Tell Me That It Isnt True Cifra
por Bob Dylan17 214 visualizações, adicionado aos favoritos 804 vezes
| Dificuldade: | iniciante |
|---|---|
| Capotraste: | Traste 3 |
Autor(a) mikeperry109 [a] 227. Última alteração em 13/02/2014
Acordes
Dedilhado
Ainda não há um padrão de dedilhado para esta música. Criar e ganhe +5 IQ
TELL ME THAT IT ISNT TRUE D capo 3
Intro (x4)
D D D D Dsus4 D Dsus4 D
D A Em D
I have heard rumors all over town,
D A Em D
They say that you're planning to put me down.
G F#m A
All I would like you to do,
Bm Em D
Is tell me that it isn't true.
Intro (x2)
D A Em D
They say that you've been seen with some other man,
D A Em D
That he's tall, dark and handsome, and you're holding his hand.
G F#m A
Darlin', I'm a-countin' on you,
Bm Em D
Tell me that it isn't true.
Intro (x2)
Bridge
G F#m G D
To know that some other man is holdin' you tight,
Bm F#m Em F#m Em
It hurts me all over, it doesn't seem right.
D A Em D
All of those awful things that I have heard,
D A Em D
I don't want to believe them, all I want is your word.
G F#m A
So darlin', you better come through,
Bm Em D
Tell me that it isn't true.
Intro (x2), then instrumental using bridge chords
D A Em D
All of those awful things that I have heard,
D A Em D
I don't want to believe them, all I want is your word.
G F#m A
So darlin', you better come through,
Bm Em D D D D D
Dsus4 D Dsus4 D
Tell me that it isn't true
F#m Bm Em F#m
Outro Notes relative to Capo position – which means 5 is on the 8th fret!
D Em G D D Em G D
E---------------5s7-5-----|------------------------|
B-5s7-5-3s5-3---------8-7-|5s7-5-3s5-3---5s7-5-3-3-|
G-------------5-----------|------------5-----------|
D--------------------------------------------------|
A--------------------------------------------------|
E--------------------------------------------------|
mikeperry109@hotmail.co.uk
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Tell Me That It Isnt True – Bob Dylan
How to play
"Tell Me That It Isnt True"
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3 comentários
The correct bridge chord progression is as follows:
Gmaj(IV)//F#m (iii)//Em(ii)//Dmaj(I)
F#m(iii)// Bm (vi) //Em(ii)//F#m(iii)//Em(ii)
+1
to go off of what djberto's sayin - I think the second F# is major! so..
Gmaj(IV)//F#m (iii)//Em(ii)//Dmaj(I)
F#major(iii)// Bm (vi) //Em(ii)//F#m(iii)//Em(ii)
+1
I learned this through that Swedish guy (from the Dylan site, broken bricks) the only difference is the Bm I like it beter
0
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