Minstrel In The Gallery Tab

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#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
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From: tarvydas@turing.toronto.edu (Paul Tarvydas)
Date: 19 Jul 95 19:22:14 GMT
Subject: CRD: Jethro Tull, Minstrel in the Gallery (acoustic)
 
 
Minstrel in the Gallery acoustic portion
Ian Anderson
(transcribed by Paul Tarvydas tarvydas@tsctrl.guild.org)
 
 
capo 2nd fret
 
all chords relative to capo
 
/ = down strum
 
\ = up strum
 
o = all strings open (if preceding Dsus2, then strings 1-4 open,
    if preceding A, then strings 1-5 open, if preceding G, then 1-6
    open)
 
note: The last line "the friends he'd made" is a typical Andersonian
chord-morph.  You should play with the fingering until you find
a combination which moves the fewest fingers at one time.  Anderson
likes to keep one finger planted and change the chords around it.  In
this case, I think he does the following.  He plants the 3rd finger of
the left hand as he changes from Dm to A7sus4.  Am to C, he plants the
1st finger.  C to Cadd9 he lifts the 3rd and places 2nd on the 6th
string, keeping the 1st and 4th fingers planted.
 
 
    A   Asus4   Am   A7sus4  C   Cadd9/F# Dsus2 Dsus4  Dm
-|--0-----0-----0-----0-----0-----0--------0-----3-----1-|
-|--2-----3-----1-----3-----1-----1--------3-----3-----3-|
-|--2-----2-----2-----0-----0-----0--------2-----2-----2-|
-|--2-----2-----2-----2-----2-----0--------0-----0-----0-|
-|--0-----0-----0-----0-----3-----3----------------------|
-|--------------------------3-----2----------------------|
 
    F     G        o-Dsus2  o-A      o-G
-|--1-----3--------0--0-----0--0-----0--3----------------|
-|--1-----3--------0--3-----0--2-----0--3----------------|
-|--2-----0--------0--2-----0--2-----0--0----------------|
-|--3-----0--------0--0-----0--2-----0--0----------------|
-|--3-----2-----------------0--0-----0--2----------------|
-|--1-----3--------------------------0--3----------------|
 
/                /      /     / \
A                Am     C     o Dsus2
    The minstrel in the gallery
 
        /     /              / \
        A     Dsus2          o A
looked down upon the smiling faces.
 
   /       /       /        /   /  \
   F       C       F        F   o  G
He met the gazes - observed the spaces
 
/           /    /\   / \
Dsus2                 o A
between the old men's cackle.
 
   /        /       /    /   / \
   A        Am      C        o Dsus2
He brewed a song of love and hatred -
 
/  /\/ /\/ /\/
G
 
 /                  /      /  \
 G                  Dsus2  o  A
oblique suggestions and he waited.
 
F        C         F   G   C
  He polarized the pumpkin eaters -
 
F        C       F G   C
  static-humming panel-beaters -
 
F         C          F  G    C
  freshly day-glow'd factory cheaters
 
F       C       F  G   C
  (salaried and collar-scrubbing).
 
A         Am    C      o Dsus2
  He titillated men-of-action -
 
F     C        F     F     o  G
belly warming, hands still rubbing
 
G      Dsus2            o  A
on the parts they never mention.
 
A        Am       C     o  Dsus2       G
  He pacified the nappy-suffering,
 
G      Dsus2        Dsus4  o A
infant-bleating one-line   jokers -
 
F    C   F  G    C
T.V. documentary makers
 
F    C      F  G  C
(overfed and undertakers).
 
A      Am    C          o  Dsus2
Sunday paper backgammon players -
 
F      C           F     C
family-scarred and women-haters.
 
        F          C         F  G       C
Then he called the band down to the the stage
 
       F         C
and he looked at all
 
    Dm  A7sus4       Am  C  Cadd9/F#  F
the friends     he'd made.
 
(tr.)  (tr.)
A      Asus4
 
[eof]
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