Stumped Tab

por Minor Threat
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Dificuldade: iniciante
Capotraste: sem capotraste
Autor: YourLastAffront [a] 102. Última edição em 13 de fev. de 2014
Minor Threat
Stumped
Complete Discography and Salad Days EP
Guitarist - Lyle Preslar
 
Fairly High Distortion, i use a Digitech Grunge for this, does the job fantastically.
 
Guitar Intro - Comes in after bass intro, all palm muted.
 
e|----------|----------|----------|----------|
B|----------|----------|----------|----------|
G|----------|----------|----------|----------|
D|-55555555-|-55555555-|-55555555-|-55555555-|
A|-55555555-|-55555555-|-55555555-|-55555555-|
E|-33333333-|-33333333-|-33333333-|-33333333-|
------------------Palm Muted------------------
e|----------|----------|----------|----------|
B|----------|----------|----------|----------|
G|----------|----------|----------|----------|
D|-55555555-|-55555555-|-55555555-|-55555555-|
A|-55555555-|-55555555-|-55555555-|-55555555-|
E|-33333333-|-33333333-|-33333333-|-33333333-|
------------------Palm Muted------------------
e|----------|----------|----------|----------|
B|----------|----------|----------|----------|
G|----------|----------|----------|----------|
D|-55555555-|-55555555-|-55555555-|-55555555-|
A|-55555555-|-55555555-|-55555555-|-55555555-|
E|-33333333-|-33333333-|-33333333-|-33333333-|
------------------Palm Muted------------------
e|----------|----------|----------|----------|
B|----------|----------|----------|----------|
G|----------|----------|----------|----------|
D|-55555555-|-55555555-|-55555555-|-55555555-|
A|-55555555-|-55555555-|-55555555-|-55555555-|
E|-33333333-|-33333333-|-33333333-|-33333333-|
------------------Palm Muted------------------
 
Verse - Throughout the verse, on the last two chords of a bar,
strum harder to give it more harshness and bite.
 
e|----------------------------|----------------------------|
B|----------------------------|----------------------------|
G|-----777-999-101010-555-55--|-----777-999-101010-555-55--|
D|-555-777-999-101010-555-55--|-555-777-999-101010-555-55--|
A|-555-555-777-8-8-8--333-33--|-555-555-777-8-8-8--333-33--|
E|-333------------------------|-333------------------------|
----------------------Lightly Palm Muted--------------------
          on last two C5 of each bar, don't mute
e|----------------------------|----------------------------|
B|----------------------------|----------------------------|
G|-----777-999-101010-555-55--|-----777-999-101010-555-55--|
D|-555-777-999-101010-555-55--|-555-777-999-101010-555-55--|
A|-555-555-777-8-8-8--333-33--|-555-555-777-8-8-8--333-33--|
E|-333------------------------|-333------------------------|
----------------------Lightly Palm Muted--------------------
          on last two C5 of each bar, don't mute
e|---------------|---------------|---------------|---------------|
B|---------------|---------------|---------------|---------------|
G|---7-9-10-5-55-|---7-9-10-5-55-|---7-9-10-5-55-|---7-9-10-5-55-|
D|-5-7-9-10-5-55-|-5-7-9-10-5-55-|-5-7-9-10-5-55-|-5-7-9-10-5-55-|
A|-5-5-7-8--3-33-|-5-5-7-8--3-33-|-5-5-7-8--3-33-|-5-5-7-8--3-33-|
E|-3-------------|-3-------------|-3-------------|-3-------------|
-------------Let each chord ring ring for a second or so----------
e|---------------|---------------|---------------|---------------|
B|---------------|---------------|---------------|---------------|
G|---7-9-10-5-55-|---7-9-10-5-55-|---7-9-10-5-55-|---7-9-10-5-55-|
D|-5-7-9-10-5-55-|-5-7-9-10-5-55-|-5-7-9-10-5-55-|-5-7-9-10-5-55-|
A|-5-5-7-8--3-33-|-5-5-7-8--3-33-|-5-5-7-8--3-33-|-5-5-7-8--3-33-|
E|-3-------------|-3-------------|-3-------------|-3-------------|
-------------Let each chord ring ring for a second or so----------
 
Pause
 
e|----------------------------|----------------------------|
B|----------------------------|----------------------------|
G|-----777-999-101010-555-55--|-----777-999-101010-555-55--|
D|-555-777-999-101010-555-55--|-555-777-999-101010-555-55--|
A|-555-555-777-8-8-8--333-33--|-555-555-777-8-8-8--333-33--|
E|-333------------------------|-333------------------------|
----------------------Lightly Palm Muted--------------------
          on last two C5 of each bar, don't mute
e|----------------------------|----------------------------|
B|----------------------------|----------------------------|
G|-----777-999-101010-555-55--|-----777-999-101010-555-55--|
D|-555-777-999-101010-555-55--|-555-777-999-101010-555-55--|
A|-555-555-777-8-8-8--333-33--|-555-555-777-8-8-8--333-33--|
E|-333------------------------|-333------------------------|
----------------------Lightly Palm Muted--------------------
          on last two C5 of each bar, don't mute
e|---------------|---------------|---------------|---------------|
B|---------------|---------------|---------------|---------------|
G|---7-9-10-5-55-|---7-9-10-5-55-|---7-9-10-5-55-|---7-9-10-5-55-|
D|-5-7-9-10-5-55-|-5-7-9-10-5-55-|-5-7-9-10-5-55-|-5-7-9-10-5-55-|
A|-5-5-7-8--3-33-|-5-5-7-8--3-33-|-5-5-7-8--3-33-|-5-5-7-8--3-33-|
E|-3-------------|-3-------------|-3-------------|-3-------------|
-------------Let each chord ring ring for a second or so----------
e|---------------|---------------|---------------|---------------|
B|---------------|---------------|---------------|---------------|
G|---7-9-10-5-55-|---7-9-10-5-55-|---7-9-10-5-55-|---7-9-10-5-55-|
D|-5-7-9-10-5-55-|-5-7-9-10-5-55-|-5-7-9-10-5-55-|-5-7-9-10-5-55-|
A|-5-5-7-8--3-33-|-5-5-7-8--3-33-|-5-5-7-8--3-33-|-5-5-7-8--3-33-|
E|-3-------------|-3-------------|-3-------------|-3-------------|
-------------Let each chord ring ring for a second or so----------
 
Pause
 
e|----------------------------|
B|----------------------------|
G|-----777-999-101010-555-55--|
D|-555-777-999-101010-555-55--|
A|-555-555-777-8-8-8--333-33--|
E|-333------------------------|
-------Lightly Palm Muted------
on last two C5 of each bar, don't mute
 
After the last bar, improvise, just strike a few notes or something for a few seconds,
or make your own solo. And thats it, I'm confident that this is almost completely
accurate, but we'd need Lyle Preslar to confirm that. Its a fairly slow tempo (especially
for Minor Threat), i guess everyone interprets strumming patterns of a song differently,
but this is how i play it, and its near as dammit perfect.
 
A great song, hope you enjoy learning it, any suggestions/comments/corrections are much
appreciated. email me at wyld_stallyns_rock@hotmail.com
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Stumped – Minor Threat
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"Stumped"
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1 comment
toondog
No way to go Which way to go Where did we go Why did we go Why did we go Where did we go How did we go Why did we go No way to go The time has come for everyone to party The time has come for everyone to get down
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