Isnt It A Pity Cifras
por George Harrison320.766 views, adicionada aos favoritos 8.259 times
Complete and well-aligned chords / intermediate version with suggestions for voicings of special chords / chord voicings for different capo positions / https://www.youtube.com/watch?v=lIbVWNy7HBk.
Dificuldade: | intermediário |
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Afinação: | E A D G B E |
Tecla: | G |
Capotraste: | sem capotraste |
Temos uma Tablatura Oficial de Isnt It A Pity criada pelos guitarristas profissionais do UG.
Confira a tablaturaCifras
Palhetada
Ainda não temos padrão de palhetada para esta música. Criar e receba +5 IQ
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Isn't it a Pity – George Harrison
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Written by: George Harrison
From: “All Things Must Pass” (1970)
Tabbed by: maguri
Tuning: Standard
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CHORDS
transpose: - transpose: -3 transpose: -5
capo: - capo: 3rd capo: 5th
play: G play: E play: D
key: G key: G key: G (Standard) (Drop-D)
E-A-D-G-B-e E-A-D-G-B-e E-A-D-G-B-e D-A-D-G-B-e
G 3-2-0-0-0-3 E 0-2-2-1-0-0 D x-x-0-2-3-2 0-0-0-2-3-2
C#m7-5/G 3-4-2-0-0-0 A#m7-5/E 0-1-2-1-2-0 G#m7-5/D x-x-0-1-3-2 0-2-0-1-0-2
Cmaj7/G 3-3-2-0-0-0 Amaj7/E 0-0-2-1-2-0 Gmaj7/D x-x-0-0-3-2 0-2-0-0-0-2
Gdim7 3-x-2-3-2-0 Edim7 0-1-2-0-2-0 Ddim7 x-x-0-1-0-1 0-2-0-1-0-1
C6/G 3-x-2-2-1-0 A6/E 0-4-4-2-2-0 G6/D x-x-0-0-0-0 0-2-0-0-0-0
A7 x-0-2-0-2-0 F#7 (t)2-4-4-3-2-0 E7 0-2-0-1-0-0 2-2-0-1-0-0
C x-3-2-0-1-0 A x-0-2-2-2-0 G 3-x-0-0-0-3 5-x-0-0-0-3
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[Intro]
| G | C#m7-5/G | Cmaj7/G | G |
[Verse 1]
G C#m7-5/G
Isn't it a pity
Cmaj7/G G
Now, isn't it a shame
G Gdim7
How we break each other's hearts
C6/G G
And cause each other pain
G A7
How we take each other's love
C G
Without thinking anymore
G Gdim7
Forgetting to give back
C6/G G
Isn't it a pity
[Verse 2]
G C#m7-5/G
Some things take so long
Cmaj7/G G
But how do I explain
G Gdim7
When not too many people
C6/G G
Can see we're all the same
G A7
And because of all their tears
C G
Their eyes can't hope to see
G Gdim7
The beauty that surrounds them
C6/G G
Isn't it a pity
[Solo]
| G | A7 | C | G |
| G | Gdim7 | C6/G | G |
[Verse 3]
G C#m7-5/G
Isn't it a pity
Cmaj7/G G
Now, isn't it a shame
G Gdim7
How we break each other's hearts
C6/G G
And cause each other pain
G A7
How we take each other's love
C G
Without thinking anymore
G Gdim7
Forgetting to give back
C6/G G
Isn't it a pity
[Outro]
| G | Gdim7 | C6/G | G |
(instrumental)
G Gdim7
Forgetting to give back
C6/G G
Isn't it a pity
G Gdim7
Forgetting to give back
C6/G G
Now, isn't it a pity
| G | Gdim7 | C6/G | G |
(instrumental)
G Gdim7
Forgetting to give back
C6/G G
Now, isn't it a pity
G Gdim7
Oh what a pity
C6/G G
What a pity, pity, pity
G Gdim7
Oh what a pity
C6/G G
What a pity, pity, pity
G Gdim7
Na, na, na, na, na, na, na
C6/G G
Na, na , na, na - isn't it a pity
G Gdim7
Na, na, na, na, na, na, na
C6/G G
Na, na , na, na - isn't it a pity
(repeat til fade)
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39 comments

This is truly awesome Maguri. And the C#m7-5/G is just a genius move that creates a wonderfully soulful progression to the Cmaj7/G, the Gdim7, C6/G and back to G. It is perfect. I have been playing it on my 12 string tonight and can't stop. Thank you for another great tab
+5

A C#m7-5/G has the same notes as an Em6/G (as identified as the second chord in other versions of this same song). Depending on which inversion you play, the chord either emphasizes the C# root, or the E root. The G bass glues both chords to the underlying key of G, but the descending D - C# - C notes means that Harrison intended the C#m7-5\G interpretation to predominate over the Em6/G.....brilliant! He also changes to the Gdim7 on alternate verses , coloring the second chord even more beautifully (and subtly) by simply also dropping the B to a Bb (in the dim7 Chord) then to a A (in a C6/G chord) before transitioning back to the G root chord.......haunting/genius. In my mind Harrison was always the musical genius of the Beatles, Lennon was the Lyrical Genius, Starr was the percussion genius, and McCarthy was the vocal harmony genius. They really were as a group better than anything this planet had ever heard, or seen. I am so grateful for having living through the era of their greatness.
+3

This is dead on with no revision needed! The chords and phrasing are good.
+2