Proud Mary Bass

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Dificuldade:	intermediário
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Autor(a) Neckwringer [a] 404 933. Última alteração em 5/10/2014

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PROUD MARY  (Bassline)
 
As recorded by Creedence Clearwater Revival
(From the 1969 Album BAYOU COUNTRY)
 
 
Words and Music by John C. Fogerty
Transcribed by Slowhand
 
 
Gtr I (E A D G) - 'Stu Cook - Bass'
 
 
 Intro & Interlude
  Q=126
  $
 4/4
  Gtr I
  E Q  E +E  E Q    E Q  E +E  E Q    E Q  E E E E E
|-5-5-------------|-5-5-------------|-5-5-------------|
|------7-(7)-7-7--|------7-(7)-7-7--|------7---5---3--|
|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|
 
 
                                                  1st - 3rd Verses
  +E  E E E E E Q    Q.   E H      Q.   E H        Q.   E H
|------------------|-------------|-------------||--------------|
|-(3)-3-3---3------|-------------|-------------||o-------------|
|---------5-----5--|-5----5-5----|-5----5-5----||o-5----5-5----|
|------------------|-------------|-------------||--------------|
 
 
  Q.   E H      Q.   E Q  E E   Q.   E H      Q.   E Q  Q
|-------------|---------------|-------------|--------------|
|-------------|---------------|-------------|--------------|
|-5----5-5----|-5----5-5--5-0-|-5----5-5----|-5----5-5--5--|
|-------------|---------------|-------------|--------------|
 
 
                                              Pre-Chorus
  Q.   E H      Q.   E Q.   E   Q  Q  Q  Q     Q.   E H
|-------------|---------------|-------------||-------------|
|-------------|---------------|----4--5--6--||-7----7------|
|-5----5-5----|-5----5-5----5-|-5-----------||--------7----|
|-------------|---------------|-------------||-------------|
 
 
                                              Chorus
  Q.   E H      Q.   E H      Q.   E E E Q     Q.   E E Q.
|-------------|-------------|---------------||---------------|
|-7----7------|-9----9------|-9----9--------||---------------|
|--------7----|--------9----|--------9-9-9--||-5----5-5-5----|
|-------------|-------------|---------------||---------------|
 
 
                                                 Interlude
       To Coda
  E Q  E E Q.     Q.   E E Q  E   Q  Q  Q  Q      E Q  E +E  E Q
|---------------|---------------|--------------||-5-5-------------|
|---------------|---------------|----4--5--7--o||------7-(7)-7-7--|
|-5-5--5-5-5----|-5----5-5-5--5-|-5-----------o||-----------------|
|---------------|---------------|--------------||-----------------|
 
 
  E Q  E +E  E Q    E Q  E E E E E   +E  E E E E E Q    Q.   E H
|-5-5-------------|-5-5------------|------------------|-------------|
|------7-(7)-7-7--|------7---5---3-|-(3)-3-3---3------|-------------|
|-----------------|----------------|---------5-----5--|-5----5-5----|
|-----------------|----------------|------------------|-------------|
 
 
                Guitar Solo
  Q.   E H       Q.   E E Q.     Q.   E E Q  E   Q.   E E Q.
|-------------||---------------|---------------|---------------|
|-------------||---------------|---------------|---------------|
|-5----5-5----||-5----5-5-5----|-5----5-5-5--0-|-5----5-5-5----|
|-------------||---------------|---------------|---------------|
 
 
  Q.   E E Q  E   Q.   E E Q.     Q.   E E Q  E   Q.   E Q.   E
|---------------|---------------|---------------|---------------|
|---------------|---------------|---------------|---------------|
|-5----5-5-5--0-|-5----5-5-5----|-5----5-5-5--0-|-5----5-5----5-|
|---------------|---------------|---------------|---------------|
 
 
  Q  Q  Q  Q    Q.   E E Q  E   Q.   E E E E E   Q.   E E Q  E
|-------------|---------------|----------------|---------------|
|----4--5--6--|-7----7------7-|-7------7---7---|-9----9--------|
|-5-----------|--------7-7----|------7---7---7-|--------9-9--9-|
|-------------|---------------|----------------|---------------|
 
 
                     Chorus
  E E E E  E E E E    Q.   E E Q.     Q.   E E Q  E   Q.   E E Q  E
|---------11-------||---------------|---------------|---------------|
|-----9-9----9S7---||---------------|---------------|---------------|
|---9------------0-||-5----5-5-5----|-5----5-5-5--0-|-5----5-5-5--5-|
|-7----------------||---------------|---------------|---------------|
 
 
                                               Outro
 D.S. al Coda &
  Q  Q  Q  Q     Q.   E E Q  E   Q  Q  Q  Q     Q.   E E Q.
|-------------||---------------|-------------||---------------|
|----4--5--7--||---------------|----4--5--7--||---------------|
|-5-----------||-5----5-5-5--5-|-5-----------||-5----5-5-5----|
|-------------||---------------|-------------||---------------|
 
 
  Q.   E E Q  E   Q.   E E Q  E   Q  Q  Q  Q    Q.   E E Q  E
|---------------|---------------|-------------|---------------|
|---------------|---------------|----4--5--7--|---------------|
|-5----5-5-5--0-|-5----5-5-5--5-|-5-----------|-5----5-5-5--5-|
|---------------|---------------|-------------|---------------|
 
 
  Q.   E Q.   E   Q.   E E Q  E   Q  Q  Q  Q    Q.   E E Q.
|---------------|---------------|-------------|---------------|
|---------------|---------------|----4--5--7--|---------------|
|-5----5-5----0-|-5----5-5-5--5-|-5-----------|-5----5-5-5----|
|---------------|---------------|-------------|---------------|
 
 
  Q.   E E Q  E   Q.   E E Q  E   Q  Q  Q  Q
|---------------|---------------|-------------*|
|---------------|---------------|----4--5--7--*|
|-5----5-5-5--0-|-5----5-5-5--5-|-5-----------*|
|---------------|---------------|-------------*|
 
 
Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff
 
Tablature Legend
----------------
 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
  - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
 <>  - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash
 
Misc Legend
-----------
 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers -  = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
X

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Proud Mary – Creedence Clearwater Revival

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"Proud Mary"

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1 comentário

Incredibly bland. (Is that REALLY the way it was played?? - I'm not sure: I'm asking...) I like the use of the higher-Root/Lower-5th, but I just don't like the 'score.' In the lines, there is too much banging on the same note (hard-rock, no movement)... with NO 5th's or variation. On the Intro, I have more of a... CC A CC A CC A G FF FF D ...feel to it... not triplets or filler-notes (I hear 'rests' in there)... My 'spacing' isn't on-spot for timing, but hopefully you'll get the idea. (Opinion: If this is a close-representation of how it was played/recorded... the original Bassist knew his Bass less well than I do. (I'm still trying to learn.))