Melon Collie And The Infinite Sadness Album Tab
por The Smashing Pumpkins78.548 views, adicionada aos favoritos 382 times
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Autor: Unregistered. 1 contributor no total, última edição em 26 de nov. de 2016
Mellon Collie and The Infinate Sadness album - Smashing Pumpkins
NOTE: DO NOT PRINT THIS FROM THE INTERNET as it is approx. 65 pages long. It's best to save it on a floppy
on your hard drive and then to print the sections you want.
This file was put together by CyberBry (659513@ican.net). BUT, all credit should be givin to the author of
chords/tab for each song. I did NOT write all of this tab! Most of it is from OLGA.
SONG LIST:
Mellon Collie and The Infinate Sadness
Tonight, Tonight
Jellybelly
Zero
Here Is No Why
Bullet With Butterfly Wings
To Forgive
(Fuck You) An Ode to No One
Love
Cupid de Locke
Galapogos
Muzzle
Porcelina of The Vast Oceans
Take Me Down
Where Boys Fear to Tread
Bodies
Thirty-Three
In the Arms of Sleep
1979
Tales ofa Scorched Earth
Thru the Eyes of Ruby
Stumbleine
x.y.u.
We Only Come out at Night
Beautiful
Lily (my one and only)
By Starlight
Farewell and Goodnight
MELLON COLLIE AND THE INFINATE SADNESS
TRANSCRIBED BY ADAM MORRIS
DO NOT overlook this TAB just because it a piano song,
it is GREAT fun to play!!
I have completed the TAB after MANY requests to do so,
so...enjoy!
This was NOT an easy task, I can assure you of that!!
Some piano chords do not convert well to guitar!
TUNING: 1/2 step down, dropped D (actually Db), with
capo on 2nd fret. The 3rd fret now becomes
the 1st fret etc. (this is just to be consistent
with the half step down thing)
Piano arranged for guitar
E |----------0-0--3-1-0-1-0--------|
B |-1--------1-1--------3---3-1----|
G |-0------0-0-0--------2-----x--2-|
D |-2----2---2-2--------0-----3----|
A |-3--3-----3-3--------------3----|
D |--------------------------------|
|----------0-0--3-1-0-1-0--------|
|-1--------1-1--------3---3-1----|
|-0------0-0-0--------2-----x--2-|
|-2----2---2-2--------0-----3----|
|-3--3-----3-3--------------3----|
|--------------------------------|
|-1--0------------------------0--|
|-x-----3--1-----1--------1-3----|
|-3--------x--2--0------0--------|
|-3--------3-----2----2----------|
|-1--------3-----3--3------------|
|--------------------------------|
|--------------------------------|
|-6--5--3--1--1------------3-1---|
|-0-----0--x--2--0-------0-----3-|
|-0--------3-----1-----1---------|
|-x--------3-----1---1-----------|
|-5--------------1-1-------------|
|--------------------------------|
|-1----1--3--6-------------3-1---|
|-2----2--3--3--3------3-5-----3-|
|-x-------0-----5----5-----------|
|-3--3----------5--5-------------|
|--------------------------------|
|--------------------------------|
|-1----1--3--6-------------3-1---|
|-2----2--3--3--3------3-5-----3-|
|-x-------0-----5----5-----------|
|-3--3----------5--5-------------|
|--------------------------------|
|--------------------------------|
|-1----1--3--6-------------3-1---|
|-2----2--3--3--3------3-5-----3-|
|-x-------0-----5----5-----------|
|-3--3----------5--5-------------|
|--------------------------------|
|--------------------------------|
|-1---------1--------------------|
|-2------2----3-2-0------0--3-2--|
|-3----3----------1----1--------3|
|-3--3------------1--1-----------|
|--------------------------------|
CELLO ENTERS
E |----------0-0--3-1-0-1-0--------|
B |-1--------1-1--------3---3-1----|
G |-0------0-0-0--------2-----x--2-|
D |-2----2---2-2--------0-----3----|
A |-3--3-----3-3--------------3----|
D |--------------------------------|
|----------0-0--3-1-0-1-0--------|
|-1--------1-1--------3---3-1----|
|-0------0-0-0--------2-----x--2-|
|-2----2---2-2--------0-----3----|
|-3--3-----3-3--------------3----|
|--------------------------------|
|-1--0------------------------0--|
|-x-----3--1-----1--------1-3----|
|-3--------x--2--0------0--------|
|-3--------3-----2----2----------|
|-1--------3-----3--3------------|
|--------------------------------|
|----------------------------0---|
|--------1---3-1---------1-3-----|
|-3----x-2-----0-------0---------|
|-3-2--x-3-----2-----2-----------|
|-1------3-----3---3-------------|
|--------------------------------|
|----------------------------0---|
|--------1---3-1---------1-3-1---|
|-3----x-2-----0-------0---0-----|
|-3-2--x-3-----2-----2-----------|
|-1------3-----3---3-------------|
|--------------------------------|
|----------------------------0---|
|--------1---3-1---------1-3-1---|
|-3----x-2-----0-------0---0-----|
|-3-2--x-3-----2-----2-----------|
|-1------3-----3---3-------------|
|--------------------------------|
|-1-0----------------------------|
|-3-3---1------------------3-1---|
|-x-----2---2--0---------0-----3-|
|-0-----3---3--1-------1---------|
|-------3------1-----1-----------|
|--------------1---1-------------|
|--------------------------------|
|-1----1--3--6-------------3-1---|
|-2----2--3--3--3------3-5-----3-|
|-x-------0-----5----5-----------|
|-3--3----------5--5-------------|
|--------------------------------|
|--------------------------------|
|-1----1--3--6-------------3-1---|
|-2----2--3--3--3------3-5-----3-|
|-x-------0-----5----5-----------|
|-3--3----------5--5-------------|
|--------------------------------|
|--------------------------------|
|-1----1--3--6-------------3-1---|
|-2----2--3--3--3------3-5-----3-|
|-x-------0-----5----5-----------|
|-3--3----------5--5-------------|
|--------------------------------|
|--------------------------------|
|-1--------1---------------------|
|-2------2---3-2-0-------0-3-2---|
|-x----3---------1-----1-------3-|
|-3--3-----------1---1-----------|
|------------------1-------------|
|----------0-0--3-1-0-1-0--------|
|-1--------1-1--------3---3-1----|
|-0------0-0-0--------2-----x--2-|
|-2----2---2-2--------0-----3----|
|-3--3-----3-3--------------3----|
|--------------------------------|
|----------0-0--3-1-0-1-0--------|
|-1--------1-1--------3---3-1----|
|-0------0-0-0--------2-----x--2-|
|-2----2---2-2--------0-----3----|
|-3--3-----3-3--------------3----|
|--------------------------------|
|-1--0------------------------0--|
|-x-----3--1-----1--------1-3----|
|-3--------x--2--0------0--------|
|-3--------3-----2----2----------|
|-1--------3-----3--3------------|
|--------------------------------|
|--------------------------------|
|-6--5--3--1--1------------3-1---|
|-0-----0--x--2--0-------0-----3-|
|-0--------3-----1-----1---------|
|-x--------3-----1---1-----------|
|-5--------------1-1-------------|
|--------------------------------|
|------------1-------------------|
|-2--------2---3-2--0--------0---|
|-0------0----------1------1-----|
|-0----0------------1----1-------|
|-0--0--------------1--1---------|
|--------------------------------|
|-3-1-----------------1----------|
|-----3-2----------2------3---2--|
|-------0--------0---------------|
|-------0------0-----------------|
|-------0----0-------------------|
|---------------19-20------**-----|
|-------11-12---------------------|
|-4-------------------------------|
|-4-------------------------------|
|-2-------------------------------|
|---------------------------------|
*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*
This whole measure is IMPOSSIBLE
to be arranged for guitar because
of the difference in number of
octaves to a piano. The C is meant
to be a low C, but I HAD to arrange
it as a high, I am very sorry!
** Impossible note on a guitar.
**** Remember that the numbers shown
are fret numbers IN RELATION TO
THE CAPO!
The dot on the 3rd fret becomes the
1st fret in the tab fret.
As you can probably tell, this TAB was not
an easy task for me to work out and transcribe,
so.....
PLEASE tell me what you think!!!
Adam
benmo@deakin.edu.au
TONIGHT, TONIGHT
performed by the Smashing Pumpkins
from the album Mellon Collie and the Infinite Sadness
tabbed by perth@nando.net
Unfortunately, my orchestral string ensemble is in the shop right now, so i
couldn't tab out that part :>
Fortunately, this album, Billy was brave and included the lyrics.
The bass is also tuned down and plays the theme Cb, Bb, Db in the key of Cb.
Key of C flat
Chords of magic:
eb--3--0---1-----x----|
Bb--3--0---1-----3----|
Gb--0--0---0-----2----|
Db--0--2---2-----0----|
Ab--2--2---3-----x----|
Eb--3--x---x-----x----|
G Em Cadd9 D
The fingerpicking part for the verses:
repeat a few times
eb------------------------------------------------------ |
Bb-----0--------0--------0-----0--------0--------0------o|
Gb--------0--------0--------------0--------0------------ |
Db-----------0--------0--------------0--------0--------- |
Ab--3-----------------------5---------------------------o|
Eb------------------------------------------------------ |
t r m i r m i r t r m i r m i r
t: thumb, r: ring, m: middle, i: index
The rythm part:
G Em G Em
Cadd9 G D Cadd9 G D Cadd9 G D G
time is never time at all
you can never ever leave without leaving a piece of youth
and our lives are forever changed we will never be the same
the more you change the less you feel
G D Em
believe, believe in me, believe (believe)
G D Em
that life can change, that you're not stuck in vain
Cadd9 G D Cadd9 G D
we're not the same, we're different tonight
Cadd9 G D G
tonight, tonight, so bright
Cadd9 G D Cadd9 G D G Em
tonight, tonight
G
and you know you're never sure
Em
but you're sure you could be right
if you held yourself up to the light
G
and the embers never fade in your city by the lake
Em
the place where you were born
G D Em
believe, believe in me, believe (believe)
G D Em
in the resolute urgency of now
Cadd9 G D Cadd9 G D
and if you believe there's not a chance tonight
Cadd9 G D G Cadd9
tonight, tonight, so bright
Cadd9 G D G D Em
tonight, tonight
G Cadd9 G D Em
we'll crucify the insincere tonight (tonight)
G Cadd9 G D Em
we'll make things right, we'll feel it all tonight (tonight)
G Cadd9 G D Em
we'll find a way to offer up the night tonight
G Cadd9 G D Em
the indescribable moments of your life tonight
G Cadd9 G D Em
the impossible is possible tonight (tonight)
G Cadd9
believe in me as i believe in you, tonight
G D Em
tonight, tonight, tonight, tonight...
Ok..goodnight
Dennis.
JELLYBELLY
Tabbed by Brian McCall
[Db, Ab, Db, Gb, Bb, Eb]
[Intro]
G1 and G2 heavy distortion
|------------------------------------------------------|
|------------------------------------------------------|
|------------------------------------------------------|
|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0----------------------|
|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0----------------------|
|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0-------------/12~~~\--|
|------------------------------------------------------|
|------------------------------------------------------|
|------------------------------------------------------|
|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0----------------------|
|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0----------------------|
|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0-------------pfbr3----|
|------------------------------------------------------|
|------------------------------------------------------|
|------------------------------------------------------|
|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0----------------------|
|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0----------------------|
|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0-------------/12~~~\--|
|------------------------------------------------------|
|------------------------------------------------------|
|-----------------------------------5/7-X-5-5----------|
|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0---5/7-X-5-5-5-5------|
|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0---3/5-X-3-3-5-5------|
|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0-------------5-5------|
|----------------------------------------------------------|
|----------------------------------------------------------|
|-----5/7-X-5-5---------5/7-X-5-5---------5/7--------------|
|-0---5/7-X-5-5-5-5-0---5/7-X-5-5-5-5-0---5/7-5p4p0-5p4p0--|
|-0---3/5-X-3-3-5-5-0---3/5-X-3-3-5-5-0---3/5-5p4p0-5p4p0--|
|-0-------------5-5-0-------------5-5-0-------5p4p0-5p4p0--|.
