - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash
 
Misc Legend
-----------
 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers -  = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
X
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Think It Over – Buddy Holly
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"Think It Over"
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