Baker Street Bass

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Dificuldade:	intermediário
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Autor: Neckwringer [a] 406.369. Última edição em 18 de out. de 2014
Temos uma Tablatura Oficial de Baker Street criada pelos guitarristas profissionais do UG.
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BAKER STREET (Bassline)
 
As recorded by Gerry Rafferty
(From the 1978 Album CITY TO CITY)
 
 
Words and Music by Gerry Rafferty
Transcribed by Slowhand
 
 
Gtr I (E A D G) - 'Gary Taylor - Electric Bass '
 
 
 Intro 1
  Q=118
 4/4
  Gtr I
  W          W          W          +W
|----------|----------|----------|--------|
|----------|----------|----------|--------|
|----------|----------|----------|--------|
|-5--------|-1--------|-3--------|-(3)----|
 
 
  W          W          W          +W
|----------|----------|----------|--------|
|----------|----------|----------|--------|
|----------|----------|----------|--------|
|-5--------|-1--------|-3--------|-(3)----|
 
 
  W          W          Q  E E E E E E   E E E E E E E E
|----------|----------|----------------|-----------------||
|----------|----------|----------------|-----------------||
|-0--------|----------|----------------|-----------------||
|----------|-1--------|-3--3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-||
 
 
 Intro 2
  Q  Q  E E +E  E   +Q.   E  E  E  Q
|-----------------|-------------------|
|-----------------|-------------------|
|-5--5--5-5-(5)-5-|-(5)---5S10-10-10--|
|-----------------|-------------------|
 
 
  Q  Q  E E +E  E   +Q.   E  E  E  +E   E
|-----------------|-----------------------|
|-----------------|-----------------------|
|-5--5--5-5-(5)-5-|-(5)---5S10-10-(10)----|
|-----------------|--------------------10-|
 
 
  H    +E  E +E  E   Q.   E +E  E Q    E E E E E E E E   E E E E E E Q
|------------------|-----------------|-----------------|----------------||
|------------------|------7-(7)-7----|-----------------|----------------||
|-3----(3)-3-(3)-3-|--------------7--|-----------------|----------------||
|------------------|-5---------------|-3-3---3-3-3---3-|-3-3---3-3-3-3--||
 
 
 1st & 2nd Verses
  $
  Q  E E E E E E   Q  E E E E E E   Q  E E E E E E   Q  E E E E E E
|----------------|----------------|----------------|----------------|
|-7----7---7---7-|-7----7---7---7-|-7----7---7---7-|-7----7---7---7-|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
 
 
  Q  E E E E E E   Q  E E E E E E   Q  E E E E E E   Q  E E E E E E
|----------------|----------------|----------------|----------------|
|----------------|-5----5---5---7-|----------------|----------------|
|-7----7---7-7-5-|----------------|-5----5---5-----|-5----5---5-----|
|----------------|----------------|------------7-5-|------------7-5-|
 
 
  Q  E E E E E E   Q  E E E E E E   Q  E E E E E E   Q  E E E E E E
|----------------|----------------|----------------|----------------|
|-7----7---7---7-|-7----7---7---7-|-7----7---7---7-|-7----7---7---7-|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
 
 
  Q  E E E E E E    Q  E E E E  q    Q  E E E E E E   Q  E E E E E E
|-----------------|----------------|----------------|----------------||
|-----------------|------------/7--|----------------|----------------||
|-7----7---7-5----|----------------|-5----5---5-----|-5----5---5-----||
|--------------7\-|-3----3---3-----|------------7-5-|------------7-5-||
 
 
 Bridge
  Q  E E E E E E   Q  E E E E E E   Q  E E E E E E   Q  E E E E E E
|------5---7-----|----------------|------5---7-----|----------------|
|----------------|--------------7-|----------------|----------------|
|-5--------------|----------------|-5--------------|----------------|
|--------------3-|-5----3---5-----|--------------3-|-5----3---5---3-|
 
 
  Q  E E E E E E   Q  E E E E E E   Q  E E E E E E   Q  E E E E E E
|------5---------|----------------|----------------|----------------|
|----------------|------5---5---5-|----------------|----------------|
|-3--------3---3-|----------------|-5----5---5-----|-5----5---5-----|
|----------------|-3--------------|------------7-5-|------------7-5-|
 
 
  Q  E E E E E E   Q  E E E E E E   Q  E E E E E E   Q  E E E E E E
|------5---7-----|----------------|------5---7-----|----------------|
|----------------|--------------7-|----------------|----------------|
|-5--------------|----------------|-5--------------|----------------|
|--------------3-|-5----3---5-----|--------------3-|-5----3---5---3-|
 
 
                                            To Coda
  Q  E E E E E E   Q  E E E E E E   Q  E E E E E E    E E E E E E E E
|------5---------|------4---------|-----------------|------------------||
|----------------|----------------|-----------------|------------------||
|-3--------3---3-|-2--------2---2-|-----------------|------------------||
|----------------|----------------|-5--5-5-5-5-5-5--|-3-3-3-3-3-3-3-3--||
 