*1
|------------------------------------------------------|
|------------------------------------------------------|
|-2--2--5--5------5/7-X-5-5-----2--2--5--5------5/7-X--|
|-2--2--5--5--0---5/7-X-5-5-5-5-2--2--5--5--0---5/7-X--|
|-0--0--3--3--0---3/5-X-3-3-5-5-0--0--3--3--0---3/5-X--|
|-------------0-------------5-5-------------0----------|
|------------------------------------------------------|
|------------------------------------------------------|
|-5-5-----2--2--5--5------5/7-X-5-5-----2--2--5--------|
|-5-5-5-5-2--2--5--5--0---5/7-X-5-5-5-5-2--2--5--5-----|
|-3-3-5-5-0--0--3--3--0---3/5-X-3-3-5-5-0--0--3--5-----|
|-----5-5-------------0-------------5-5----------5-----|
*2 (chorus)
|--------------------------------------------------------|
|-3-------0----------------------------------------------|
|-2---5---0-----7---9---11--14-14------------------------|
|-0---5---5---X-X-X-X-X-X-X-X--X-------------------------|
|-0---3---5---X-5-X-7-X-9-X-12-12------------------------|
|-0-------5---X---X---X---X------------------------------|
*3 (2nd verse)
|------------------------------------------------------|
|------------------------------------------------------|
|-2--2--5--5--X-7-X-5-X-7-X-5-X------2--2--5-----------|
|-2--2--5--5--X-7-X-5-X-7-X-5-X-5-5--2--2--5--5--X-4---|
|-0--0--3--3--X-5-X-3-X-5-X-3-X-5-5--0--0--3--5--X-4---|
|-------------X---X---X---X---X-5-5-----------5--X-4---|
|--------------------------------------------------------|
|--------------------------------------------------------|
|----------------------2--2--5--5--X-7-X-5-X-7-X-5-X-----|
|-X-5-X-7-X-9-X-10-10--2--2--5--5--X-7-X-5-X-7-X-5-X-5-5-|
|-X-5-X-7-X-9-X-10-10--0--0--3--3--X-5-X-3-X-5-X-3-X-5-5-|
|-X-5-X-7-X-9-X-10-10--------------X---X---X---X---X-5-5-|
|------------------------------------------------------|
|------------------------------------------------------|
|-2--2--5----------------------------------------------|
|-2--2--5--5-------------------------------------------|
|-0--0--3--5-------------------------------------------|
|----------5-------------------------------------------|
repeat *2
|----------------------- -------------------|
|-X-7-X-5-X-7-X-5-X----- -----4-4-----------|
|-X-7-X-5-X-7-X-5-X-5-5- -4-4-4-4-----------|
|-X-5-X-3-X-5-X-3-X-5-5- -4-4-2-2-----------|
|-X---X---X---X---X-5-5- -4-4---------------|
^repeat until
*4
|------------------------------------------------------|
|------------------------------------------------------|
|-------------4-4--------------------------------------|
|-0-0-5-5-4-4-4-4--------------------------------------|
|-0-0-5-5-4-4-2-2--------------------------------------|
|-0-0-5-5-4-4----...-----------------------------------|
then cracendo (sp I'm sure) a-la-Rocket
and back to *1 and intro with a few variations I didn't tab.
ZERO
Tabbed by Brian McCall
All guitars tuned to Eb (Eb Ab Db Gb Bb Eb)
*1
G1 (G2 enters later) Distortion
|---------------------------------------------------------------|
|---------------------------------------------------------------|
|-5-\4-4---------5-5\4-4---------5-\4-4---------5-3\4-4---------|
|-X--X-X---------X-X-X-X---------X--X-X---------X---X-X---------|
|-3-\2-2---------3-3\2-2---------3-\2-2---------3-3\2-2---------|
|--------0-0-0-0---------0-0-0-0--------0-0-0-0---------0-0-0-0-|
^-----^ ^-----^ ^-----^ ^-------|
harmonics* harm. harm. harm.
* These harmonics are produced by lightly applying your index
finger to the low E and gradually sliding from around fret 1.75
to 4 or so. A good way of looking at this is letting your finger
touch the E while setting back up for the C octave chord.
*2
|---------------------------------------|
|---------------------------------------|
|-9-----11----9-----12----11\7--7-------|
|-X-----X-----X-----X-----X-----X-------|
|-7-----9-----7-----10----9-\5--5-------|
|---0-0---0-0---0-0---0-0---------------|
^repeat
Put in Es (|022100| or |079900|) in the part that goes:
"Emptiness is lovliness and\Lovliness is cleanliness and\
Cleanliness is godliness and\God is empty just like me."
*3 (after slide and under solo)
G2
|---------------------------------------------------------------|
|---------------------------------------------------------------|
|---------------5-5\4-4-------------------------5-5\4-4---------|
|---------------X-X---X-------------------------X-X---X---------|
|-3-2---2-------3-3\2-2---------3-3-2---2-------3-3\2-2---------|
|-----3---0-0-0---------0-0-0-0-------3---0-0-0---------0-0-0-0-|
|--------------------------------------------------------------|
|--------------------------------------------------------------|
|--------------------------------------------------------------|
|--------------------------------------------------------------|
|-3-3-2---2-------2-3-2-2--------------------------------------|
|-------3---0-2-3---------0-0-0-0-...and so on-----------------|
*4 (You blame yourself...)
|--------------------------------------------------------------|
|--------------------------------------------------------------|
|-9-----9-----9-----9-----11---12------------------------------|
|-X-----X-----X-----X-----X----X-------------------------------|
|-7-----7-----7-----7-----9----10------------------------------|
|---0-0---0-0---0-0---0-0----0----0----------------------------|
^repeat
at the end of this riff G2 plays:
|--------------------------------------------------------------|
|--------------------------------------------------------------|
|-9-9-9-111111121212-------------------------------------------|
|-X-X-X-X-X-X-X-X-X--------------------------------------------|
|-7-7-7-9-9-9-101010-------------------------------------------|
|-------------------....on up----------------------------------|
Those high sceams (like the end of the above) are the high E on the 24th
fret (it's james on his V or flood in the production room).
then repeat *1 and that's Zero!
HERE IS NO WHY
By: The Smashing Pumpkins
Tab By: Carlos Bustos
Email: cab144@mail.usask.ca
TUNING: Down half a step
Comment: This song contains similar riffs throughout, BUT, the riffs
are changed everyonce in a while. I tab'ed it from start to
finish to make it easier.
[INTRO]: Amaj7, NOT A.
||-x-------------x-------------x------------------------------------------|
||-2-----x-x--x--2-----x-x--x--2-----x-x--x------------------0-----x-x--x-|
||-1-----x-x--x--1-----x-x--x--1-----x-x--x--2h4p2\1-1h2-2/4-1-----x-x--x-|
||-2-----x-x--x--2-----x-x--x--2-----x-x--x------------------2-----x-x--x-|
||-0-----x-x--x--0-----x-x--x--0-----x-x--x------------------2-----x-x--x-|
||-x-----x-x--x--x-----x-x--x--x-----x-x--x------------------0-----x-x--x-|
||-----------x-------------x-------------x-------------------------------|
||-0---------2-----x-x--x--2-----x-x--x--2-----x-x--x------------------0-|
||-1---------1-----x-x--x--1-----x-x--x--1-----x-x--x--2h4p2\1-1h2-2/4-1-|
||-2---------2-----x-x--x--2-----x-x--x--2-----x-x--x------------------2-|
||-2---------0-----x-x--x--0-----x-x--x--0-----x-x--x------------------2-|
||-0--0--3p0-x-----x-x--x--x-----x-x--x--x-----x-x--x------------------0-|
||-------------------|
||-------------------|
||-9/11-9-7-7-7-7-6--|
||-x--x-x-x-7-7-7-7--|
||-7/-9-7-5-5-5-5-7--|
||----------5-5-5-5--|
[RIFF A]:
||---x-------------x-------------x-------------x--------------------------|
||---2-----x-x--x--2-----x-x--x--2-----x-x--x--2-----x-x--x--0-----x-x--x-|
||---1-----x-x--x--1-----x-x--x--1-----x-x--x--1-----x-x--x--1-----x-x--x-|
||---2-----x-x--x--2-----x-x--x--2-----x-x--x--2-----x-x--x--2-----x-x--x-|
||---0-----x-x--x--0-----x-x--x--0-----x-x--x--0-----x-x--x--2-----x-x--x-|
||---x-----x-x--x--x-----x-x--x--x-----x-x--x--x-----x-x--x--0-----x-x--x-|
The useless ... another day The endless.. death rock boooooy__
||--------------|
||---0----------|
||---1----------|
||---2----------|
||---2----------|
||---0--0--3p0--|
Repeat [RIFF A]:
Mascara sure and lipstick lost ... glitter burned by restless thoughts
||-------------------|
||-------------------|
||-9/11-9-7-7-7-7-6--|
||-x--x-x-x-7-7-7-7--|
||-7/-9-7-5-5-5-5-7--|
||----------5-5-5-5--|
of being forgotten
[NEXT RIFF, this one varies]: Distortion comes in REALLY big here.
