I Write Sins Not Tragedies Cifras

Strings Verse Part, picked:
   Amadd9            D7/F#             Fmaj13#4
e|-----0-------|  e|-----5-------|  e|-----0-------|
B|-----1----1--|  B|-----3--3-3--|  B|-----1----3--|
G|----------4--|  G|---5----5-4--|  G|---4----4-5--|
D|---2----2----|  D|-4-----------|  D|-3-----------|
A|-0-----------|  A|-------------|  A|-------------|
D|-------------|  D|-------------|  D|-------------|
 
Verse
Amadd9 577500
D7/F#  200212
Fmaj13 130230
 
Chorus
Am  x0221x
F/C x3321x
D5  xx023x (Use 00023x if you're in Drop-D, like the original, or x0023x (D5/A) to mimic in Standard)
G/D x5543x
 
Bridge
F#4/C x3320x
D5/A  x0023x
Bm7#5 x20203
G/B   x20003
D5    xx023x (Use 00023x if you're in Drop-D, like the original, or x0023x (D5/A) to mimic in Standard)
Bm7   x2023x
C     x3201x
F/C   x3321x
 
[Intro]
| Amadd9 | % | % | % | D7/F# | % | Fmaj13 | % |
 
[Verse]
Amadd9
Oh, well imagine, as I'm pacing the pews in a church corridor
      D7/F#                                           Fmaj13
and I can't help but to hear. No, I can't help but to hear an exchanging of words
Amadd9
  "What a beautiful wedding! What a beautiful wedding!", says a bridesmaid to a waiter
      D7/F#                                   Fmaj13                       N.C.
"And, yes, but what a shame. What a shame the poor groom's bride is a whore"
 
[Chorus]
Am                 F/C                        D5                   G/D
I chime in with a "Haven't you people ever heard of closing the goddamn door?"
Am               F/C                     D5                                            G/D
   No, it's much better to face these kinds of things with a sense of poise and rationality
Am                 F/C                        D5                   G/D
I chime in with a "Haven't you people ever heard of closing the goddamn door?"
Am               F/C                     D5                        G/D
   No, it's much better to face these kinds of things with a sense of
 
[Verse]
Amadd9
Oh, well, in fact. Well, I'll look at it this way, I mean, technically, our marriage is saved
D7/F#                         Fmaj13
  Well, this calls for a toast,     so pour the champagne
Amadd9
Oh, well, in fact. Well, I'll look at it this way, I mean, technically, our marriage is saved
D7/F#                         Fmaj13
  Well, this calls for a toast,     so pour the champagne
 
[Break]
| F5 | (F5)  D5 | B5 | (B5) |
| F5 | (F5)  A5 | D5 | (D5) |
 
[Chorus]
Am                 F/C                        D5                   G/D
I chime in with a "Haven't you people ever heard of closing the goddamn door?"
Am               F/C                     D5                                            G/D
   No, it's much better to face these kinds of things with a sense of poise and rationality
Am                 F/C                        D5                   G/D
I chime in with a "Haven't you people ever heard of closing the goddamn door?"
Am               F/C                     D5
   No, it's much better to face these kinds of things with a sense of
 
[Bridge]
F#4/C   D5/A Bm7#5
poise and    rationality
F#4/C   G/B  D5
 
 F#4/C  Bm7  C
Again
F#4maj7
 
[Chorus]
Am                 F/C                        D5                   G/D
I chime in with a "Haven't you people ever heard of closing the goddamn door?"
Am               F/C                     D5                                            G/D
   No, it's much better to face these kinds of things with a sense of poise and rationality
Am                 F/C                        D5                   G/D
I chime in with a "Haven't you people ever heard of closing the goddamn door?"
Am               F/C                     D5
   No, it's much better to face these kinds of things with a sense of
 
[Bridge]
F#4/C   D5/A Bm7#5
poise and    rationality
F#4/C   G/B  D5
 
 F#4/C  Bm7  C
Again
F#4/C   G/B  D5
F/C
X