 
 Interlude
  Q  Q  E E E E   Q  E E  E  E  E E   Q  Q  E E E E   Q  Q   E  E  E  E
|---------------|-------------------|---------------|-------------------|
|---------------|-------------------|---------------|-------------------|
|-5--5--5-5-5-5-|-5--5-5S10-10-10---|-5--5--5-5-5-5-|-5--5S=10-10-10----|
|---------------|-----------------8-|---------------|----------------10-|
 
 
  Q  Q  +E  E +E  E   Q  Q  +E  E E E   Q  Q  E E E E   E E E E  E E Q
|-------------------|-----------------|---------------|-----------------|
|----5--(5)---------|----7--(7)-7-----|---------------|---------/5-5-5--|
|-3---------3-(3)---|-------------7---|---------------|-----------------|
|-----------------3-|-5-------------5-|-3--3--3-3-3-3-|-3-3-3-3---------|
 
 
  Q  E E +E  E +E  E   Q  Q    E  E  E E
|--------------------|-------------------|
|--------------------|-------------------|
|-5--5-5-(5)-5-(5)-5-|-5--5--/10-10-10---|
|--------------------|-----------------8-|
 
 
  Q  E E +E  E +E  E   Q.   E  E  E  E  E
|--------------------|--------------------|
|--------------------|--------------------|
|-5--5-5-(5)-5-(5)-5-|-5----5S10-10-10----|
|--------------------|-----------------10-|
 
 
                                                            D.S. al Coda
  Q  Q  +E  E +E  E   H    +E  E Q    E E E E E E E E   E E E E E E E E
|-------------------|---------------|-----------------|-------------------||
|-------------------|----------7-7--|-5-5-5-5-5-5-5-5-|-5-5-5-5-5-5-5-6---||
|-3--3--(3)-3-(3)-3-|---------------|-----------------|-------------------||
|-------------------|-5----(5)------|-----------------|-------------------||
 
 
                    Guitar Solo
  &
  E E E E E E E E    Q  Q  E E E E   Q  E E  E  E  E E
|-----------------||---------------|-------------------|
|-----------------||---------------|-------------------|
|-----------------||-5--5--5-5-5-5-|-5--5-5S10-10-10---|
|-3-3-3-3-3-3-3-3-||---------------|-----------------8-|
 
 
  Q  Q  E E E E   Q  Q   E  E  E  E
|---------------|-------------------|
|---------------|-------------------|
|-5--5--5-5-5-5-|-5--5S=10-10-10----|
|---------------|----------------10-|
 
 
  Q  Q  +E  E +E  E   Q  Q  +E  E E E   Q  Q  E E E E   E E E E  E E Q
|-------------------|-----------------|---------------|-----------------|
|----5--(5)---------|----7--(7)-7-----|---------------|---------/5-5-5--|
|-3---------3-(3)---|-------------7---|---------------|-----------------|
|-----------------3-|-5-------------5-|-3--3--3-3-3-3-|-3-3-3-3---------|
 
 
  Q  E E +E  E +E  E   Q  Q    E  E  E E
|--------------------|-------------------|
|--------------------|-------------------|
|-5--5-5-(5)-5-(5)-5-|-5--5--/10-10-10---|
|--------------------|-----------------8-|
 
 
  Q  E E +E  E +E  E   Q.   E  E  E  E  E
|--------------------|--------------------|
|--------------------|--------------------|
|-5--5-5-(5)-5-(5)-5-|-5----5S10-10-10----|
|--------------------|-----------------10-|
 
 
  Q  Q  +E  E +E  E   H    +E  E Q    E E E E E E E E   E E E E E E E E
|-------------------|---------------|-----------------|-----------------||
|-------------------|----------7-7--|-5-5-5-5-5-5-5-5-|-5-5-5-5-5-5-5-5-||
|-3--3--(3)-3-(3)-3-|---------------|-----------------|-----------------||
|-------------------|-5----(5)------|-----------------|-----------------||
 
 
 Outro
  Q  Q  E E +E  E   +Q.   E  E  E  Q
|-----------------|-------------------|
|-----------------|-------------------|
|-5--5--5-5-(5)-5-|-(5)---5S10-10-10--|
|-----------------|-------------------|
 
 
  Q  Q  E E +E  E   +Q.   E  E  E  +E   E
|-----------------|-----------------------|
|-----------------|-----------------------|
|-5--5--5-5-(5)-5-|-(5)---5S10-10-(10)----|
|-----------------|--------------------10-|
 
 
  H    +E  E +E  E   Q.   E +E  E Q    E E E E E E E E   E E E E E E Q
|------------------|-----------------|-----------------|----------------*|
|------------------|------7-(7)-7----|-----------------|----------------*|
|-3----(3)-3-(3)-3-|--------------7--|-----------------|----------------*|
|------------------|-5---------------|-3-3---3-3-3---3-|-3-3---3-3-3-3--*|
 
 
Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff
 
Tablature Legend
----------------
 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
  - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
 <>  - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash
 
Misc Legend
-----------
 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers -  = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
X
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1 comment
If you're playing along with the original recording I found that you need to sharpen your tuning by about 1/4 step as the recording has been sped up slightly.