||------------------------------------------------------------------------|
||------------------------------------------------------------------------|
||---------------6--6--6------------9-9-9-9-911-9-7-----------------------|
||--4-----4-4-4--7--7--7--2---------x-x-x-x-x-x-x-x-----------------------|
||--4-----4-4-4--7--7--7--2---------7-7-7-7-7-9-7-5-----------------------|
||--2-----2-2-2--5--5--5--0-----------------------------------------------|
and in your sad machines
||------------------------------------------------------------------------|
||------------------------------------------------------------------------|
||---------------6--6--6--9---------9-9-9-9-911-9-7-----------------------|
||--4-----4-4-4--7--7--7--9---------x-x-x-x-x-x-x-x-----------------------|
||--4-----4-4-4--7--7--7--7---------7-7-7-7-7-9-7-5-----------------------|
||--2-----2-2-2--5--5--5--------------------------------------------------|
you'll forever staaay
||----------------------------------------------------|
||----------------------------------------------------|
||---------------6--6--6------------9/11-9-7-7-7-7-6--|
||--4-----4-4-4--7--7--7--2---------x--x-x-x-7-7-7-7--|
||--4-----4-4-4--7--7--7--2---------7/-9-7-5-5-5-5-7--|
||--2-----2-2-2--5--5--5--0------------------5-5-5-5--|
desperate and displeased with whoever you are
||---------x-------------x---------------------------------------------|
||-x-x--x--2-----x-x--x--2-----x-x--x------------------0-----x-x--x--0-|
||-x-x--x--1-----x-x--x--1-----x-x--x--2h4p2\1-1h2-2/4-1-----x-x--x--1-|
||-x-x--x--2-----x-x--x--2-----x-x--x------------------2-----x-x--x--2-|
||-x-x--x--0-----x-x--x--0-----x-x--x------------------2-----x-x--x--2-|
||-x-x--x--x-----x-x--x--x-----x-x--x------------------0-----x-x--x--0-|
and you're a star
||--------|
||--------|
||--------|
||--------|
||--------|
||-0--3p0-|
[The Amaj7 goes on a little longer here]
||-x-------------x-------------x-------------x-------------x------------|
||-2-----x-x--x--2-----x-x--x--2-----x-x--x--2-----x-x--x--2-----x-x--x-|
||-1-----x-x--x--1-----x-x--x--1-----x-x--x--1-----x-x--x--1-----x-x--x-|
||-2-----x-x--x--2-----x-x--x--2-----x-x--x--2-----x-x--x--2-----x-x--x-|
||-0-----x-x--x--0-----x-x--x--0-----x-x--x--0-----x-x--x--0-----x-x--x-|
||-x-----x-x--x--x-----x-x--x--x-----x-x--x--x-----x-x--x--x-----x-x--x-|
Somewhere______ he pulls his hair down over a frowning
||-x-------------------------------------x-------------x-------------x----|
||-2-----x-x--x--0-----x-x--x--0---------2-----x-x--x--2-----x-x--x--2----|
||-1-----x-x--x--1-----x-x--x--1---------1-----x-x--x--1-----x-x--x--1----|
||-2-----x-x--x--2-----x-x--x--2---------2-----x-x--x--2-----x-x--x--2----|
||-0-----x-x--x--2-----x-x--x--2---------0-----x-x--x--0-----x-x--x--0----|
||-x-----x-x--x--0-----x-x--x--0--0--3p0-x-----x-x--x--x-----x-x--x--x----|
smile A hidden cannot find the secret
||---------x------------------------------------|
||-x-x--x--2----x-x--x--0-----------------------|
||-x-x--x--1----x-x--x--1-----9/11-9-7-7-7-7-6--|
||-x-x--x--2----x-x--x--2-----x--x-x-x-7-7-7-7--|
||-x-x--x--0----x-x--x--2-----7/-9-7-5-5-5-5-7--|
||-x-x--x--x----x-x--x--0--------------5-5-5-5--|
star cannot shine over to you
|-Palm Mute-|
||--4-x-x-4-x-x-----------------------------------------------------------|
||--5-x-x-5-x-x-5---5---7---7-----5---------------------------------------|
||--6-x-x-6-x-x-6---6---7---7-----6---------------------------------------|
||--6-x-x-6-x-x-6---6---7---7-----7----------------15b16b15~~-------------|
||--4-x-x-4-x-x-4---4---5---5-----7---------------------------------------|
||--4-x-x-4-x-x-4---4---5---5-----5---------------------------------------|
May the king of gloom
|-Palm Mute-|
||--4-x-x-4-x-x-----------------------------------------------------------|
||--5-x-x-5-x-x-5---5---7---7-----9---------------------------------------|
||--6-x-x-6-x-x-6---6---7---7-----9----------------13/14-14/16-16~--------|
||--6-x-x-6-x-x-6---6---7---7-----9-----------------x--x--x--x--x---------|
||--4-x-x-4-x-x-4---4---5---5-----7----------------11/12-12/14-14~--------|
||--4-x-x-4-x-x-4---4---5---5-----7---------------------------------------|
Be for__ever doooooomed
||------------------------------------------------------------------------|
||------------------------------------------------------------------------|
||---------------6--6--6------------9-9-9-9-911-9-7-----------------------|
||--4-----4-4-4--7--7--7--2---------x-x-x-x-x-x-x-x-----------------------|
||--4-----4-4-4--7--7--7--2---------7-7-7-7-7-9-7-5-----------------------|
||--2-----2-2-2--5--5--5--0-----------------------------------------------|
and in your sad machines
||------------------------------------------------------------------------|
||------------------------------------------------------------------------|
||---------------6--6--6--9---------9-9-9-9-911-9-7-----------------------|
||--4-----4-4-4--7--7--7--9---------x-x-x-x-x-x-x-x-----------------------|
||--4-----4-4-4--7--7--7--7---------7-7-7-7-7-9-7-5-----------------------|
||--2-----2-2-2--5--5--5--------------------------------------------------|
you'll forever stayyy_________
||------------------------------------------------------------------------|
||------------------------------------------------------------------------|
||---------------6--6--6------------9-9-9-9-911-9-7-----------------------|
||--4-----4-4-4--7--7--7--2---------x-x-x-x-x-x-x-x-----------------------|
||--4-----4-4-4--7--7--7--2---------7-7-7-7-7-9-7-5-----------------------|
||--2-----2-2-2--5--5--5--0-----------------------------------------------|
burning up in speed
||------------------------------------------------------------------------|
||------------------------------------------------------------------------|
||---------------6--6--6------------9/11-9-7-7-7-7-6----------------------|
||--4-----4-4-4--7--7--7--2---------x--x-x-x-7-7-7-7----------------------|
||--4-----4-4-4--7--7--7--2---------7/-9-7-5-5-5-5-7----------------------|
||--2-----2-2-2--5--5--5--0------------------5-5-5-5----------------------|
lost inside the dreams of teen machines
[interlude leading up to solo]:
The useless drag, the empty days
the lonely towers of long mistakes
to forgotten faces and faded loves
sitting still was never enough
[SOLO]: Solo, credit goes to jhewitt@ifu.net for this part of the solo
thanx a bunch.
||---------------------------------------------------------------------|
||--15b----------------------------------------------------------------|
||-------------------------15b--12h13-12-12h13p12------------------15--|b
||-----16b-13-15-17h18-13~------------------------13h15p13--15p13------|
||---------------------------------------------------------------------|
||---------------------------------------------------------------------|
||--------------------------------------------------------------------|
||--19b---------------------------------------------------------------|
||------15/17\13--------------------13h15p13-12h13p12-13h15-13b12-----|
||---------------15/17\13-13/15/18------------------------------------|
||--------------------------------------------------------------------|
||--------------------------------------------------------------------|
|-Palm Mute-|
||--4-x-x-4-x-x-----------------------------------------------------------|
||--5-x-x-5-x-x-5---5---7---7-----5---------------------------------------|
||--6-x-x-6-x-x-6---6---7---7-----6---------------------------------------|
||--6-x-x-6-x-x-6---6---7---7-----7----------------15b16b15~~-------------|
||--4-x-x-4-x-x-4---4---5---5-----7---------------------------------------|
||--4-x-x-4-x-x-4---4---5---5-----5---------------------------------------|
and if your giving in(now thats a scream)
|-Palm Mute-|
||--4-x-x-4-x-x-----------------------------------------------------------|
||--5-x-x-5-x-x-5---5---7---7-----9---------------------------------------|
||--6-x-x-6-x-x-6---6---7---7-----9----------------13/14-14/16-16~--------|
||--6-x-x-6-x-x-6---6---7---7-----9-----------------x--x--x--x--x---------|
||--4-x-x-4-x-x-4---4---5---5-----7----------------11/12-12/14-14~--------|
||--4-x-x-4-x-x-4---4---5---5-----7---------------------------------------|
then your giving uuup
||------------------------------------------------------------------------|
||------------------------------------------------------------------------|
||---------------6--6--6------------9-9-9-9-911-9-7-----------------------|
||--4-----4-4-4--7--7--7--2---------x-x-x-x-x-x-x-x-----------------------|
||--4-----4-4-4--7--7--7--2---------7-7-7-7-7-9-7-5-----------------------|
||--2-----2-2-2--5--5--5--0-----------------------------------------------|
cause in your sad machines
||------------------------------------------------------------------------|
||------------------------------------------------------------------------|
||---------------6--6--6--9---------9-9-9-9-911-9-7-----------------------|
||--4-----4-4-4--7--7--7--9---------x-x-x-x-x-x-x-x-----------------------|
||--4-----4-4-4--7--7--7--7---------7-7-7-7-7-9-7-5-----------------------|
||--2-----2-2-2--5--5--5--------------------------------------------------|
you'll forever stay
||------------------------------------------------------------------------|
||------------------------------------------------------------------------|
||---------------6--6--6------------9-9-9-9-911-9-7-----------------------|
||--4-----4-4-4--7--7--7--2---------x-x-x-x-x-x-x-x-----------------------|
||--4-----4-4-4--7--7--7--2---------7-7-7-7-7-9-7-5-----------------------|
||--2-----2-2-2--5--5--5--0-----------------------------------------------|
burning up in speed
||----------------------------------------------------|
||----------------------------------------------------|
||---------------6--6--6------------9/11-9-7-7-7-7-6--|
||--4-----4-4-4--7--7--7--2---------x--x-x-x-7-7-7-7--|
||--4-----4-4-4--7--7--7--2---------7/-9-7-5-5-5-5-7--|
||--2-----2-2-2--5--5--5--0------------------5-5-5-5--|
lost inside the dreams of teen machines
||---------x-------------x------------------------------------------------|
||-x-x--x--2-----x-x--x--2-----x-x--x------------------5~-----------------|
||-x-x--x--1-----x-x--x--1-----x-x--x--2h4p2\1-1h2-2/4--------------------|
||-x-x--x--2-----x-x--x--2-----x-x--x--(slow)-----------------------------|
||-x-x--x--0-----x-x--x--0-----x-x--x-------------------------------------|
||-x-x--x--x-----x-x--x--x-----x-x--x-------------------------------------|
BULLET WITH BUTTERFLY WINGS
[I (CyberBry) could not find the name of the author of this tab. If it is yours PLEASE e-mail me and tell
and proper recognition will be givin]
All guitars tuned Eb, Ab, Db, Gb, Bb, Eb
"The world is a vampire..."
*1
G1 and G2 mid/light distortion
|---------------------------------------------------------|
|---------------------------------------------------------|
|-4-4-4-4-(4)----------2-2-2-2----------------------------|
|-4-4-4-4--5--2--2-2-2-2-2-2-2----------------------------|
|-2-2-0-2--5--2--2-2-2-0-0-0-0----------------------------|
|----------3--0--0-0-0------------------------------------|
^repeat
*2
< <
|---------------------------------------------------------|
|---------------------------------------------------------|
|-4-4-4-------------------2---2---------------------------|
|-4-4-4-2-2-2-2-2-5-5-5-5-2-2-2-2-------------------------|
|-2-2-2-2-2-2-2-2-5-5-5-5-0-0-0-0-------------------------|
|-------0-0-0-0-0-3-3-3-3---------------------------------|
^repeat
^ that little "<"
is for emphasis.
*3
Heavy Distortion!!!
|---------------------------------------------------------|
|-------------3-(3-3)---------------------------3---------|
|-4--4-4------2--2-2-2--2-9\----------4--4-4----2---------|
|-4--4-4-5----0--0-0-2--2-9\--5----4--4--4-5----0---------|
|-2--2-0-5----0--0-0-0--0-7\--X----2--2--0-5----0---------|
|--------3-0--------------0---3------------3-0---...------|
^repeat
^one of the guitars
somehow tremolos a
G in here...don't ask
me :>
Chorus ends with:
|---------------------------------------------------------|
|---------------------------------------------------------|
|-------------2-------------------------------------------|
|-2---5---4---2-------------------------------------------|
|-2---5---4---0-------------------------------------------|
|-0---3---2-----------------------------------------------|
^repeated several times after second chorus
back to *1...
End riff
(similar to *3)
|---------------------------------------------------------|
|---------3-----------------------------------------------|
|-4-------2-X-2-------------------------------------------|
|-4-X-5---0-X-2-------------------------------------------|
|-2-X-5---0-X-0-------------------------------------------|
|-----3---------------------------------------------------|
add rhythm there as appropriate...
you know how I hate to tab out all those
rhythm strumms (ie. the end riff)...sorry.
