You Should Be Dancing Bass

por Bee Gees
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Dificuldade: intermediário
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Autor(a) Neckwringer [a] 395 148. Última alteração em 9/10/2014
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YOU SHOULD BE DANCING (Bassline)
 
As recorded by Bee Gees
(From the 1976 Album CHILDREN OF THE WORLD)
 
 
Words and Music by Barry Gibb, Maurice Gibb & Robin Gibb
Transcribed by Slowhand
 
 
Gtr I (E A D G) - 'Maurice Gibb - Bass'
 
 
 Intro
  Q=120
 4/4
  Gtr I
  E E E E E E E E   E E E E E E E E   E E E E E E E E   E E E E E E E E
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-------------3-4-|
|-----------------|-----------------|-----------------|-----------5-----|
|-3---3---3---3---|-3---3---3---3---|-3---3---3---3---|-3---3---3-------|
 
 
  Q  E E +E  E E E   S S E +E  E E E Q
|------3-(3)-------|--------------------|
|-5------------3-5-|-3-4-5-(5)----------|
|------------------|--------------------|
|------------------|-----------3-3------|
 
 
  E Q  E +E  E E E   S S E +E  E E E E E
|------3-(3)-------|----------------------||
|-3-5--------5-3-5-|-3-4-5-(5)------------||
|------------------|----------------------||
|------------------|-----------3-3---1-3--||
 
 
   1st - 3rd Verses
    $
    E E E E E E E E   E E E E E E E E   E E E E E E E E   E E E E E E E E
||------------------|-----------------|-----------------|-----------------|
||o-----------------|-----------------|-----------------|-----------------|
||o-----------------|---------3---3-5-|-----------------|---------3---3-5-|
||--3---3---3---3---|-3---3-----6-----|-3---3---3---3---|-3---3-----6-----|
 
 
  E E E E E E E E   E E E E E E E E   E E E E E E E E   E E E E E E E E
|-----------------|-----------------|-----------------|------------------||
|-----------------|-----------------|-----------------|------------------||
|-----------------|---------3---3-5-|-----------------|---------------1--||
|-3---3---3---3---|-3---3-----6-----|-3---3---3---3---|-3---3---3-1-3----||
 
 
 Chorus
  Q.   E Q.   E   Q.   E Q.   E   Q.   E Q.   E   Q.   E Q  Q
|---------------|---------------|---------------|---------------|
|---------------|---------------|---------------|---------------|
|-3----3-2----2-|-1----1-2----2-|-3----3-2----2-|-1----1-2--2---|
|---------------|---------------|---------------|---------------|
 
 
  E Q  E +E  E E E   S S E +E  E E E E E
|------3-(3)-------|---------------------|
|-3-5--------5-3-5-|-3-4-5-(5)-----------|
|------------------|---------------------|
|------------------|-----------3-3---1-3-|
 
 
 1.
  E Q  E +E  E E E   S S E +E  E E E E E
|------3-(3)-------|-----------------------||
|-3-5--------5-3-5-|-3-4-5-(5)------------o||
|------------------|----------------------o||
|------------------|-----------3-3---1-3---||
 
 
  2.,D.S.
  E Q  E +E  E E E   S S E +E  E E E E E   Q.   E Q.   E   Q.   E Q.   E
|------3-(3)-------|---------------------|---------------|---------------|
|-3-5--------5-3-5-|-3-4-5-(5)-----------|---------------|---------------|
|------------------|---------------------|-3----3-2----2-|-1----1-2----2-|
|------------------|-----------3-3---1-3-|---------------|---------------|
 
 
                       To Coda
  Q.   E Q.   E   Q.   E Q  Q    E Q  E +E  E E E   S S E +E  E E E E E
|---------------|--------------|------3-(3)-------|---------------------|
|---------------|--------------|-3-5--------5-3-5-|-3-4-5-(5)-----------|
|-3----3-2----2-|-1----1-2--2--|------------------|---------------------|
|---------------|--------------|------------------|-----------3-3---1-3-|
 
 
                                           Interlude
  E Q  E +E  E E E   S S E +E  E E E E E    E E E E E E E E   E E E E E E E E
|------3-(3)-------|---------------------||-----------------|-----------------|
|-3-5--------5-3-5-|-3-4-5-(5)-----------||-----------------|-----------------|
|------------------|---------------------||-----------------|---------3---3-5-|
|------------------|-----------3-3---1-3-||-3---3---3---3---|-3---3-----6-----|
 
 
  E E E E E E E E   E E E E E E E E   W          W
|-----------------|-----------------|----------|------|
|-----------------|-----------------|-5--------|-7----|
|-----------------|---------3---3-5-|----------|------|
|-3---3---3---3---|-3---3-----6-----|----------|------|
 
 
  E E E E E E E E   E E E E E E E E   W          W
|-----------------|-----------------|----------|------|
|-----------------|-----------------|-5--------|-7----|
|-----------------|---------3---3-5-|----------|------|
|-3---3---3---3---|-3---3-----6-----|----------|------|
 
 
                        D.S. al Coda &
  E E E E E E E E   E E E E E E E E     E Q  E +E  E E E
|-----------------|------------------||------3-(3)-------|
|-----------------|------------------||-3-5--------5-3-5-|
|-----------------|---------3---3-5--||------------------|
|-3---3---3---3---|-3---3-----6------||------------------|
 
 
  S S E +E  E E E E E   E Q  E +E  E E E   S S E +E  E E E E E
|---------------------|------3-(3)-------|---------------------||
|-3-4-5-(5)-----------|-3-5--------5-3-5-|-3-4-5-(5)-----------||
|---------------------|------------------|---------------------||
|-----------3-3---1-3-|------------------|-----------3-3---1-3-||
 
 
 Breakdown
  Wx16
|---------|
|---------|
|---------|
|---------|
 
 
   Outro
    E Q  E +E  E E E   S S E +E  E E E E E
||-------3-(3)-------|---------------------|
||o-3-5--------5-3-5-|-3-4-5-(5)-----------|
||o------------------|---------------------|
||-------------------|-----------3-3---1-3-|
 
 
  E Q  E +E  E E E   S S E +E  E E E E E  4x
|------3-(3)-------|----------------------||
|-3-5--------5-3-5-|-3-4-5-(5)-----------o||
|------------------|---------------------o||
|------------------|-----------3-3---1-3--||
 
 
Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff
 
Tablature Legend
----------------
 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
  - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
 <>  - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash
 
Misc Legend
-----------
 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers -  = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
X
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You Should Be Dancing – Bee Gees
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