Some Things Are Better Left Unsaid Cifras
por Hall & Oates3.617 views, adicionada aos favoritos 139 times
| Dificuldade: | intermediário |
|---|---|
| Afinação: | E A D G B E |
| Capotraste: | sem capotraste |
Cifras
Palhetada
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First tab/chord dealie! You can be honest, but please be civil. This is what my
ears heard and hands wanted to play.
Played open E.
*Dm/G: E A D G B E
3 X 3 2 3 X
*The Dm/G was a tough choice since I liked each chord sound. My better half
pointed out the G is the bass chord likewise the Dm a treble. So you can play the
Dm/G, either of the 2 or with someone & split them.
Whew, the rest is pretty easy. :-)
Verse 1:
A Dm/G A
I feel like I could run away
G D
Looking at a darker day
G A
Oh I'm pulling the shades away from my eyes
A Dm/G A
It's true the moody manners come and go
G C
And it's better that you never know
CHORUS:
C Fm
Some things are better left unsaid
C Fm
Some strings are better left undone
C Fm A A7 A A7
Some hearts are better left unbroken
C Fm
Some lives are better left untouched
C Fm
Some lies are better off believed
C Fm A A7 A A7
Some words are better left unspoken
Verse 2:
A Dm/G A
My ideas seem to frighten you
G D
Are you really that afraid to move
G A
Oh I guess that it's your right to reason
A G A
I'm still dealing with a force that's so strong
G C
The force is stringing us along
CHORUS:
C Fm
Some things are better left unsaid
C Fm
Some strings are better left undone
C Fm A A7 A A7
Some hearts are better left unbroken
C Fm
Some lives are better left untouched
C Fm
Some lies are better off believed
C Fm A A7 A A7
Some words are better left unspoken
solo before outro (ad nauseum):
A A7
C G C G A ( ? )
(Can't quite understand this lead before outro)
Outro: A C G D A repeat til fade
X
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Some Things Are Better Left Unsaid – Hall & Oates
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"Some Things Are Better Le…"
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2 comments
Just a tiny thing to note: Open-E tuning is E-B-E-G#-B-e, whereas E-standard tuning is: E-A-D-G-B-e. The upper-case "E" is the 6th string, and the lower-case "e" refers to the 1st string's tuning. It was many years before I discovered that.
That DM/G really sounds very good, here. Other minds would have used a plain Dm. I love it when a transition chord voicing like the Dm/G is used. It lets the audience know there's an undertone. It's really hard to determine what they're playing just before the Outro. Bunches of overtones they layered just to have the effect it has. Not sure, but I would call that an "ambient" basic chord droning where other notes were layered on top; maybe more than once.
The song is in the Key of A Major (AM). And your 4th string not on the Dm/G chord is a "F", instead of the intended "D", but easily modified by letting it ring open.
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