TO FORGIVE
KEY: p= pull off
Tuning: Down 1/2 step ^= bend up
intro/verse
G5 F#5 Em
----------------------------------------------------------|
----------------------------------------------------------|
----------------------------------------------------------|
-----5---5------2----------4---4-------4p2----------------|
---5---5------4---4-0----2---2---2----------2-------------|
-3----------2----------0------------0---------0-----------|
verse part 2
----------------------------------------------------------|
----------------------------------------------------------|
----------------------------------------------------------|
----------------------------------------------------------|
------3^--0-----------------------------------------------|
--0-------------------------------------------------------|
[Chorus]
G Asus2 Em(use Em part from intro)
holding back the fool again
chorus chords
EADGBE
G- 320003
Asus2-x02200
Any questions or comments email me at Riffhead@aol.com
(FUCK YOU) AN ODE TO NO ONE
Tabbed by Brian McCall
Eb tuning
*1 Heavy distortion, palm muting throughout
|---------------------------------------------------------|
|---------------------------------------------------------|
|---------------------------------------------------------|
|---------------------------------------------------------|
|---------------------------------------------------------|
|-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2...5-5-5-5-5-5-5-5-5-5-5-|
|---------------------------------------------------------|
|---------------------------------------------------------|
|---------------------------------------------------------|
|---------------------------------------------------------|
|---------------------------------------------------------|
|-5-5-5-5-5-5-5-5...2-2-2-2-2-2-2-2-2-2-2-2....5-5-5-5----|..
gradually let off of palm muting
|--------------------------------------------------------|
|--------------------------------------------------------|
|--------------------------------------------------------|
|--------------------------------------------------------|
|--------------------------------------------------------|
|-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2------------------------|
*2
|---------------------------------------------------------|
|---------------------------------------------------------|
|---------------------------------------------------------|
|-4-----4-----4-------4-7-4-----4-----4-------4-7-4-----4-|
|-4-----4-----4-------4(7)4-----4-----4-------4(7)4-----4-|
|-2-0-0-2-0-0-2-0-0-0-2-5-2-0-0-2-0-0-2-0-0-0-2-5-2-0-0-2-|
^repeat
|--------------------------------------------------------|
|--------------------------------------------------------|
|--------------------------------------------------------|
|-----2--2-----------------------------------------------|
|-----2--2-----------------------------------------------|
|-0-0-0--0-----------------------------------------------|
back to *1
repeat *2 but add this to the end
|--------------------------------------------------------|
|--------------------------------------------------------|
|-------9------------------------------------------------|
|-9-9-X-9----2-------------------------------------------|
|-9-9-X-7----2-------------------------------------------|
|-7-7-X------0-------------------------------------------|
*3
p.m.----------------------------------------------------|
|---------------------------------------------------------|
|---------------------------------------------------------|
|---------------------------------------------------------|
|---------------------------------------------------------|
|---------------------------------------------------------|
|-2-2-2-2-2-2-2-2-2-2-2-2-0h2p0-5~------------------------|
^repeat twice more
p.m.----------------------------------------------------|
|---------------------------------------------------------|
|---------------------------------------------------------|
|---------------------------------------------------------|
|-------------------------2--2----------------------------|
|-------------------------2--2----------------------------|
|-2-2-2-2-2-2-2-2-2-2-2-2-0--0----------------------------|
*4 (strum to the rhythm)
|----------------------------------------------------------|
|----------------------------------------------------------|
|----------------------------------------------------------|
|-4-----4-4-4---4-4-6-6-----7-----9-----11-----------------|
|-X-----X-X-X---X-X-X-X-----X-----X-----X--2---------------|
|-2-...-2-2-2-0-2-2-4-4-...-5-...-7-...-9--0---------------|
|--------------------------------------------------------|
|--------------------------------------------------------|
|--------------------------------------------------------|
|-4-4-----2-2-2-4-4-----2-2-2-4-4-----2-2-2-4-4---2------|
|-4-4-----2-2-2-4-4-----2-2-2-4-4-----2-2-2-4-4---2------|
|-2-2-----0-0-0-2-2-----0-0-0-2-2-----0-0-0-2-2---0------|
p.m.-----------..---------------------------------------|
|---------------------------------------------------------|
|---------------------------------------------------------|
|---------------------------------------------------------|
|---------------------------------------------------------|
|---------------------------------------------------------|
|-2-2-2-2-2-2-2-2...--------------------------------------|
slow down....stop.
less distortion
|--------------------------------------------------------|
|--------------------------------------------------------|
|-2------------2---------2-------------------------------|
|-2--2--4------2--2--4---2--2--4---2---------------------|
|-0--2--4------0--2--4---0--2--4---2---------------------|
|----0--2--/9\----0--2------0--2---0---------------------|
repeat *4
LOVE
From: therapy@midcoast.com.au (julian nicholls)
Tune down half step to flats.
G# B E
To my mistakes, to my mistakes of cowardice
G# B E G#
She shimmy shakes, the jimmy jakes of consequence
G# B E G#
born of the airs and dues, my airs of madness do declare
G# B E
That it's o.k, it's love
E F#
It's what you wanted to see, it's who you wanted to be
For what you needed to need, she'll make it up
G# B C# E
Love, love, it's who you know
G# B C# E
Love, love, it's who you know
G# B C# E
Love, love, it's who you know
G# B C# E
Love, love, it's who you know
G# B E
Machine gun blues, her vacant rush so steel
G# B E
I'm unaware, lost inside your visions
G# B E G#
I got mine too over, i got mine and i got you
G# B E
Cause i know you, you're love
E F#
It's want you wanted to see, it's who you wanted to be
For what you needed to need, she'll make it up
G# B C# E
Love, love, it's who you know
G# B C# E
Love, love, it's who you know
G# B C# E
Love, love, it's who you know
G# B C# E
Love, love, it's who you know
E
When i lost my mind, i knew i was in for a long ride
(Over the solo play the chords G# B C# E as in the chorus)
Solo was tabbed by David Worsely (i stole it)
[Solo]
|-5-5-5-5-10\-10\-10\-10\-10\-8---8-10\-14\-16\-17\-| \ is a bend
|-------------------------------9-------------------|
|---------------------------------------------------|
|---------------------------------------------------|
|---------------------------------------------------|
|---------------------------------------------------|
|-17-15-------15----19-15----20\-17-|
|-------17-15----17-------17--------|
|-----------------------------------|
|-----------------------------------|
|-----------------------------------|
|-----------------------------------|
|-17-15------------------------------|
|-------17-15-12-15-15-17-15-20-full-|
|-------------------------------bend-|
|------------------------------------|
|------------------------------------|
|------------------------------------|
E F#
Can i look up to you as you look down on me
E
Can i feel in to you as you felt in to me
F#
I can't help what you see, i can't help but to be
For what i needed to need, she'll make it up
G# B C# E
Love, love, it's who you know
G# B C# E
Love, love, it's who you know
G# B C# E
Love, love, it's who you know
G# B C# E
Love, love, it's who you know
(Play G# after the last words of the chorus
B E G#
Love solves everything, Love
Thanks, hope you like it!
CUPID DE LOCKE
Transcribed by Dietrich Featherston
b-bend
r-release
e-|-----0----------------|
B-|--5-----5--4b5r4------|
G-|----------------------|
D-|----------------------|
A-|----------------------|
E-|----------------------|
This is probably the easiest song I have ever tabbed I just put it here for
the sake of putting something on the internet.
Marcus Featherston
marcus@interoz.com
mlf@falcon.nssf.af.mil
mfeathe@garnet.acns.fsu.edu
******************************************************************
**** http://www.interoz.com/usr/marcus/access.exe?marcus ****
**** OR ****
**** http://www.interoz.com/usr/marcus/marcus.htm ****
**** ****
**** Guitars, Amps, Astronomy, Pianos, Compilers, ****
**** SW Reengineering, Compilers ****
******************************************************************
GALAPOGOS
tabbed by Peter Henderson(Saldek) ; Oshawa, Ontario, CANADA
TUNING: half step down-Eb Ab Db Bb Gb Eb
(verse starts on repeat)
RHYTHM FIGURE 1;
1.ain't it....
Eb------------------------------9-----------9--------------------|
Bb-------10-----------10----------10----------10-----------10----|
Gb----11----11~----11----11~---------11~---------11~----11---11~-|
Db-12-----------12-----------12----------12----------12----------|
Ab---------------------------------------------------------------|
Eb---------------------------------------------------------------|
Eb-----------------9----------9--------------------------15-----|
Bb-------10----------10---------10~-12-------12-------------12--|
Gb----11----11~---------11~------------12-------12----12--------|
Db-12-----------12----------12------------12-------12-----------|
Ab--------------------------------------------------------------|
Eb--------------------------------------------------------------|
2.carve out...
Eb----------------------------------------------------------------|
Bb--------12--------------10----------10----------10-----------10-|
Gb----12~-------12-----11----11~---11----11~---11----11~----11----|
Db-12--------12-----12-----------12----------12----------12-------|
Ab----------------------------------------------------------------|
Eb----------------------------------------------------------------|
Eb--------9-----------9-----------9-----------9-----------------|
Bb----------10----------10----------10----------10~-12-------12-|
Gb-11~---------11~---------11~---------11~-------------12-------|
Db-----12----------12----------12----------12-------------12----|
Ab--------------------------------------------------------------|
Eb--------------------------------------------------------------|
...blanket skies..
....old oak tree...
Eb----------15-----------------|---0--0--0--0--0--0--0--0-------|
Bb-------------------12-------:|---10-10-10-10-10-10-10-10------|
Gb-12----12-------12-------12--|---11-11-11-11-11-11-11-11------|
Db----12-------12-------12-----|12-12-12-12-12-12-12-12-12------|
Ab----------------------------:|--------------------------------|
Eb-----------------------------|--------------------------------|
[Verse 1]
(with rhythm figure 1)
ain't it funny how we pretend we're still a child
softly stolen under our blanket skies
Dm(no 3rd) D/F# Em7 G Dm(no 3rd) D/F#
and rescue me from me,
Em7 G
and all that i believe
Dm(no 3rd)D/F# Em7 G
i.........won't deny the pain
Dm(no 3rd)D/F# Em7
i.........won't deny the change
G Dm(no 3rd) D/F# Em7
and should i fall from grace here with you
G
will you leave me too?
[Verse 2]
(with rhythm figure 1)
carve out your heart for keeps in an old oak tree
D* D** E* D*
and hold me for goodbyes-and whispered lullabyes
Dm(no 3rd) D/F# Em7 G Dm(no 3rd) D/F#
and tell me i am still
Em7 g
the man i'm supposed to be
Dm(no 3rd)D/F# Em7 G
i.........won't deny the pain
Dm(no 3rd)D/F# Em7
i.........won't deny the change
G Dm(no 3rd) D/F# Em7
and should i fall from grace here with you
G Em7 G
will you leave me too? Will you leave me too?
[Interlude]
Eb-------------------------------|------------------|
Bb-12\10--7\5--8\7--5\3--7/8~~--:|-----repeat-------|
Gb-11\-9--6\4--7\6--4\2--6/7~~---|--------3---------|
Db-0---0--0-0--0-0--0-0--0-------|------times-------|
Ab------------------------------:|------------------|
Eb-------------------------------|------------------|
Eb----------------------2-------0----------------------------|
Bb-----0---0---0----------0------------or something----------|
Gb---2---2---2---2----2-----2-----2---like that..just play---|
Db-0----------------0---------0--------around with-----------|
Ab---------------------------------------Dm(no 3rd)----------|
Eb-----------------------------------------------------------|
[Bridge]
D5 A5 G5
too late to turn to turn back now, i'm running out of sound
A#5 C5
and i am changing, changing
D5 A5 G5
and if we died right now, this fool you love somehow
A#5
is here with you
Dm(no 3rd)D/F# Em7 G
i.........won't deny the pain
Dm(no 3rd)D/F# Em7
i.........won't deny the change
G Dm(no 3rd) D/F# Em7
and should i fall from grace here with you
G Em7 G
will you leave me too? Will you leave me too?
