Adia Cifra

por Sarah McLachlan
94 035 visualizações, adicionado aos favoritos 5050 vezes
Dificuldade: intermediário
Capotraste: Traste 3
Autor(a) P_Trik 6102. Última alteração em 25/09/2017

Acordes

Am
F
C
Em
G
E
D
Dm
Bb
A7
A7b9
E7
D7
G7

Dedilhado

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Sarah Mclachlan - Adia
Capo 3rd                             A7b9 = x02323
 *               Am
--0--0---------------|
--1--0--0--0--0--1---|
--------2--0--2--2---|
-----------------2---|
-----------------0---|
---------------------|
 
Verse 1
Am       F            C         *
 Adia I do believe I failed you
Am        F               Em    G
 Adia I know I've let you down
C                   F               C       E     Am
 Don't you know I tried so hard to love you in my way
       D           C     G
 It's easy let it go
 
Am        F                C       *
 Adia I'm empty since you left me
Am                 F           Em    G
 Trying to find a way to carry on
C                    F            C                  G
 I search myself and everyone to see where we went wrong
 
         Dm              G              C               F
 There's no one left to finger there's no one here to blame
         Dm              G
 There's no one left to talk to, honey
           C               Bb           F
 And there ain't no one to buy our innocence
 
Chorus
         G      C        A7
 'Cause we are born innocent
            F        Dm        G    Em
 Believe me Adia, we are still innocent
      A7b9         Dm               E7
 It's easy, we all falter; does it matter?
 
 
Verse 2
Am        F                    C       *
 Adia I thought that we could make it
Am                F                 Em    G
 I know I can't change the way you feel
     C                  F              C                 G
 I leave you with your misery, your friend who won't betray
   Dm                  G        C              F
 I pull you from your tower, I take away your pain
    Dm                G                C
 I show you all the beauty you possess
                Bb              F
 If you'd only let yourself believe
 
Chorus
       G      C        A7
 That we are born innocent
            F        Dm        G    Em
 Believe me Adia, we are still innocent
      A7b9         Dm               E7
 It's easy, we all falter; does it matter?
 
Interlude   D7   |C    |G    |Am  D7 |G    |G7   ||
 
Chorus
                C        A7
 'Cause we are born innocent
            F        Dm        G    Em
 Believe me Adia, we are still innocent
      A7b9         Dm
 It's easy, we all falter; does it matter?
 
    G       C        Em             F    Dm
 Believe me Adia, we are still innocent
         G      C        A7
 'Cause we are born innocent
            F        Dm        G    Em
 Believe me Adia, we are still innocent
      A7b9         Dm                      G     E7
 It's easy, we all falter; does it matter?
X
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Adia – Sarah McLachlan
How to play
"Adia"
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19 comentários
P_Trik
In the future, please limit your corrections to a list of defects and your corrections to them. There is no need to copy my transcription into your comment; 1) the formatting is lost when someone tries to print it and 2) IF there are changes to be made, something overlooked or misheard, I will edit my version to include your correction(s) and thank you for your contribution. Dm7 instead of Dm? Sure. I don't hear this in her piano part but it fits nicely leading to G. C13/Bb? The 13th from C is A and chords named with compound intervals include other intervals in between. For example, C9 = C E G Bb and D whereas Cadd9 = C E G D. Do you mean C7/Bb? I played it in context and it does sound good, pulling to the F chord but I keep hearing just the plain Bb chord feeling like a bVII in the key of C, so I'll ask others learning this song to decide which they should use. As for the A7, I originally played C#dim = x42020 but opted for A7/C# simplified to A7. I don't hear the Bb included in your C#dim7 at all.
+4
tim.morgan.guitar
For the sake of clarity, when SM say It's Easy, We All... That's an A7b9, not an A7. It's hugely important to the entire tune. Incidentally, the A7b9 to Dm is the governing dynamic of Flamenco's Bulerias.
+2
coolfactor9221
This is SO GOOD, super-accurate! That A7b9 is killing me, I'm just going to play it using the 7th version haha. Thank you.
0