Visions Of Johanna Cifras

por Bob Dylan
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Complete chords and lyrics / different approach: Dylan's capo position makes it sound like the original / split chords and suggestions for inclusion of the bass part (short tab) / https://www.youtube.com/watch?v=AwuCF5lYqEE.Esta informação foi útil?
Dificuldade: intermediário
Afinação: E A D G B E
Tecla: A
Capotraste: 2nd traste
Autor: maguri [tm] 60.144. Última edição em 15 de ago. de 2024
Temos uma Tablatura Oficial de Visions Of Johanna criada pelos guitarristas profissionais do UG.
Confira a tablatura

Cifras

G
C/G
D7sus4/G
C
D
Dsus4
G/B

Palhetada

Ainda não temos padrão de palhetada para esta música. Criar e receba +5 IQ
---------------------------------------------------------------------------
                      Visions of Johanna – bob Dylan
---------------------------------------------------------------------------
 
Written by: Bob Dylan
From: “Blonde on Blonde” (1966)
 
Tabbed by: maguri
Tuning: Standard
 
Capo: 2nd
Play: G
Key: A
 
For chords in original key, transpose +2
 
---------------------------------------------------------------------------
 
[Verse] part
The bass plays a downward lick at the end of the lines; you might want to
include that into your accompaniment
 [G               [C      [D       [G       [C/G [G
  1 + 2 + 3 + 4 +  1 + 2 + 3 + 4 +  1 + 2 + 3 + 4 +  1 + 2 + 3 + 4 +
e|3---------------|0-------2-------|3---------3-----|3---------------|
B|0---------------|1-------3-------|0---------1---0-|0---------------|
G|0---------------|0-------2-------|0---------0---0-|0---------------|
D|0---------------|2-------0-------|0---------2---0-|0---------------|
A|----------------|3-----------3-2-|----------------|----------------|
E|3---------------|----------------|3---------3-----|3---------------|
 
CHORDS
           E-A-D-G-B-e
C/G        3-x-2-0-1-3
D7sus4/G   3-x-0-2-1-3
G/B        x-2-0-0-0-3
 
---------------------------------------------------------------------------
 
[Intro]
| G | % | C/G D7sus4/G | G    C/G | G |
 
[Verse 1]
        G                            C
Ain’t it just like the night to play tricks
            D               | G    C/G | G |
When you’re tryin' to be so quiet?
   G                               C             D        | G    C/G | G |
We sit here stranded, though we’re all doin’ our best to deny it
       D                                            | G    C/G | G |
And Louise holds a handful of rain, temptin’ you to defy it
       C                         G
Lights flicker from the opposite loft
        C                        G
In this room the heat pipes just cough
    C                           G
The country music station plays soft
            G                              | D     Dsus4 | D |
But there’s nothing, really nothing to turn off
        G           C     D     | G    C/G | G |
Just Louise and her lover so entwined
          C            G/B        D          | G    C/G |
And these visions of Johanna that conquer my mind
 
[Interlude]
| G | C D | G    C/G | G |
 
[Verse 2]
             G
In the empty lot where the ladies play
C           D            | G        C/G | G |
 Blindman’s bluff with the key chain
        G                    C              D               | G       C/G | G |
And the all-night girls they whisper of escapades out on the “D” train
       D
We can hear the night watchman click his flashlight
[bass plays C over "hear" and then corrects itself to D on "watchman"]
       D                               | G    C/G | G |
Ask himself if it’s him or them that’s insane
       C                            G
Louise, she’s all right, she’s just near
      C                           G
She’s delicate and seems like the mirror
        C                                     G
But she just makes it all too concise and too clear
                      | D     Dsus4 | D |
That Johanna’s not here
    G                    C            D           | G       C/G | G |
The ghost of ’lectricity howls in the bones of her face
            C            G/B            D       | G    C/G |
Where these visions of Johanna have now taken my place
 
[Interlude]
| G | C D | G    C/G | G |
 
[Verse 3]
     G                   C                D     | G       C/G | G |
Now, little boy lost, he takes himself so seriously
   G                       C             D      | G       C/G | G |
He brags of his misery, he likes to live dangerously
         D
And when bringing her name up
   D                           | G    C/G | G |
He speaks of a farewell kiss to me
     C                G
He’s sure got a lotta gall
   C                 G
To be so useless and all
C                           G                     | D     Dsus4 | D |
Muttering small talk at the wall while I’m in the hall
    G                  C       D          | G       C/G | G |
How can I explain? Oh, it’s so hard to get on
          C            G/B                 D          | G    C/G |
And these visions of Johanna, they kept me up past the dawn
 
[Interlude]
| G | C D | G    C/G | G |
 
[Verse 4]
  G                C         D         | G       C/G | G |
Inside the museums, Infinity goes up on trial
       G                    C              D           | G       C/G | G |
Voices echo this is what salvation must be like after a while
         D                                                            | G       C/G | G |
But Mona Lisa musta had the highway blues, you can tell by the way she smiles
        C                    G
See the primitive wallflower freeze
         C                     G
When the jelly-faced women all sneeze
         C                                                  | D     Dsus4 | D |
Hear the one with the mustache say, “Jeeze, I can’t find my knees”
    G                     C             D          | G       C/G | G |
Oh, jewels and binoculars hang from the head of the mule
          C            G/B                 D          | G    C/G |
But these visions of Johanna, they make it all seem so cruel
 
[Interlude]
| G | C D | G    C/G | G |
 
[Verse 5]
   G                          C                 D         | G           C/G | G |
The peddler now speaks to the countess who’s pretending to care for him
         G                                             C   D            | G             C/G | G |
Sayin’, “Name me someone that’s not a parasite and I’ll go out and say a prayer for him”
            D
But like Louise always says
                                                         | G             C/G | G |
“Ya can’t look at much, can ya man?”, as she, herself, prepares for him
      C                        G
And Madonna, she still has not showed
            C                 G
We see this empty cage now corrode
          C                          G
Where her cape of the stage once had flowed
                D                G
The fiddler, he now steps to the road
          C                                    G
He writes ev’rything’s been returned which was owed
       C                           G                           | D     Dsus4 | D |
On the back of the fish truck that loads while my conscience explodes
       G                C        D           | G           C/G | G |
The harmonicas play the skeleton keys and the rain
          C            G/B           D         | G    C/G |
And these visions of Johanna are now all that remain
 
[Outro]
| G | C D | G    C/G | G |
| G | C D | G    C/G | G |
(fade out)
X
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13 comments
presentrlb
One more follow-on to my last question: I can see the logic in that, so that one knows what fingering/chord shape to use (in this case G, though you're in A). I just didn't know that. Is that *your method, or *the standard convention for capo usage? Thanks again.
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scott519
Very nicely done! Sounds closer to the original to me and easy to follow.
0
KSudd
I'm enjoying playing this song. Thank you for submitting it! I'm wondering about the C in the 2nd verse in the line "We can hear the night watchman click his flashlight..." That was throwing me, and I couldn't figure out how it fit with the phrasing, but when I looked at the other verses, I think they all go to the D in that part of the verse, and hang there until the G at the end of that line. See what you think. Thanks again. 😀
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