Rhythm Figure one ....end with D*
CHORDS;
Dm (no 3rd) - X X 0 2 3 0
D/F# - 2 X 0 2 3 X
Em7 - 0 2 2 0 3 0
G - 3 2 0 0 3 3
D* (?) - X X 12 11 10 9
D** (?) - X X X 11 10 12
E* (?) - X X X 7 8 9
Well there ya go...if you have any questions, corrections or comments please
send them to me....I hope this TAB makes sense for you...And if you know the
names for those chords with question marks..please tell me...
--
| Fidonet: Peter Henderson 1:229/125
| Internet: Peter.Henderson@pconline.gryn.org
MUZZLE
tabbed by CyberBry 659513@ican.net
A G Bm A G Bm
i fear that i'm ordinary just like anyone
to lie here and die among the sorrows
adrift among the days
D Bm E
for everything i ever said and everything i've ever done is gone
and dead
D Bm A
and all things must surly have to end
and great loves will one day have to part
i know that i'm meant for this world
A G Bm A G Bm
my life has been extraordinary blessed and cursed and won
time heals but i'm forever by and by the way
D Bm E
have you ever heard the words i'm singing in these songs?
D Bm A
it's for the girl i've loved all along
could a taste of love be so wrong
D Bm A
as all things must surely have to end
and great loves will one day have to part
i know that i'm meant for this world
A G Bm A G Bm
and in my mind i was floating far above the clouds
some children laughed i'd fall for certain
for thinking that i'd last forever
G Bm A
but i knew exactly where i was
and i knew the meaning of it all
and i knew the distance to the sun
and i knew the echo that is love
and i knew the secrets in your spires
and i knew the emptiness of youth
and i knew the solitude of heart
and i knew the murmurs of the soul
D Bm A
and the world is drawn into your hands
and the world is etched upon your heart
and the world so hard to understand
D Bm E
is the world you can't live without
D Bm A
and i knew the silence of the world
PORCELINA OF THE VAST OCEANS
Tabbed by Brian McCall
[Db Ab Db Gb Bb Eb] (Eb tuning down to drop D)
*1
G1 Clean
|--------------------------------------------------------|
|---------0---------------0-----------------0------------|
|-----6-----6---6-----6-----6---6------12-----12----12---|
|---7---------7-----7---------7-----10-----------10------|
|-0-----0---------0-----0---------0-------0--------------|
|--------------------------------------------------------|
|--------------------------------------------------------|
|-----------0--------------------------------------------|
|------12-----12----12-----------------------------------|
|---10-----------10--------------------------------------|
|-0-------0----------------------------------------------|
|--------------------------------------------------------|
^repeat...
G2 Clean with slight phasing. Lead fill over *1
|------------------------------------0-------------------|
|---------------------------------0----------------------|
|--------------------------------------------------------|
|-11-(/)-14-(\)-9--11--7--9hbr-7-------------------------|
|--------------------------------------------------------|
|--------------------------------------------------------|
*2 (Pre-Chorus)
Both guitars Heavy distortion
|----------------------------------------------------------|
|----------------------------------------------------------|
|-11--14---9---11---7/9-9\7--------------------------------|
|-X---X----X---X----X---X-X---7-7-7-7-7-7-7-7-10-10-10-10--|
|-9---12---7---9----5/7-7\5---7-7-7-7-7-7-7-7-10-10-10-10--|
|---0----0---0----0---------0-7-7-7-7-7-7-7-7-10-10-10-10--|.
|---------------------------------------------------------------------|
|---------------------------------------------------------------------|
|-11-11--14-14---9-9---11-11---7/9-9\7--------------------------------|
|-X--X---X--X----X-X---X--X----X---X-X---7-7-7-7-7-7-7-7-10-10-10-10--|
|-9--9---12-12---7-7---9--9----5/7-7\5---7-7-7-7-7-7-7-7-10-10-10-10--|
|------0-------0-----0------0----------0-7-7-7-7-7-7-7-7-10-10-10-10--|
|--------------------------------------------------------|
|-----------------------------------------0-0------------|
|-----------------------------------------0-0------------|
|-7-7-7-----------------------------------5-5------------|
|-7-7-7...--------------------------------5-5------------|
|-7-7-7-7-7-7-7-7-10-10-10-10-10-10-10-10-5-5...---------|
Verse is hard to hear, can't figure it out, but it goes:
D A C G
"And in my mind..."
A C G A C
*3 (longer pre-chorus)
|----------------------------------------------------------|
|----------------------------------------------------------|
|-11--14---9---11---7/9-9\7--------------------------------|
|-X---X----X---X----X---X-X---7-7-7-7-7-7-7-7-10-10-10-10--|
|-9---12---7---9----5/7-7\5---7-7-7-7-7-7-7-7-10-10-10-10--|
|---0----0---0----0---------0-7-7-7-7-7-7-7-7-10-10-10-10--|.
|---------------------------------------------------------------------|
|---------------------------------------------------------------------|
|-11-11--14-14---9-9---11-11---7/9-9\7--------------------------------|
|-X--X---X--X----X-X---X--X----X---X-X---7-7-7-7-7-7-7-7-10-10-10-10--|
|-7--7---12-12---7-7---9--9----5/7-7\5---7-7-7-7-7-7-7-7-10-10-10-10--|
|------0-------0-----0------0----------0-7-7-7-7-7-7-7-7-10-10-10-10--|
|----------------------------------------------------------|
|----------------------------------------------------------|
|-11--14---9---11---7/9-9\7--------------------------------|
|-X---X----X---X----X---X-X---7-7-7-7-7-7-7-7-10-10-10-10--|
|-9---12---7---9----5/7-7\5---7-7-7-7-7-7-7-7-10-10-10-10--|
|---0----0---0----0---------0-7-7-7-7-7-7-7-7-10-10-10-10--|.
|--------------------------------------------------------|
|-----------------------------------------0-0------------|
|-----------------------------------------0-0------------|
|-7-7-7-----------------------------------5-5------------|
|-7-7-7...--------------------------------5-5------------|
|-7-7-7-7-7-7-7-7-10-10-10-10-10-10-10-10-5-5...---------|
*4 Feedback Verse
G2
8va (what the hell does that mean anyway?)----|
|--------------------------------------------------------|
|--------------------------------------------------------|
|-/14--------\9------/17------\7------/14-----\9---------|
|--------------------------------------------------------|
|-/12--------\7------/15------\5------/12-----\7...------|
|--------------------------------------------------------|
Allow octaves to feedback at different pitches
repeat the riffs, and that's Porcelina!
TAKE ME DOWN
Written and performed by James Iha
Transcribed by Adam Morris
I have a feeling many of you who were bagging this song earlier
have changed your minds. It IS a great song..really grew on me!
Anyway, here is my take on how it is played.
Tuning: Eb
Take note: I have four (kinda 5) different E's in here.
Sorry there so many chords, but this is as accurate as I get :)
CHORDS USED:
E A D G B E
- - - - - -
E 0 2 2 1 0(0)
E(i) 0 2 2 4 2 x (actually E (no 3rd) (add C#)
Emaj7 0 2 2 4 4 4
Esus2 0 7 9 9 7 7
A x 0 2 2 2 0
A5 x 0 2 2 x x
G#m 4 6 6 4 4 4
G#5 4 6 6 x x x
D#\E5 x 6 9 9 x x
C#sus2 x 4 6 6 4 4
Bsus2 x 2 4 4 2 2
F#5 2 4 4 x x x
Intro: E(i) Emaj7, E(i) Emaj7
E(i) Emaj7
and take me down, to the underground
E(i) Emaj7
won't you take me down, to the underground
A5
why oh why, there is no light
A5 (BASS NOTE: B)
and if i can't sleep, can you hold my life
Esus2 D#\E5 C#sus2 Bsus2
And Allie_________________ (I know these aren't the lyrics, but this bit
is not written in the lyrics)
A5
and all i see is you
E(i) Emaj7, E(i) Emaj7
E(i) Emaj7
and take my hand, i lost where i began
E(i)
in my heart i know all of my faults
Emaj7 E
will you help me understand
A
and i believe in you
G#m
you're the other half of me
Csus2 (Bass Note: High E) Bsus2
soothe... and heal...
A
when you sleep, when you dream,
Bsus2 Bsus2 Bsus2
i'll be there if you need me, whenever i hear you sing...
A5 Emaj7 A Esus2 D#\E5 C#sus2 Bsus2 A5
there is a sun, it'll come, the sun, i hear them call me down
Esus2 D#\E5 C#sus2 Bsus2
i held you once, a love that once, and life had just begun
A5
and you're all i see...
Esus2 D#\E5 C#sus2 Bsus2
and trumpets blew, and angels flew on the other side
A5 G#5
and you're all i see, and you're all i'll need
F#5 E
there's a love that god puts in your heart.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Well...that, I believe, is pretty damn close!
Anyone agree/disagree?
E-mail me with any comments, improvements, and tab requests!
Adam Morris (benmo@deakin.edu.au)
WHERE BOYS FEAR TO TREAD
Transcribed By - BUGG_SUPERSTAR@S-GRIFFIN.COM
* Tuned Down - Eb,Ab,Db,Gb,Bb,Eb *
This is a pretty easy tune of the new album, throughout the whole
song there are only two riffs. I will show the two, and you can
figure out the rest for yourself. I have seen other attempts at
this song, but I think this is the most accurate.
Main Riff of the Whole Song
Eb-|--------------------------------------------------------------------|
Bb-|--------------------------------------------------------------------|
Gb-|--------------------------------------------------------------------|
Db-|--------------------------------------------------------------------|
Ab-|-3/5---------------3------------------------------------------------|
Eb-|------4--4--0-0-0----1--3-3-3-3-3-3-3-3-----------------------------|
Second Riff, used in Chorus and at the end
Eb-|--------------------------------------------------------------------|
Bb-|--------------------------------------------------------------------|
Gb-|--------------------------------------------------------------------|
Db-|-3-3-3-3---3-3-3--3-3-3-3-3-5-4-------------------------------------|
Ab-|-3-3-3-3---3-3-3--3-3-3-3-3-5-4-------------------------------------|
Eb-|-1-1-0-1---1-0-1--1-1-1-1-1-3-2-------------------------------------|
Thats pretty much it, near the end it does the previous part, but without
going up to the G5 and F#5 (I Think thats it).
This is my first transcription, so please write me with and comments and
suggestions at BUGG_SUPERSTAR@S-GRIFFIN.COM. Enjoy :)
BODIES
From: Trevor Mintz @ SaskPower
First off, use what Billy calls 'grunge tuning' (dropped D). Then take that Dropped D and tune it down a
half step to a C#. In the last guitar world interview Billy said the whole album was tuned down a half
to get a deeper sound. After that, the song is quite easy.
Major distortion
"Love is suicide...."
----------------------------------------------------------------------|
----------------------------------------------------------------------|
----------------------------------------------------------------------|
--3333333333/777777777777\22222222222/333333333-----------------------|
--3333333333/777777777777\22222222222/333333333-----------------------|
--3333333333/777777777777\22222222222/333333333-----------------------|
change #1 "...casualties of their own past...."
----------------------------------------------------------------------|
----------------------------------------------------------------------|
----------------------------------------------------------------------|
--2222222222/777777777777\55555555555\222222222-----------------------|
--2222222222/777777777777\55555555555\222222222-----------------------|
--2222222222/777777777777\55555555555\222222222-----------------------|
change #2 "...nobody ..."
----------------------------------------------------------------------|
----------------------------------------------------------------------|
----------------------------------------------------------------------|
--5555555555/777777777777\222222222/55555555555-----------------------|
--5555555555/777777777777\222222222/55555555555-----------------------|
--5555555555/777777777777\222222222/55555555555-----------------------|
I can't remember exactly where in the lyrics the changes are but once
you listen to the song you'll know where they are & where changes #1 and #2 go.
