2 1 Tab

#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
 
From: "Matthew Ginn"
Date: Sat, 27 Sep 1997 16:54:11 +0000
Subject: TAB:   2 to 1  by elastica
 
2:1
elastica
(from the "elastica" album, also on "Trainspotting" soundtrack)
 
tabbed here by Matthew Ginn (mginn@manitouwadge.lakeheadu.ca)
1997 09 24
 
This song uses mostly power chords. I haven't tried to note
the strumming rhythms, because they're pretty variable, and mostly
unimportant--just listen to the record--it's straight forward enough.
(This song is played with two guitars, but I've tabbed the main parts
for one. Some day, I'll tab out the other parts.)
 
As for the lyrics: these are the best I could make them out. I didn't
try to correlate the background vocals with the main lyrics in verse
2, just try to fit them in as you see fit. As usual, corrections are
welcome.
 
Chords used:
 
C#: x466xx
A:  577xxx
B:  799xxx
G#: 466xxx
 
standard tuning
 
INTRO:
 
Percussion, then bass (G# & C#'s) then:
 
C#   A   B   G#      G#
 
 
VERSE 1:
 
C#
Keeping a brave face
 
                      A
in circumstances is impossible,
 
 
cannot describe
 
         B
so many ... decisions,
 
       G#                     C#
it's impossible to know which is
 
 
the proper order,
 
                 A
the best position to be ... in,
 
     B
take advantage, or so it seems
 
 
E-----------------------------------------------------|
B-----------------------------------------------------|
G-----------------------------------------------------|
D-------------6-6-6-----6-6-6-6-------6-6-----6-6-----|
A-------------6-6-6-----6-6-6-6-------6-6-----6-6-----|
E-------------4-4-4-----4-4-4-4-------4-4-----4-4-----|
------------------------------------------------------|   the way it go-o-o-o-o-o-o-o-o-o-o-o-o-oes.
 
INTERLUDE:
 
E---------------------------------------------------------------|
B---------------------------------------------------------------|
G------6--5--6--5--6--5-----------------------------------------|
D---6--6--6--6--6--6--6-----------4--6-----------4--6--6--4-----|
A---6--6--6--6--6--6--6--4--4--7-----------4--7--------------7--|
E---4--4--4--4--4--4--4-----------------------------------------|
 
 
E---------------------------------------------------------------|
B---------------------------------------------------------------|
G---------------------------------------------------------------|
D---------------------------------------------------4--6--------|
A---------3h-4--6--------3h-4--6--6--4p-3--4--4--7--------------|
E---4--4--------------4-----------------------------------------|
 
 
E---------------------------------------------------------------|
B---------------------------------------------------------------|
G---------------------------------------------------------------|
D---------4--6--6--4--------------------------------------------|
A---4--7--------------7--------3h-4--6------6/7--7--7--6--------|
E------------------------4--4-----------------------------------|
 
 
VERSE 2:
 
MAIN LYRICS                   | BACKGROUND
                              |
C#                            |
So it goes, at two to one,    | (So just
                              |
A                             |
in the dark, dark my friend,  |  get down on the other side.
                              |
          B                   |
strangers in my bed,          |  Too easy, for nobody to know.
                              |  [too busy to notice me? at all?] |
turn my head,                 |  You're soaking wet,
                              |
G#                            |
again.                        |  you talk too much,
                              |  it's not necessary.)
                              |
                              |
C#                            |
So he goes,                   | (Look for the eyes and mouth
                              |
                              |
two in two,                   |  I just want to say
                              |
A                             |
looks content,                |  "This kid is yours,
                              |
                              |
feels the mood, and then      |  your eyes and mouth."
                              |
B                             |
fumbling 'round,              |  Somewhere
                              |
                              |
tumbling down                 |  I draw the line
                              |
G#                            |
again.                        |  like a gossip
                              |  already.)
 
E------------------------|
B------------------------|
G------------------------|
D---------6-6-----6-6----|
A---------6-6-----6-6----|
E---------4-4-----4-4----|
 
 
CODA:
(essentially the same as the interlude, concluding with a solid C#)
X