Flight Response Tab
por Days of the New4.485 views, adicionada aos favoritos 67 times
Dificuldade: | intermediário |
---|---|
Afinação: | C G C G C E |
Capotraste: | sem capotraste |
-------------------------------------------------------------------------------
Flight Response - Days Of The New
-------------------------------------------------------------------------------
Tabbed by: T
I'm surprised there isn't a stab at this awesome song so I thought to put mine up and it's
for just one guitar (unlike the album version, which features more than one guitar) and will
try to add the parts in there if you have to be dead on like the album - but everything is here.
Tuning: Open C#7
Low to High(C#,G#,C#,G#,B,c#)
c#|--------------0-----1h4--1--------------0------1h4--------------------------|
B|--------------0-------------------------0-----------------------------------|
G#|--------------0-------------------------0-----------------------------------|
C#|---/4---1--0---1---------------/4--1--0--1------------/4---1----------------|
G#|----------------------------------------------------------------------------|
C#|----------------------------------------------------------------------------|
Rhy Fig. 1 This pattern repeats a lot and the open strings can vary
c#|-----------0----------0------0---------------0-------0-----0----------------|
B|-------------0-----------------0------------------------------0-------------|
G#|---------0---------------0----------------0-------------0-------------------|
C#|----------------------------------------------------------------------------|
G#|---5--------------5-----------------5b~----------5--------------------------|
C#|----------------------------------------------------------------------------|
PM This repeats with the top measure played over it
c#|------------------------0-----0---------------------------------------------|
B|--------------------------------0-------------------------------------------|
G#|---------0-----------------0--------------0----------3---3---6--------------|
C#|----------------------------------------------------------------------------|
G#|--5b~--------------5----------------5b~--------------3---3---6--------------|
C#|--------------0---------------------------------0---------------------------|
Rhy Fig. 2 Play x2 then
c#|---0-0----0--0-------0---0----0---0---0--|----------------------------------|
B|---0-0----0--0-------0---0----0---0---0--|----------------------------------|
G#|---0-2/3--3--3-------3---3----3---3---3--|----3---3---6---------------------|
C#|---0-0----0--0-------0---0----0---0---0--|----------------------------------|
G#|-----------------------------------------|----3---3---6---------------------|
C#|------------------0----------------------|----------------------------------|
Guitar 2 behind Rhy Fig. 2 plays this pattern
c#|--9\-10--10--10-10-10-10-10-10---9/10\7-7--7-7--7-7--7-7--10--10--10--12-12-|
B|----------------------------------------------------------------------------|
G#|----------------------------------------------------------------------------|
C#|--9\-10--10--10-10-10-10-10-10---9/10\7-7--7-7--7-7--7-7--10--10--10--12-12-|
G#|----------------------------------------------------------------------------|
C#|----------------------------------------------------------------------------|
c#|--9/10--10-10-10-10--9--9---7--7---9---9---9----x---7--7--7--7-3--7-7--7--7-|
B|----------------------------------------------------------------------------|
G#|----------------------------------------------------------------------------|
C#|--9/10--10-10-10-10--9--9---7--7---9---9---9----x---7--7--7--7-3--7-7--7--7-|
G#|----------------------------------------------------------------------------|
C#|----------------------------------------------------------------------------|
Rhy Fig. 3/Chorus Chords... not exact strumming on chords, just have to listen
c#|--4--4---------2----0---0---------------------------------------------------|
B|--0--0---4-4---2----0---0---------------------------------------------------|
G#|--3--3---3-3---0----0---0---------------------------------------------------|
C#|--0--0---0-0--------3---5---------------------------------------------------|
G#|--0--0---0-0---3--------5---------------------------------------------------|
C#|--0--0---0-0------------3---------------------------------------------------|
This is played behind Rhy Fig. 3
c#|----------4---4--------0-------------0--------------0-----------------0-----|
B|------------0----------------------0-------------4-----------------4--------|
G#|--2h3--0---------2h3-0---3p0--2h3-------3p0--2h3--------3p0---2h3-----------|
C#|----------------------------------------------------------------------------|
G#|----------------------------------------------------------------------------|
C#|----------------------------------------------------------------------------|
run ..run..running insane…follow the pain (This repeats over Rhy Fig. 1 over and over)
c#|----------------------------------------------------------------------------|
B|--9-9--11--9--12-12--12p9-9--11h12-9-11p9-9--12-12-12p9--9--11h12-----------|
G#|--0-0--0---0--0--0---0----0--0-----0-0----0--0--0--0-----0--0---------------|
C#|----------------------------------------------------------------------------|
G#|----------------------------------------------------------------------------|
C#|----------------------------------------------------------------------------|
(Outro) and "Won't be safe again" part - which he picks differently live each time
c#|-----------------------------------------------------------------------------|
B|-----------------------------------------------------------------------0--0--|
G#|----0-----0----0-----0-----0----------------0-------0---0-----0--------0--0--|
C#|-----0--3---0----3-----0-5------0-------------0--3----0---------0-3----------|
G#|-5----------------------------------0--------------------------------5--5----|
C#|-----------------------------3----4-----5-------------------3----------------|
************************************
| / Slide up
| \ Slide down
| h Hammer-on
| p Pull-off
| ~ Vibrato
| x Mute note
| b Bend
| PM Palm mute
************************************
This will get you to play it like I have seen him play live. He does pick it a lot, but it's all here
except some small parts here and there (I'm going to the extreme).
X
Fonte
Comentários