Be patient with my instructions, this is my first posting. Recommendation: use a light pick to get that
guitar attack. Cheers to everyone else who has posted tabs. Much appreciated. I'm waiting
for help with the rest of the songs off this double album masterpiece. Especially 'To forgive' & 'Jellybelly'.
THIRTY-THREE
Tabbed by Peter Henderson(Saldek); Oshawa, Ontario, CANADA
Special thanks to Rich Santos
TUNING Half Step Down-Eb Ab Db Gb Bb Eb
Ok well..here's the tab....i think this is how they play it....
There is another guitar part for this..it has some effect on it..
But as you will see..i didn't tab it....Sorry
CHORDS:
Eb Ab Db Gb Bb Eb
C - x 3 2 0 1 0
Dm(no 3rd) - x 0 0 2 3 0 <--reffered to as Dm in the tab
G - 3 x 0 0 3 3
V-downstoke
^-upstroke
FIGURE 1; FIGURE 2;
Eb--3--3--2--2--3--3--3-/-5-5-3--2--- Eb--3--3--2--2--3--3--5-5-5-/-7-5---|
Bb--0--0--0--0--0--0--0---0-0-0--0--- Bb--0--0--0--0--0--0--0-0-0---0-0---|
Gb--0--0--0--0--0--0--0---0-0-0--0--- Gb--0--0--0--0--0--0--0-0-0---0-0---|
Db--0--0--0--0--0--0--0---0-0-0--0--- Db--0--0--0--0--0--0----------------|
Ab--X-----------X-------------X------ Ab--x-----------X-------------------|
Eb--3-----------3-------------3------ Eb--3-----------3-------------------|
V V ^ ^ V V ^ ^ V V V V ^ ^ V V ^ ^ V V
FIGURE 3;
Eb--3--3--2--2--3--3--5-5-5--3--2---|
Bb--3--3--3--3--3--3--3-3-3--3--3---|
Gb--0--0--0--0--0--0--0-0-0--0--0---|
Db--X--x--------x------------X------|
Ab--3--3--------3------------3------|
Eb----------------------------------|
V V ^ ^ V V ^ V ^ V ^
[Intro]
[FIG.1] [FIG.2] [FIG.1] [FIG.2]
[C] speak to me in a [Dm] language i can [FIG.1] hear
[C] humour me [Dm] before i have to [FIG.1] go
[C] deep in thought i [Dm] forgive every - [FIG.1] one
as the [C] cluttered streets [Dm] greet me once [FIG.1] again
i know i can't be [C] late,[Dm] [FIG.2] supper's waiting on the [C] table [Dm]
[FIG.1] tomorrow's just an excuse away [C] [Dm]
so i [FIG.2] pull my collar up and face the [C] cold,
[Dm] on my own [FIG.1]
the [C] earth laughs [Dm] beneath my heavy [FIG.1] feet
at the [C] blasphemy in [Dm] my old jangly [FIG.1] walk
[C] steeple guide me [Dm] to my heart and [FIG.1] home
the [C] sun is out and [Dm] up and down [FIG.3] again
i know i'll make it, [FIG.2] love can last forever
[FIG.3] graceful swans of never [Dm] topple to the [C] earth
and [FIG.1] you can make it [C] last, [Dm] forever you
[FIG.2] you can make it [C] last, [Dm] forever you
and [FIG.1] you can make it [C] last [Dm]
and [C] for a moment i lose myself
[Dm] wrapped up in the pleasures of the [FIG.1] world
i've [C] journeyed here and [Dm] there and back [FIG.1] again
but in the [C] same old haunts i [Dm] still find my [FIG.1] friends
[C] mysteries not [Dm] ready to [FIG.1] reveal
[C] sympathies i'm [Dm] ready to [FIG.3] return
i'll make the effort, [FIG.2] love can last forever
[FIG.3] graceful swans of never [Dm] topple to the [C] earth
[Dm] tommorrow's just an [C] excuse
[Dm] tommorrow's just an [C] excuse
and [FIG.1] you can make it [C] last, [Dm] forever you
[FIG.2] you can make it [C] last, [Dm] forever you
[FIG.1] you can make it [C] last, [Dm] forever you
[C] [Dm] forever you
[FIG.1] [FIG.2] [FIG.1] end on "G"
well..i hope it's right...i think it's pretty close but if anyone sees any
mistakes please
inform me....any questions or comments are also welcome....
--
| Fidonet: Peter Henderson 1:229/125
| Internet: Peter.Henderson@pconline.gryn.org
IN THE ARMS OF SLEEP
CHORDS:
------
E,B,A : basic position
EADGBE
A5 : 002200
F# : 244322
G#m: 466444
[Intro]
G#m F#
G#m F#
G#m F# G#m
Sleep will not come to this tired body now
F#
Peace will not come to this lonely heart
E A5 G#m E
There are some things I live without but I want you to know
A5 G#m F#
That I need you right now ... I need you tonite
---
G#m f# G#m
I steal a kiss from her sleeping shadow moves
F#
Cuz Ill always miss where ever she goes
E A5 G#m E
and ill always need her more than she could ever need me
A5 G#m
I need someone to ease my mind
B
BUT sometimes that someone is SO hard to find
A B
and Ill do anything to keep her here tonite
A B
and Ill say anything to make her feel alright
A E
and Ill be anything to keep her here tonite
F# G#m F#
cuz I want you to stay.. with me, I need you tonite
{NEXT VERSE is like openining verse}
a5 G#m
SUFFER MY DESIRE
a5 G#m
SUFFER MY DESIRE
a5 G#m E
SUFFER MY DESIRE for you {REPEAT TWICE then}
.. a5 E a5 E
for you
I THINK THIS IS FAIRLY CORRECT- PLEASE SEND COMMENTS IF IT HELPED IN ANY WAY!!
later- jeff : jjwolf@eos.ncsu.edu
--
Jeff Wolf- GO NC STATE WOLFPACK
1979
Transcribed by Adam Morris
1/2 step down.
INTRO/MAIN RIFF
|-------------------------------------------------------|
|-------------------------------------------------------|
|-8--8-8-8-8-9--4-4-4-4-4-4-4---------------------------|
|-------------------------------6b-7-4-2-2-2-4-6-9--9-9-| x4
|-6--6-6-6-6-7--2-2-2-2-2-2-2-0-0--0-0-0-0-0-0-0-0--0-0-|
|----0---0---0--0-0-0-0-0-0-0---------------------------|
Then this once.
|-------------------------------------------------------|
|-------------------------------------------------------|
|11--11-11-11-11-11-4--4-4--4-4-4-----------------------|
|-------------------------------------------------------|
|-9---9--9--9--9--9\2--2-2--2-2-2-----------------------|
|-------------------------------------------------------|
Then back to the main riff x 3 (I think it is 3)
Then play this.
|----------------------------------------------------|
|----------------------------------------------------|
|----------------------------------------------------|
|-4--4-4-4-4--4-9--9-9--9-9-9------------------------|
|----------------------------------------------------|
|-2--2-2-2-2--2/7--7-7--7-7-7------------------------|
Then the part that I think would be called the CHORUS
|----------------------------------------------------|
|----5--------4--4-4-5--5-5--------------------------|
|----4--4-4-4-4--4-4-4--4-4--------------------------|
|-6--6--6-6-6-6--6-6-6--6-6---6b-7-4-2-2-2-4-6-9--9-9| x 4
|-7--7--7-7-7-7--7-7-7--7-7-0-0--0-0-0-0-0-0-0-0--0-0|
|-0--0--0-0-0-0--0-0-0--0-0--------------------------|
*________________________*
Through this bit a second guitar plays the
higher strings of the E chord just played.
Then play this.
|----------------------------------------------------|
|----------------------------------------------------|
|----------------------------------------------------|
|-4--4-4-4-4--4-9--9-9--9-9-9------------------------|
|----------------------------------------------------|
|-2--2-2-2-2--2/7--7-7--7-7-7------------------------|
Then back to the VERSE/MAIN RIFF
Then to this.
Then play this.
|----------------------------------------------------|
|----------------------------------------------------|
|----------------------------------------------------|
|-4--4-4-4-4--4-7--7-7--7-7-7------------------------|
|----------------------------------------------------|
|-2--2-2-2-2--2/5--5-5--5-5-5------------------------|
Then back to the CHORUS
Then it changes to what I will call the BRIDGE
|----------------------------------------------------|
|----------------------------------------------------|
|----------------------------------------------------|
|-9-9-9-9-9-9-9-9-9-9-9-9-9-11-11-11-11-7-7-7-7-7-7-7|
|----------------------------------------------------|
|-7-7-7-7-7-7-7-7-7-7-7-7-7--9--9--9--9-5-5-5-5-5-5-5|
>From thereon in there is no new stuff..so that is it.
The song ends on the weird E from the CHORUS
I would like to hear some opinions about this please.
Bye
Adam
benmo@deakin.edu.au
TALE OF A SCORCHED EARTH
Transciption by Michael Gartley
-------------------------------
Comments: Tune down 1 whole step
Billy and James may use different
chord voicings, but I think the
chords are basically the same.
Also, this song is really quick, so
its hard to get a good feel for
whats being played, but this is
what I've been played since I got
the disc a few months back.
intro (and bridge):
e---------------------------------------|
b---------------------------------------|
g---------------------------------------|
d---------------------------------------|
a----4-----4-----4-----4---4---4--------|
e--0h2-0-0h2-0-0h2-0-0h2-0h2-0h2--------|
pre-verse:
e-------------------|----------------|-------|
b-------------------|----------------|-----2-|
g-------------------|----------------|-7---2-|
d---9--9-9-12/13-14-|--9--9-9-5/6-7--|-7---2-|
a---7--7-7-10/11-12-|--7--7-7-3/4-5--|-5-5-0-|
e---0--0-0----------|--0--0-0--------|---3-0-|
play 4th
time then
"Farewell Goodn.."
[Pre-Chorus]
E G C A
inside the future of our shattered pasts
[Chorus]
(I lie just to be real, and I die just to feel etc.)
e---------------------------------------------|
b---------------------------------------------|
g---------9---------11---------13----------14-|
d---------------------------------------------|
a---------7---------9----------11----------12-|
e-0-0-0-0---0-0-0-0----0-0-0-0-----0-0-0-0----|
e---------------------------------------------|
b---------------------------------------------|
g---------4---------6----------7-----------9--|
d---------------------------------------------|
a---------2---------4----------5-----------7--|
e-0-0-0-0---0-0-0-0----0-0-0-0-----0-0-0-0----|
THRU THE EYES OF RUBY
Tabbed by Brian McCall
Eb tuning
Piano intro
*1
there are _several_ layered guitars for this
G1 slight distortion
|---------4----------------5----------------6-------|
|-----0-----0---0------0-----0---0------0-----0---0-|
|---4--(4)----4------7--(7)----7------6--(4)----6---|
|-2----------------5----------------4---------------|
|---------------------------------------------------|
|---------------------------------------------------|
|---------9----------------------------------------|
|-----0-----0---0----------------------------------|
|---9--(7)----9------------------------------------|
|-7------------------------------------------------|
|--------------------------------------------------|
|--------------------------------------------------|
G2
|---------4---------------------------------6-------|
|-----0-----0---0------0-------0--------0-----0---0-|
|---4--(4)----4------7-------7---7----6--(6)----6---|
|-2----------------5-----5----------4---------------|
|--------------------------5------------------------|
|---------------------------------------------------|
|---------9-----------------------------------------|
|-----0-----0---0-----------------------------------|
|---9--(9)----9-------------------------------------|
|-7-------------------------------------------------|
|---------------------------------------------------|
|---------------------------------------------------|
G3 (first time only) Tremolo (fast phasing)
|--------------------------------------------------|
|--------------------------------------------------|
|-3hbr---2hbr--------------------------------------|
|--------------------------------------------------|
|--------------------------------------------------|
|--------------------------------------------------|
*2
G1 Distortion
|--------------------------------------------------|
|-------12-/-19--\-10--14--16-17-----\--12-/-19--\-|
|-13~---X----X-----X---X---X--X---------X----X-----|
|-X-----9--/-16--\-8---11--13-14-----\--9--/-16--\-|
|-11~----------------------------------------------|
|-0------------------------------------------------|
|--------------------------------------------------|
|-10--14-------------------------------------------|
|-X---X--------------------------------------------|
|-8---11-------------------------------------------|
|--------------------------------------------------|
|--------------------------------------------------|
G2 Distortion
|-0-------------------------------------------------|
|-0-------------------------------------------------|
|-1-------------------------------------------------|
|-2-----5--/-12--\-4---7---9--2---------5--/-12---\-|
|-2-----5--/-12--\-4---7---9--2---------5--/-12---\-|
|-0-----3--/-10--\-2---5---7--0---------3--/-10---\-|
|-----------------------------------------------------|
|-----------------------------------------------------|
|-----------------------------------------------------|
|-4---7-----------------------------------------------|
|-4---7-----------------------------------------------|
|-2---5-----------------------------------------------|
*3
G1 Phasing
|---------4----------------5----------------6-------|
|-----0-----0---0------0-----0---0------0-----0---0-|
|---4--(4)----4------7--(7)----7------6--(4)----6---|
|-2----------------5----------------4---------------|
|---------------------------------------------------|
|---------------------------------------------------|
|---------9----------------------------------------|
|-----0-----0---0----------------------------------|
|---9--(7)----9------------------------------------|
|-7------------------------------------------------|
|--------------------------------------------------|
|--------------------------------------------------|
G2 Clean
|---------4---------------------------------6-------|
|-----0-----0---0------0-------0--------0-----0---0-|
|---4--(4)----4------7-------7---7----6--(6)----6---|
|-2----------------5-----5----------4---------------|
|--------------------------5------------------------|
|---------------------------------------------------|
|---------9-----------------------------------------|
|-----0-----0---0-----------------------------------|
|---9--(9)----9-------------------------------------|
|-7-------------------------------------------------|
|---------------------------------------------------|
|---------------------------------------------------|
I strongly believe that the phaser used is the Mu-tron
Bi-phase. They've used it before and mine can mimic
this sound exactly. For those who have one, here's my
settings:
Phasor A only, Sweep: just below 2, Depth: 7, Feedback: 7.5
*4 ("Breathing Underwater....")
G1 (still phased)
|---------7---------------7-----------------11--------|
|-----0-----0---0-----0-----0---0------0-------0----0-|
|---7---7-----7-----7---7-----7-----11---11------11---|
|-5---------------5---------------9-------------------|
|-----------------------------------------------------|
|-----------------------------------------------------|
|-----------11-10-9-8-7-------7---------------7-------|
|------0------------------0-----0---0-----0-----0---0-|
|---11---11-------------7---7-----7-----7---7-----7---|
|-9-------------------5---------------5---------------|
|-----------------------------------------------------|
|-----------------------------------------------------|
^don't ask.
(overdub maybe?)
G2 (tremolo phasing)
|-7-------------------------------11------------------|
|-0-------------------------------0-------------------|
|-7-------------------------------11------------------|
|-5-------------------------------9-------------------|
|-----------------------------------------------------|
|-----------------------------------------------------|
^strummed ^strum slow
slowly
(think "Soma")
|-7---------------------------------------------------|
|-0---------------------------------------------------|
|-7---------------------------------------------------|
|-5---------------------------------------------------|
|-----------------------------------------------------|
|-----------------------------------------------------|
*5 ("And if you spin...")
G1
|-----------11-------------------10-------------------|
|------0-------0----0-------0-------0----0------------|
|---11---11------11------11---11------11--------------|
|-9-------------------12------------------------------|
|-----------------------------------------------------|
|-----------------------------------------------------|
|---------9---------------7---------------------------|
|-----0-----0---0-----0-----0---0---------------------|
|---9---9-----9-----7---7-----7-----------------------|
|-7---------------5-----------------------------------|
|-----------------------------------------------------|
|-----------------------------------------------------|
G2 Tremolo phasing (gets one whole chord in on this part!)
|-11--------------------------------------------------|
|-0---------------------------------------------------|
|-11--------------------------------------------------|
|-9---------------------------------------------------|
|-----------------------------------------------------|
|-----------------------------------------------------|
G3 (Lead fill. Can't tell if it's clean or chorus or
slight distortion or what...)
|-------------------------------------------|---------|
|-----------7------8---(12)/14--12----------|---------|
|-(12)\-6h8---9h11-----------------14-11--12|-11------|
|-------------------------------------------|---------|
|-------------------------------------------|---------|
|-------------------------------------------|---------|
^last time only
*6
G1 Distortion (brighter than G2)
|------------------------------------------------------|
|------------------------------------------------------|
|------------------------------------------------------|
|-----------------------------2-----5--/-12--\-4---7-9-|
|-----------------------------2-----5--/-12--\-4---7-9-|
|-----------------------------0-----3--/-10--\-2---5-7-|
G2 Distortion
|------------------------------------------------------|
|------------------------------------------------------|
|------------------------------------------------------|
|-2-----5--/-12--\-4---7---9--2-----5--/-12--\-4---7-9-|
|-2-----5--/-12--\-4---7---9--2-----5--/-12--\-4---7-9-|
|-0-----3--/-10--\-2---5---7--0-----3--/-10--\-2---5-7-|
G3 Distortion (Lead Fill)
|------------------------------------7--6--9--12--14b-|
|--------------------------------7--5-----------------|
|-----------------------------------------------------|
|-----------------------------------------------------|
|-----------------------------------------------------|
|-----------------------------------------------------|
*7
G1
|-----------------------------------------------------|
|-----------------------------------------------------|
|-----------------------------------------------------|
|-9---7-/-12-\-5-5-5----------------------------------|
|-9---7-/-12-\-5-5-5----------------------------------|
|-7---5-/-10-\-3-3-3...-------------------------------|
STUMBLEINE
tabbed by Peter Henderson(SALDEK); Oshawa, Ontario, CANADA
TUNING: E A C F B E w/ capo first fret
Well this song took me forever to tab...but here it is...and as correct as
i could get it...
**TAB IS RELATIVE TO THE CAPO!!**
/ - slide
FIG. 1 FIG. 2
E-| |-----------------------------------|--------------------------------|
B-|C|-5--------5--------6-------5-------|--------------------------------|
F-|A|-----0------0----------0-------0---|--------------------------------|
C-|P|---0----------0------0---0---0-----|-----0-----0---------0-------0--|
A-|O|-7-----7--------7--8-------7-----7-|---7-----7-----7---7-------5----|
E-| |-----------------------------------|-5-----5-----5---5-----0-3------|
FIG. 3 (for 3* cut off at the point marked with ** below!!)
E-| |--------------------------------------------------------------------|
B-|C|--------------------------------------------------------------------|
F-|A|--------------------------------------------------------------------|
C-|P|-----0-----0---------0-------0-------0-----0---------0-----0--------|
A-|O|---7-----7-----7---7-------5-------3-----3-----3---5-----5-----5----|
E-| |-5-----5-----5---5-----5-3-----0-1-----1-----1---3-----3-----3------|
E-| |------------------------------------------------*-------------------|
B-|C|------------------------------------------------*-------------------|
F-|A|------------------------------------------------*-------------------|
C-|P|-----0-----0---------0-----0----------0-----0---*----0-----0--------|
A-|O|---8-----8-----8---3-----3-----3----5-----5----5*--7-----7-----7----|
E-| |-6-----6-----6---1-----1-----1----3-----3----3--*5-----5-----5------|
FIG. 4
E-| |--------------------------------------------------------------------|
B-|C|--------------------------------------------------------------------|
F-|A|--------------------------------------------------------------------|
C-|P|-----0-----0---------0-------0-------0-----0---------0-----0--------|
A-|O|---7-----7-----7---7-------5-------3-----3-----3---5-----5-----5----|
E-| |-5-----5-----5---5-----5-3-----0-1-----1-----1---3-----3-----3------|
E-| |--------------------------------------------------------------------|
B-|C|--------------------------------------------------------------------|
F-|A|-----------------------------------------------------0-----0--------|
C-|P|-----0-----0---------0-----0----------0-----0-----------------------|
A-|O|---8-----8-----8---3-----3-----3----5-----5----5---7-----7---7-/----|
E-| |-6-----6-----6---1-----1-----1----3-----3----3---5-----5-----5-/----|
Fig. 5
E-| |-----------------------------------|---------------------------------|
B-|C|----------------------------------:|---------------------------------|
F-|A|----------------------0-----0------|-----0-----0--------0-----0------|
C-|P|------0-------0--------------------|---------------------------------|
A-|O|---10-------5-------3-----3---3-/-:|---8-----8-----8---3-----3---3---|
E-| |-8------0-3-----0-1-----1-----1-/--|-6-----6-----6---1-----1-----1---|
Fig. 6
E-| |--------------------------------|
B-|C|--------------------------------|
F-|A|--------------------------------|
C-|P|-----------------------------0--|
A-|O|-7~~~----------------5~----5----|
E-| |-5~~~----------------3~--3------|
FIG. 7
E-| |----------------------------------------------------------------0--|
B-|C|-5--------5--------6-------5------------------------------------0--|
F-|A|-----0------0----------0-------0--------------0---0-------------0--|
C-|P|---0----------0------0---0---0----------0---------------0-------0--|
A-|O|-7-----7--------7--8-------7-----7----7-----7---------7-------5----|
E-| |------------------------------------5-----5-----5---5-----5-3------|
(1) (2) (1)
boredoms in the bathroom shaking out the loose teeth
(2) (1)
sally's in the stirrups claiming her own destiny
(3)
and nobody nowhere understands anything
about me and all my dreams
(1)
lost at sea
(2) (1)
jack it up judy set your heart alight
(2) (1)
mayfair mistress of the satellites
(4)
misspent youth- faking up a rampage
to hold off the real slaves
paid off and staid
(5)
and what you never knew
can never get to you
so fake it
(5)
i'll be your stumbeline
i'll be your super queen
and make you
(6) (1)
jukebox fuckup hanging round the drugstore
(2) (1)
no matter what you say he'll be back for more
(2) (1)
mommy's in the manger with the little kids
(3*)
she's got her reasons, got my forgets
of tears and idle threats
misplaced
(5)
and no matter what they do
they can't get to you
so fake it
(5)
i'll be your stumbeline
i'll be your super queen
(2) (1)
and make you me
(7)
come around ruby i could never sleep alone
Well we've reached the end of another tab..as always , your comments,
corrections, and questions are welcome...
--
| Fidonet: Peter Henderson 1:229/125
| Internet: Peter.Henderson@pconline.gryn.org
X.Y.U.
Tabbed by Brian McCall
Eb tuning
[Intro]
|------------------------------------------------|
|------------------------------------------------|
|-15~---------------11~--------------------------|
|-X-----------------X----------------------------|
|-13~---------------9~---------------------------|
|----0-0-0-0-0-0-0----0-0-0-0-0-0-0--------------|
*1 more distortion
|------------------------------------------------|
|------------------------------------------------|
|-15~---------------11~--------------------------|
|-X-----------------X----------------------------|
|-13~---------------9~---------------------------|
|----0-0-0-0-0-0-0----0-0-0-0-0-0-0--------------|
|-------------------------------------------------|
|-------------------------------------------------|
|-15~---------------11~-------11/12-12-14---------|
|-X-----------------X---------X-----X--X----------|
|-13~---------------9~--------9-/10-10-12---------|
|----0-0-0-0-0-0-0----0-0-0-----------------------|
*2
|-----------------------------------------------|
|-----------------------------------------------|
|-11---------------11---------------------------|
|-X----------------X----------------------------|
|-9----------------9----------------------------|
|----0-0-0-0-0-0-0----0-0-0-0-0-0-0-------------|
^repeat
|----------------------------------------------|
|----------------------------------------------|
|-11---------------11-------11/12-12-11--------|
|-X----------------X--------X-----X--X---------|
|-9----------------9--------9-/10-10-9---------|
|----0-0-0-0-0-0-0----0-0-0--------------------|
Well, based on those two octaves the rest is pretty easy to
figure out (if you can't then you don't deserve to own that
guitar!! :P').
WE ONLY COME OUT AT NIGHT
Tabbed by gdietz@dayton.net and Peter.Henderson@pconline.gryn.org
Tuning: Standard w/ capo on 5
or Eb w/ capo on 6
The chords are written as the shape they are played as, not what they
actually are note wise
Intro: D Am G D Am G D Am C D Am G
D Am G
We only come out at night
D Am G
We only come out at night
D Am C
The days are much to bright
D Am G G7
We only come out at night
C Em C Em G D Am
and once again, you'll pretend to know me well, my friends
C Em C Em G D
and once again, i'll pretend to know the way
Am G
thru the empty space
Am G D C Em
thru the secret places of the heart
D Am G
We only come out at night
D Am G
We only come out at night
D Am C
The days are much to bright
D Am G G7
We only come out at night
C Em C Em G D Am
i walk alone, i walk alone to find the way home
C Em C Em G D
i'm on my own, i'm on my own to see the ways
Am G Am G
that i can 't help the days, you will make it home o.k.
D C Em
i know you can, and you can
D Am G
We only come out at night
D Am G
We only come out at night
D Am C
The days are much to bright
D Am G G7
We only come out at night
C Em Bm C D
and once again, you'll pretend to know that
C Em Bm C D G
that there's an end, that there's an end to this begin
Am G
it will help you sleep at night
Am G D C
it will make it seem that right is always right
Em
alright
D Am G
We only come out at night
D Am G
We only come out at night
D Am C
The days are much to bright
D Am G G7 G ...fade...
We only come out at night
I did this b/c the other tabs had the right notes but the wrong octaves.
With the capo it sounds right to me. Thanx to Peter.Henderson@pconline.gryn.org
for doing the transcription that i based this off of (you did the hard part).
I just rearranged it a bit.
gdietz@dayton.net
BEAUTIFUL
As tabbed by Jonathan Blanks (blanks@cnu.edu)
This song is actuall in standard tuning, but since your playing with
Mellon Collie which 1/2 step down just capo the first fret.
NOTE: chords show as what they look like ie."A" but it's relly "Ab"
INTRO (drums and piano)
piano for guitar
e--0--2----- >repeat however many times necessary
B--------2-- >
*tab goes along with an "A" chord
[A] [G] [D/F# *] [A]
Beautiful, you're beautiful, as beautiful as the sun
[A] [G] [D/F# *] [E]
Wonderful, you're wonderful, as wonderful as they come
[A] [E] [D]
And I can't help but feel attached
[D/F# **][A] [E] [D]
To the feelings I can't even match
[D/F# **][A] [E] [D]
With my face pressed up to the glass
[E] [G]
wanting you
VERSE 2 same as verse 1
[Chorus]
[D] [E] [A] [F#m]
And I'm sure you know me well
[D] [E] [A]
As I'm sure you don't
[D] [E] [A] [F#m]
But you just can't tell
[D] [E] [A] [F#m]
Who you love and who you won't no,no
[D] [E] [A]
Who you love and who you won't
the [A] continues over to when the guitar leads come in
[A] [G] [D] [F] [A]
And I love you
[A] [G] [D] [F] [A]
As you love me
[A] [G] [D] [F]
NA NA-NA NA NA NA-NA-NA
[A] [G] [D] [F]
NA............................
[A] [G] [D] [F] [A]
So let the clouds roll by your face
[A] [G] [D] [F] [A]
we'll let the world spin on to another place
[A] [G] [D] [F] [A]
we'll climb the tallest tree above it all
[A] [G] [D] [E]
to look down on you and me and them
CHORUS (same as first chorus)
END (same as chorus, but I'll do it anyway)
[D] [E] [A] [F#m]
Don't let your life wrap up a-round you
[D] [E] [A] [F#m]
Don't forget to call whenever
[D] [E] [A] [F#m]
I'll here just waiting for you
[D] [E] [A] [F#m]
I'll be under your stars forever, neither
[D] [E] [A] [F#m]
here nor there just right beside you
.......you got it....
Well what do you think, it's my first submission! E-mail me if you have
any comments!! ENJOY.
CHORD VOICINGS for the D/F#'s
0=open
D/F# * D/F# **
E A D G B e E A D G B e
2-0-0-2-3-X X-X-4-2-3-2
LILY (MY ONE AND ONLY)
AS TABBED BY: JONATHAN BLANKS (blanks@cnu.edu)
Tuning 1/2 step down (as if I really need to say that)
[Intro]
G Am
[Verse]
G Am
Lily, my one and only
G Am
I can hardly wait til I see her
G Am
Silly I know I'm silly
Bm (lead fig 1)
Cause I'm hanging in this tree
Am D (I think)
In the hopes that she will catch a glimpse of..
G Am C
..me and thru her window..
G Am C
..shade (shade) I watch her shadow..
G Am C
..moooo-ooove I wonder if she.....
VERSE 2 (same as verse 1)
except lead fig 2 over wher fig1 was
and at the end...
G Am C Am
..moooo-ove I wonder if she could only see me?
Bm Am
When I'm with her I feel fine (fine fine fine)
Bm Am
If I could kiss her I wouldn't mind the time
D (I think)
It took to find my...
G
..Lily.. (same as verse)
Bm
Cause as they're dragging me away
Am D (I think) G strum G slowly backwards
I swear I saw her raise her hand and wave........GOODBYE
lead fig 1 lead fig 2
e --------- e ---------|
B --3\5-3~~ B --7h8p7--|
(I think)
There you go. ENJOY
By the way this song is about a peeping tom--looking thru windows, hanging
in trees, being taken away by the police...... :)
Please e-mail comments! Thanx
BY STARLIGHT
Transcribed by Adam Morris
Tuning: 1/2 step down
Here is another tab from MCIS!
CHORDS USED:
E A D G B E
C# x 4 6 6 6 4
G#m 4 6 6 4 4 x
F# 2 4 4 3 2 2
D#5 x 6 8 8 x x
G#(i) 4 3 x 5 x x <---Keep an eye on this chord when it comes up..
Bb5 6 8 8 x x x If you play a normal G# it will sound terrible!!
G#(ii) 4 6 6 x x x
BEFORE PLAYING, MAKE SURE YOU CHECK THE CHORDS USED
The C# is played as a single string pattern most of the time.
In the verses the C# is played:
---------|
-------6-|
-----6---|
-6-------|
-4-------|
---------|
INTRO: C# G#m F#
C#
by starlight i'll kiss you
G#m F# C#
and promise to be your one and only
i'll make you feel happy
G#m F# C#
and leave you to be lost in mine
G#m F#
and where will we go, what will we do?
D#5 G#(i) C#
soon said i, will know (lead fill 1)
G#m F# C#
and are you just like me?
G#m F# D#5
dead eyes, dead eyes, are you just like me?
Bb5 G#(ii) D#5 F#
her eyes, her eyes were as vacant as the seas
C# G#m F#
dead eyes, are you just like me?
D#5 G#(i) C# F#
and all along, we knew we'd carry on
D#5 G#(i) (play 2nd fret on the B string here)
just to belong
C# G#m F# (play 3rd fret on the G string here)
C#
by starlight i know you
G#m F# C# (lead fill 2)
as lovely as a wish granted true
G#m F# (lead fill 3 over the top)
my life has been empty, my life has been untrue (of this line)
D#5 G#(i) C# F#
and does she really know, who i really am?
D#5 G#(i) C# (lead fill 1)
does she really know me at last
G#m F# C#
are you just like me?
G#m F# D#5
dead eyes, dead eyes, are you just like me?
Bb5 G#(ii) D#5 F# C#
her eyes, her eyes were as vacant as the seas
G#m F# D#5 C#
dead eyes, dead eyes, are you just like me?
G#m F# C#
are you just like me?
LEAD FILL 1 (1/2)
---------------------------------------|
-6/9~~~----6/9~~--11-9-7-6b------------|
-----------------------------6---------|
---------------------------------------|
---------------------------------------|
---------------------------------------|
LEAD FILL 2
---------------------------------------|
--4--6/7\6--4--6~~~~-------------------|
---------------------------------------|
---------------------------------------|
---------------------------------------|
---------------------------------------|
LEAD FILL 3
-------4--------------------2----------|
--4-----------4-------------4-x--------|
-----5---------------------------------|
---------------------------------------|
---------------------------------------|
---------------------------------------|
That is about it. There is a bit of lead in the
outro that I left out, but other than that most of
it is here. I am fairly proud of my efforts with
this TAB so any comments would be greatly appreciated.
benmo@deakin.edu.au
Adam Morris
FAREWELL AND GOODNIGHT
Tabbed by Justin Kunz, kunjust@lyco.lycoming.edu
Tune down 1/2 step (suprise!)
Last track of the whole thing, and one of my favorites. Isn't D'Arcy's
voice beautiful? Here's how I play it: no pick just finger strumming, and
muffled chords like these:
C x32x1x
F x3321x
G 3x0033
D xxx23x
C F
Goodnight, to every little hour that you sleep tite
C
May it hold you through the winter of a long night
G F
And keep you from the loneliness, of yourself
C
Heart strung is your heart frayed and empty
F
Cause it's, hard luck, when no understands your love
C
It's unsung, and I say
C D F G
Goodnight, my love, to every hour in every day
C D F G
Goodnight, always, to all that's pure that's in your heart
C F
Goodnight, may your dreams be so happy and your
C
Head lite with wishes of a sandman and a night light
F
Be careful not to let the bedbugs sleep tight nestled in your covers
C F D F
The sun shines but I don't
C F D F
A silver rain will wash away
C F F D
The sun shines but I don't
C F D G
A silver rain will wash away
F C D
And you can tell, it's just as well
F C D
And you can tell, it's just as well
C D F G
Goodnight, my love, to every hour in every day
C D F G
Goodnight, always, to all that's pure, that's in your heart
************************************
| x Dead note
| b Bend
| p Pull-off
| / Slide up
| \ Slide down
| h Hammer-on
| ~ Vibrato
| (n) Ghost note
| r Release
************************************
X×
Melon Collie And The Infinite Sadness – The Smashing Pumpkins
How to play
"Melon Collie And The Infi…"
Fonte
10 comments
Well, this must have taken a while.
0
Nice bro, one thing
This:
|---------------------------------------|
|---------------------------------------|
|-9-----11----9-----12----11\7--7-------|
|-X-----X-----X-----X-----X-----X-------|
|-7-----9-----7-----10----9-\5--5-------|
|---0-0---0-0---0-0---0-0---------------|
^repeat
Should Be:
|----------------------------------------|
|----------------------------------------|
|-9-----11----9-----12----11----11------|
|-X-----X-----X-----X-----X------X------|
|-7-----9-----7-----10----9------9------|
|---0-0---0-0---0-0----0-----0--10-----|
^repeat
0
*claps*
0
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